| 绵密浓丽,清疏淡远——论温庭筠词的艺术风格 |
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| 引用本文： | 吕相康.绵密浓丽,清疏淡远——论温庭筠词的艺术风格[J].黄石理工学院学报(人文社科版),2005,22(4):23-28. |
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| 作者姓名： | 吕相康 |
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| 作者单位： | 黄石教育学院中文系 湖北黄石435000 |
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| 摘 要： | 关于温庭筠词的艺术风格，有许多的文学史著作通常以绵密浓丽论之，有的虽然讲到其清淡一面，但只是提提而已，未作任何具体的阐述。其实，只要深入解读，温庭筠词无论是形象塑、情思表达，还是构思布局、语言运用。都同时体现出清疏淡远的一面。而且有不少作品及显清疏淡远。本文试图通过对温庭筠词的考察分析，具体论述绵密浓丽、清疏淡远才是其独特的艺术风格。
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| 关 键 词： | 温庭筠词 艺术风格 绵密浓丽 清疏淡远 |
| 文章编号： | 1671-7422（2005）04-0023-06 |
| 收稿时间： | 2005-10-12 |
| 修稿时间： | 2005-10-12 |
Minuteness, Gaudy, Cleanness and lightness——on the Art Style of Wen Tingyun's Poetic Words |
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| Abstract: | There are many literature historic words describing Wen Tingyun's poetic words as minuteness.some once pointed out its freshness with too less words without any detailed discourse.Actually,if be immersed into,you'll find its cleanness and lightness from all aspects of image-building,expression,conceiving and language.this article tries to present a detailed discourse on its minuteness,gaudy,cleanness and lightness according to an analyze of his works |
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| Keywords: | Wen Tingyun's poetic words art style minuteness gaudy cleanness lightness |
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