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"洛神"迷醉与魏晋绘画的审美理性--从《洛神赋》到《洛神赋图》
引用本文:苏涵."洛神"迷醉与魏晋绘画的审美理性--从《洛神赋》到《洛神赋图》[J].山西师大学报,2004,31(3):55-60.
作者姓名:苏涵
作者单位:集美大学中文系 福建厦门361021
基金项目:国家艺术科学研究“九五”规划项目“顾恺之研究”(编号 :99CF3 1 )
摘    要:魏晋之间,洛神成为一个令各类艺术迷醉的女神形象。《洛神赋图》受《洛神赋》与时代文化的影响,偏好女性题材,追求人性对审美激情的感发,以眼神对视来经营位置,在表现人体之美时,重在衣折秀媚的线条讲究,追求艳姿的描绘,具有那个时代绘画特有的审美理性。通过对《洛神赋图》、《洛神赋》与顾恺之画学思想的关系的研究,可以做出推论:一代巨匠顾恺之创作了一代名画《洛神赋图》。

关 键 词:《洛神赋》  《洛神赋图》  顾恺之  审美理性
文章编号:1001-5957(2004)03-0055-06
修稿时间:2003年6月9日

Fascination of Goddess Luo and the Aesthetic Rationality in Paintings of Wei and Jin Dynasties
SU Han.Fascination of Goddess Luo and the Aesthetic Rationality in Paintings of Wei and Jin Dynasties[J].Journal of Shanxi Teachers University,2004,31(3):55-60.
Authors:SU Han
Abstract:During Wei and Jin Dynasties,the Goddess Luo became an image of goddess fascinated by a variety of artists. Influenced by Goddess Luo Rhapsody and other cultural factors in that era, female subject became a special fondness in the Painting of Goddess Luo Rhapsody, which aims to urge aesthetic passion through human nature; to arrange postures by eye contacts; to illustrate the beauty of human bodies by emphasizing on beautiful and charming lines of clothes and splendid carriages--the special aesthetic rationality in paintings of that age. From studying the relations among the Painting of Goddess Luo Rhapsody and Goddess Luo Rhapsody and Gu Kaizhi's painting thoughts, it can be inferred that a great painter - GU Kaizhi creates a great painting: the Painting of Goddess Luo Rhapsody.
Keywords:Goddess Luo Rhapsody  the Painting of Goddess Luo Rhapsody  aesthetic rationality  
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