| 当代蒙古舞创作中的萨满文化遗韵 |
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| 引用本文： | 赵林平,一言.当代蒙古舞创作中的萨满文化遗韵[J].内蒙古大学学报(人文社会科学版),2004,36(4):77-80. |
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| 作者姓名： | 赵林平 一言 |
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| 作者单位： | 内蒙古大学艺术学院，内蒙古呼和浩特010010 |
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| 摘 要： | 萨满教同原始万物有灵论并无二致，其广泛性和持久渗透性的表现形态之一，是半个世纪以来蒙古舞创作中涌动着的萨满化遗韵。《安代舞》、《鼓舞》、《格日乐》等当代蒙古族舞蹈都折射出萨满教尊敬每一个生命就是尊敬自然界的“行为追求体系”。认识蒙古舞对萨满教“功能动作”的借用发展、复现演变、阐释性发挥和创新，有助于开拓蒙古舞创作的历史资源和现实资源。
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| 关 键 词： | 蒙古舞 当代蒙古舞 萨满文化 万物有灵 |
| 文章编号： | 1000-5218(2004)04-0077-04 |
| 修稿时间： | 2004年2月18日 |
Traces of Shamanist Culture That Survive in the Creation of Contemporary Mongolian Dances |
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| ZHAO Lin-ping,YI Yan.Traces of Shamanist Culture That Survive in the Creation of Contemporary Mongolian Dances[J].Journal of Inner Mongolia University(Humanities & Social Sciences),2004,36(4):77-80. |
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| Authors: | ZHAO Lin-ping YI Yan |
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| Abstract: | Shamanism has the same theory as theism. One form of its expressions has its universality and permanence because for half the century,Mongolian dancing production has been full of the posthumous charm of shamanism culture. The current Mongolian dancing products with animals as their describing objects such as "Andai Dance","Drum Dance"and"Gerel"all reflect the "Behaviaer persue system" reflecting the Shamanism spirit that to respect life is to reflect the nature.It is helpful for the exploitation of the historical resources and realism resources of Mongolian dancing production to realize the Mongolian dancing's using,developing,exertion,reproduction and innovation. |
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| Keywords: | Mongolian dancing the current Mongolian dancing Shaman culture theism |
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