| 天公不语对枯棋——陈宝琛诗歌的内涵与美学风格 |
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| 引用本文： | 葛春蕃.天公不语对枯棋——陈宝琛诗歌的内涵与美学风格[J].湖南第一师范学报,2010,10(1):70-73. |
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| 作者姓名： | 葛春蕃 |
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| 作者单位： | 湖南第一师范学院科研处,湖南,长沙,410205 |
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| 摘 要： | 陈宝琛是同光派中福建诗人的代表，他的诗歌思想主要表现在对清王朝前途无可奈何的哀叹、社会动乱的深切忧虑；他的审美特征主要表现在他对韩愈、王安石两种不同诗歌风格的学习和吸收，由此我们看出陈氏诗歌的文学史价值。
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| 关 键 词： | 陈宝琛 诗歌 同光派 宋诗派 |
On the Connotation and the Esthetic Style of Chen Bao-Chen's Poetry |
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| GE Chun-fan.On the Connotation and the Esthetic Style of Chen Bao-Chen's Poetry[J].Journal of First Teachers College of Hunan,2010,10(1):70-73. |
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| Authors: | GE Chun-fan |
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| Institution: | Scientific Research Affairs Department of Hunan First Normal University;Changsha;Hunan 410205 |
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| Abstract: | Chen Bao-chen is a representative of Fujian poets in Tong-guang School. His poem theory has expressed sorrow of Qing dynasty prospect and profound worry of the society turmoil and his aesthetic characteristic mainly shows that he studied and absorbed the poetry style ofHan Yu and Wang An-shi. From this,we can know the value of literary history of Chen＇s poetry. |
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| Keywords: | Chen Bao-chen Tong-guang School Song poem School |
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