| 外师造化天地宽--对中国传统绘画的再认识 |
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| 引用本文： | 毕继民.外师造化天地宽--对中国传统绘画的再认识[J].徐州师范大学学报(哲学社会科学版),2003,29(4):159-160. |
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| 作者姓名： | 毕继民 |
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| 作者单位： | 徐州师范大学,美术系,江苏,徐州,221116 |
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| 摘 要： | 中国传统绘画生成了各类画家和各种绘画样式，产生了不可胜数的神品和妙论，凡此种种共同维系着鲜明的民族特色并有别于其他绘画，为后人提供了直白和详实的参照，留给了我们太多的感悟和思考。
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| 关 键 词： | 中国传统绘画 造化 墨戏 参悟 蒙养 |
| 文章编号： | 1007-6425(2003)04-0159-02 |
| 修稿时间： | 2002年9月19日 |
To Enlarge Art Space Under the Teaching of Nature --Recognition to Chinese Traditional Painting |
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| BI Ji-min.To Enlarge Art Space Under the Teaching of Nature --Recognition to Chinese Traditional Painting[J].Journal of Xuzhou Normal University(Philosophy and Social Sciences Edition),2003,29(4):159-160. |
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| Authors: | BI Ji-min |
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| Abstract: | There is a variety of painters and painting styles in the Chinese traditional painting, producing innumerable marvelous paintings and ingenious theories in Chinese art history. Every complexion of these paintings and theories maintains magnificent Chinese national characters different from other nations', and constructs every aspect of Chinese cultural tradition. Our ancestors have passed us rules, customs and plain but detailed conferences, leaving us to insight and ponder. |
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| Keywords: | the Chinese traditional painting nature construction life experience insight |
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