| 《第二十幕》中女性悲剧命运的历史轮回 |
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| 引用本文： | 姚艳玉,姚艳林.《第二十幕》中女性悲剧命运的历史轮回[J].湖南第一师范学报,2008,8(4):103-104. |
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| 作者姓名： | 姚艳玉 姚艳林 |
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| 作者单位： | 1. 吉首大学文学与新闻传播学院,湖南,吉首,416000
2. 长沙市天心区第一中学,湖南,长沙,410002 |
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| 摘 要： | 周大新长篇家族叙事小说《第二十幕》塑造了盛云纬、曹宁贞、王文蕊等主要悲剧女性形象。她们为爱而生，为情而死，最终却沦为男权世界的牺牲品。她们与男性的关系体现出鲜明的“二元三人”模式。男权社会压制与女性自身的弱点是造成其悲剧命运的双重原因。女性塑造也深刻体现了作家对百年中国历史女性群体悲剧命运的现代思考。
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| 关 键 词： | 《第二十幕》 女性命运 男权 “二元三人”模式 |
On the Historical Reoccurrence of Females' Tragic Fate in The 20th Act |
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| YAO Yan-yu,YAO Yan-lin.On the Historical Reoccurrence of Females' Tragic Fate in The 20th Act[J].Journal of First Teachers College of Hunan,2008,8(4):103-104. |
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| Authors: | YAO Yan-yu YAO Yan-lin |
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| Institution: | YAO Yan - yu, YAO Yan - lin( 1. Literature, Journalism and Communication School, Jishou University, Jishou, Hunan 416000 ; 2. No. 1 Middle School of Tianxin District in Changsha, Changsha, Hunan 410002) |
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| Abstract: | The 20th Act is a long narrative novel about family written by Zhou Daxin, which portrays the main tragic female images, such as Sheng Yunwei, Cao Ningzben, Wang Wenrui and so on. They lived and died for love, but they were the victims of the patriarchal world. The relation between them and males embodies the distinct pattern of ＂duality and three persons＂. The reasons for their tragedy come from both the oppression of the patriarchal society and the weakness of themselves. The portrayal of the female images also shows the author＇ s modem reflection on the trageic fate of females in the history of China. |
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| Keywords: | The 20th Act fate of the female patfiarehalism ＂duality and three persons＂ pattern |
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