| "崇明派"琵琶的传承及其现实影响 |
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| 引用本文： | 斯琴."崇明派"琵琶的传承及其现实影响[J].内蒙古大学学报(人文社会科学版),2007,39(2):110-113. |
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| 作者姓名： | 斯琴 |
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| 作者单位： | 斯琴（内蒙古民族歌舞剧院,内蒙古,呼和浩特,010050） |
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| 摘 要： | 通过对崇明派琵琶曲"瀛州古调"起源、《瀛洲古调》琵琶谱的形成及《瀛洲古调》各版本曲目进行比较,可以看出《瀛洲古调》琵琶谱的传承与发展的轨迹,进而揭示崇明派琵琶各传人在对《瀛洲古调》继承的基础上所形成的独特演奏风格与特点.崇明派琵琶音乐美学观点已成为当今琵琶文曲演奏的基本审美理念,说明了崇明派琵琶的各传人以及当代琵琶演奏家从不同的角度丰富和发展了瀛洲古调.这不仅仅是崇明派琵琶的进步,同时也是对琵琶艺术的贡献.
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| 关 键 词： | 《瀛洲古调》 崇明派 琵琶 比较 传承 风格 研究 崇明派琵琶 琵琶艺术 现实影响 Development group Influence 传承与发展 演奏家 审美理念 琵琶文曲 美学观点 音乐 风格与特点 轨迹 比较 曲目 琵琶谱 瀛洲古调 瀛州 琵琶曲 |
| 文章编号： | 1000-5218(2007)02-0110-04 |
| 修稿时间： | 2006年10月28 |
The Inheriting and Development of "Chongming group" Pipa and Its Practical Influence |
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| Sechen.The Inheriting and Development of "Chongming group" Pipa and Its Practical Influence[J].Journal of Inner Mongolia University(Humanities & Social Sciences),2007,39(2):110-113. |
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| Authors: | Sechen |
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| Institution: | Inner Mongolia National Singing and Dance Showplace, Huhhot 010050,, China |
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| Abstract: | The author compared various version of the "Chongming group" Pipa melody "Ying Zhou Gu Diao" as well as the forming of its Pipa note and illustrates the development and inheriting of the music and its unique playing style and feature.The aesthetic view of the "Chongming group" Pipa music has become the basic aesthetic conception of Pipa playing.It is not only the development of the "Chongming group" Pipa but also the contribution to Pipa art. |
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| Keywords: | "Ying Zhou Gu Diao" "Chongming group" Pipa comparison development and inheriting style research |
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