| 论杜运燮四十年代诗歌创作中的“摄影主义”手法 |
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| 引用本文： | 杨玉霞.论杜运燮四十年代诗歌创作中的“摄影主义”手法[J].柳州师专学报,2009,24(3):41-43,53. |
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| 作者姓名： | 杨玉霞 |
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| 作者单位： | 聊城大学,文学院,山东,聊城,252059 |
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| 摘 要： | 九叶诗人杜运燮的创作有着鲜明的个人风格,其40年代的诗歌创作具有鲜明的现代意识和现代派的诗学特征,丰富了新诗的表现手法。其中,＂摄影主义＂这一手法的运用,对杜运燮诗歌风格的形成起到了重要作用,也从另一角度发掘出这一手法所包孕的积极的诗艺可能性。
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| 关 键 词： | 杜运燮 摄影主义 视角转换 客观化的观物态度 |
The Principle of Photography Used in Du Yunxie's Poems in the 1940s |
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| YANG Yu-xia.The Principle of Photography Used in Du Yunxie''s Poems in the 1940s[J].Journal of Liuzhou Teachers College,2009,24(3):41-43,53. |
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| Authors: | YANG Yu-xia |
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| Institution: | School of literature;Liaocheng University;Liaocheng;Shandong 252059;China |
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| Abstract: | As one of the Nine-Leaf poets,Du Yunxie wrote a lot of poems and had a strong personal style.His poems written in the 1940s reveal bright modern consciousness and the poetics character of modernism,and enrich the artistic representation of new verse.The use of "the principle of photography" not only plays an important role in forming the characteristics of Du Yunxie's poetry,but also digs out the positive possibilities of that artistic device. |
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| Keywords: | Du Yunxie the principle of photograph shift of view points objective attitude of observing |
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