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1.
Research has shown that children as young as three and four can think on many different levels if they are encouraged to do so (Pepler & Ross, 1981; Turner & Durrett, 1975). Educators can promote young children's thinking by asking appropriate questions and by providing learning activities that require children to think beyond the recall or memorization level (What Works, 1986). Asking good questions is an art — an art that can be learned and refined with practice and with conscious effort.Jean M. Shaw and Mary Jo Puckett Cliatt are associate professors in the School of Education at the University of Mississippi in University, MS.  相似文献   

2.
2002年到2007年间。是对诗人昌耀研究取得丰收的时段。主要成就：传记类的纪念文章继续涌现,逐渐完备着昌耀的生平史料;对昌耀诗歌艺术特色和思想内容的探讨更深入;研究方法有所创新。不足：研究视角单一、研究面相对狭窄、研究结论重复,导致对昌耀的研究在整体上很难有较大的突破;生平史料尚欠详实,得出的判断有欠客观。  相似文献   

3.
To determine if quizzes containing higher order thinking questions are related to critical thinking and test performance when utilised in conjunction with an immersion approach to instruction and effort-based grading, sections of an Educational Psychology course were assigned to one of three quizzing conditions. Quizzes contained factual multiple-choice questions, factual essay questions or essay items requiring higher order thinking. Critical thinking was measured with a pre-test–post-test design and the Watson–Glaser Critical Thinking Appraisal (Short Form). Classroom learning was assessed via multiple-choice and essay tests. Critical thinking increased equally across all sections. The section receiving higher order thinking quizzes performed significantly better than the other two sections on both the multiple-choice and essay portions of the classroom tests. The implications of these findings are discussed in the context of methodological approaches to encouraging critical thinking.  相似文献   

4.
Art's relationship with education is often characterised by paradox. Yet art is often reified within an education system that refuses to see the pedagogical strengths of paradox. This article approaches art education from three positions. The first is that art is a construct that is neither natural nor necessary. The second is that there are no aesthetic or pedagogical imperatives, but that art education is the recognition of groundlessness where paradox facilitates learning. The third approach is to reposition art with regards to its relationship with learning, education and schooling. Here it is argued that art's only choice is to deschool learning. The latter is moved by an underlying dilemma as to whether art, considered as an autonomous human act, could ever engage with systems of learning without being turned into a tool or a thing. Unless art education is deschooled, the teaching and learning of art remains trapped between the assumptions of process and product. So the idea of art and education as shared practices within schooling remains somewhat dubious unless art's practices are recognised in parts perceived as wholes and where conclusions are marked by open‐endedness. No possibilities for art or learning could ever emerge unless a radically different set of conditions give way to a state of affairs where knowledge is a matter to be discovered but never determined, and where a fixed ground is transformed into a wide horizon.  相似文献   

5.
Abstract

This paper explores the continuing relevance to education of ideas about art and resistance that Jean-François Lyotard signalled in his curated exhibition in 1985 at the Centre Georges Pompidou in Paris entitled Les Immatériaux. The exhibition was for Lyotard the ‘staging’ of a resistance at the dawning of an information age that challenged the prioritisation of computerised ‘data’ through the very deconstruction of data as presented in artistic form. While the implications of this event for art exhibitions are still being theorised and debated, it is the insight Les Immat?ériaux provides as pedagogical encounter that is the focus of this article. The paper explores the exhibition in the context of the immateriality of art and develops this argument towards a notion of artistic testimony that then culminates in an analysis for the pedagogical significance of the exhibition in the information drenched, highly networked context of contemporary education.  相似文献   

6.
在步入二十一世纪知识经济时代的今天,一个国家人民的创新意识显得尤其重要。怎样发掘学科优势,培养学生创造精神和高素质人才,是我们所有教育工作者的责任。通过一、激发认识兴趣;二、因势利导及时启发促进创新这两种手段来激发学生的创新能力,以培养更为优秀的美术人才。  相似文献   

7.
This essay demonstrates how visual works of art may operate rhetorically to articulate public knowledge, to illustrate the moral challenges facing citizens, and to shape commemorative practices, through an analysis of Norman Rockwell's civil rights paintings of the 1960s. By examining the rhetorical aspects of these paintings, including their form and composition, the essay demonstrates the power of visual works of art to evoke common humanity in three significant ways: (1) disregarding established caricatures; (2) creating recognition of others through particularity; and (3) depicting material aspects of American society, thereby reminding viewers that abstract political concepts are always relative to the individuals or groups whose lives are most directly influenced by their presence or absence.  相似文献   

8.
设疑置问 训练思维   总被引：2，自引：0，他引：2  
课堂提问是一种教学艺术,通过设疑置问,提高课堂教学效率,发展学生的能力,锻炼学生的思维,提升学生的素质。在数学课堂教学中,课堂提问是取得良好课堂效果的重要方面。本文总结了设置疑问的六种类型,主要有急问抢答型,质疑问难型,类比解析型,论争辨析型,启发建模型和回归本意型。  相似文献   

9.
建国60年来,中国共产党领导开展的纪念活动反映了中共领导人民进行社会主义革命、建设和改革的历史轨迹,其基本经验主要表现在纪念活动与总结历史经验相结合,探寻纪念活动的历史价值;纪念活动与教育引导广大群众相结合,挖掘纪念活动的教育资源;纪念活动与现代传播方式相结合,拓展纪念活动的传播空间;纪念活动与推动社会发展相结合,彰显纪念活动的时代特征;纪念活动与构建和谐社会相结合,发挥纪念活动的整合功能.  相似文献   

