| 盛开于边缘的玫瑰——试论20世纪中国女性文学发展的三次高潮 |
| |
| 引用本文： | 范中胜.盛开于边缘的玫瑰——试论20世纪中国女性文学发展的三次高潮[J].三门峡职业技术学院学报,2004,3(1):1-4. |
| |
| 作者姓名： | 范中胜 |
| |
| 作者单位： | 三门峡职业技术学院,河南,三门峡,472000 |
| |
| 摘 要： | 人类进入文明史后,女性一直处于权力、社会地位和话语等多重边缘地位。中国女性意识的觉醒是在“五四”时期,而女性文学的真正兴起,则是伴随着20世纪七、八十年代的又一次思想解放运动。中国女性文学凭借历史的机遇实现了两次群体性活跃,并在20世纪末构筑了集体狂欢式的辉煌。本文通过对20世纪中国女性文学发展三次高潮的分析,描绘中国女性意识从初步觉醒到走向成熟的漫长道路,并分析其不足之处,指出今后的发展方向:实现人类双性文化的同步建构。
|
| 关 键 词： | 女性文学 女性意识 男性中心 边缘 高潮 |
| 文章编号： | 1671-9123(2004)01-0001-04 |
| 修稿时间： | 2003年10月20 |
Blossomy Roses on the Fringe——Discussion of the Three Upsurges of Development of Chinese Feminine Literature |
| |
| FAN Zhong-sheng.Blossomy Roses on the Fringe——Discussion of the Three Upsurges of Development of Chinese Feminine Literature[J].Journal of Sanmenxia Polytechnic,2004,3(1):1-4. |
| |
| Authors: | FAN Zhong-sheng |
| |
| Abstract: | Since the civilization of mankind, the status of the fair sex has been situated among the borders of authority, social status and gambit. The May Forth Movement was the turning point to arouse the recognizant of Chinese feminine. However, it was not fully rousted until another emancipation of ideology took place between the 70s and the 80s. Chinese Feminine literature has geared up twice within the last century, and has confirmed its refulgent status in the past decade. The goal of this paper is to describe the changes of the recognizant of Chinese feminine, as well as to analyze its deficiencies, in different developmental stages of the three upsurges of development of Chinese feminine literature in the 20th century. The paper concluded with some insights of recent development of actualizing co-culture of mankind. |
| |
| Keywords: | feminine literature recognizant of the fair sex male-centered fringe upsurge |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
