| 演唱的谐调及美感分析 |
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| 引用本文： | 张淑珍.演唱的谐调及美感分析[J].山西师大学报,2007,34(3):128-129. |
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| 作者姓名： | 张淑珍 |
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| 作者单位： | 天津师范大学艺术学院 天津 |
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| 摘 要： | 演唱艺术的审美是多侧面的,是综合性的体现,要求演员具备一些相应的综合素质。然而,所有日积月累形成的专业素质和能力,都要通过舞台上短暂的演和唱的良好协调传达给观众。这种能力只有演员经过长期的学习和实践不断加强和完善,使之得到平衡、协调的发展,才能提高整体的艺术审美层次。
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| 关 键 词： | 演唱 协调 统一 和谐 平衡 审美 |
| 文章编号： | 1001-5957(2007)03-0128-02 |
| 修稿时间： | 2007-03-10 |
The Harmony and Aesthetic Appreciation of Singing and Performance |
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| ZHANG Shu-zhen.The Harmony and Aesthetic Appreciation of Singing and Performance[J].Journal of Shanxi Teachers University,2007,34(3):128-129. |
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| Authors: | ZHANG Shu-zhen |
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| Institution: | Academy Of Fine Arts, Tianjin Normal University, Tianjin,300387 , China |
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| Abstract: | The aesthetic appreciation of singing and performance contains a lot of different aspects. It is an embodiment of synthesis and requires the corresponding qualities. The professional qualities and abilities are accumulated from daily practice, but can only be shown to the spectators by the short but harmonious performance on the stage. The singer should strengthen and polish these skills and abilities by the long-term study and rehersal. Only when a singer's performance reaches the standard of harmony and equilibrium can he improve his aesthetic appreciation and thus become a popular singer. |
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| Keywords: | performance coordinate unified harmony equilibrium aesthetic appreciation |
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