10.
The increasingly widespread use of iPads in higher education (HE) brings to the forefront questions about the contribution of these computer tablets towards teaching and learning. However, there is a noticeable gap of research on the instructional potential of iPads in HE. This paper describes the first stage of a research project on the use of iPads in undergraduate art and design disciplines, and is a collaboration between the research lab “Networked Learning Technologies in Art and Design” at Cyprus University of Technology, and the “Centre for Pedagogic Research” at Falmouth University in England. The participants from both institutions provided a student‐centred perspective, and the qualitative analysis (phenomenography) revealed varied perceptions. Based on the findings of this project, the implication is that there are a number of challenges and obstacles in embedding the use of iPads in art and design education. Further research in the second stage of this collaborative research will investigate the views and motivations of art and design faculty. A video abstract of this article can be viewed at https://www.youtube.com/watch?v=ZBXnuVJ8eBY  相似文献   

11.
Students in undergraduate chemistry courses find, as a rule, topics with a strong mathematical basis difficult to master. In this study we investigate whether such mathematically related problems are due to deficiencies in their mathematics foundation or due to the complexity introduced by transfer of mathematics to a new scientific domain. In the investigation we exposed a group of students to a chemistry instrument based on the Nernst equation in electrochemistry, and an equivalent group of students to a similar mathematics instrument in which the questions were stripped of all chemistry context. Both tests contained items requiring algebraic as well as graphical skills. Students experienced few problems with the algebraic questions in both the chemistry and mathematics tests. Their graphical construction and interpretation skills, on the other hand, are inadequate, as can be seen from the poor performance in both the mathematics and the chemistry results of the graphical question. Our conclusion is that the problem seems to lie at the mathematics side and is not due to the transfer of mathematics to an application. © Wiley Periodicals, Inc. J Res Sci Teach 45: 197–218, 2008.  相似文献   

12.
解题是一门艺术，统一性是数学固有的特点。本文通过高等数学中的若干实例，论证了结论：如果在解题的过程中注意到统一性，把不同的问题统一为相同的数学模型，则可以化难为易，提高解题效率，达到事半功倍的效果。  相似文献   

13.
Ros Fisher 《Literacy》2002,36(2):63-67
This paper considers evidence from an ESRC funded study of twenty teachers, teaching the literacy hour. In 170 hours of observation only one instance of a teacher modelling her thinking about reading or writing was recorded: and this was unplanned. It is suggested here that, although there should be opportunities for metacognitive modelling within the literacy hour, teachers find it difficult to use these opportunities. Some ideas about the importance of metacognition are reviewed and an example of metacognitive modelling in shared writing is analysed. It is argued that concern for improved performance may cause more attention to be focused on what is to be achieved rather than how.  相似文献   

14.
The report deals with the establishment of an Audio Visual Centre at the University of Ife as a result of collaboration between the Universities of York and Ife. Its interest lies particularly in its suggestion of a collaborative process suitable for a developing country. The report shows up clearly that, difficult though the process is to build the hardware and establish a stock of spares, the greatest problem comes in staff development programmes where lecturers are faced with adjusting to innovation and where the training programmes begin to fail  相似文献   

15.
Untimed examinations are popular with students because there is a perception that first impressions may be incorrect, and that difficult questions require more time for reflection. In this report, we tested the hypothesis that timed anatomy practical examinations are inherently more difficult than untimed examinations. Students in the Doctor of Physical Therapy program at Thomas Jefferson University were assessed on their understanding of anatomic relationships using multiple‐choice questions. For the class of 2012 (n = 46), students were allowed to circulate freely among 40 testing stations during the 40‐minute testing session. For the class of 2013 (n = 46), students were required to move sequentially through the 40 testing stations (one minute per item). Students in both years were given three practical examinations covering the back/upper limb, lower limb, and trunk. An identical set of questions was used for both groups of students (untimed and timed examinations). Our results indicate that there is no significant difference between student performance on untimed and timed examinations (final percent scores of 87.3 and 88.9, respectively). This result also held true for students in the top and bottom 20th percentiles of the class. Moreover, time limits did not lead to errors on even the most difficult, higher‐order questions (i.e., items with P‐values < 0.70). Thus, limiting time at testing stations during an anatomy practical examination does not adversely affect student performance. Anat Sci Educ 6: 281–285. © 2013 American Association of Anatomists.  相似文献   

16.
This article focuses on the emotions of 13 and 14 year‐old students related to visual art education activities. Our aim is to understand the interference of the students' emotions with the processes of the creation and reception of their own pictures, as well as their characteristics in an art education context. The article adopts a Vygotskian theoretical perspective about emotion and aesthetic education that refers to the biopsychological nature of emotion and its cultural determination. The need to transform emotions in art activities is stressed and the teenagers' pictures are interpreted as a means of communication. The data collection was based on questionnaires and interviews with seventh and eighth grade secondary school students. It is concluded that students' emotions are not only present in the creative process and in its result, but also that they could have a significant positive or negative impact on students' motivation and achievement behaviour in art education classes. In this context, the students' pictures, acting as stimuli, may evoke their emotions.  相似文献   

17.
Michel de Montaigne’s L’art de Conférer offers a moral groundwork for students’ learning of havruta, a traditional Jewish form of studying in pairs, based on collaborative critical text-based learning, that can be applied to students everywhere. The article attends to the nature of havruta learning and to cultural norms that make it difficult for students to become open to their partners’ opposing ideas. Students’ critical discussion of Montaigne’s essay is then conceptualized as a pedagogical tool for cultivating the welcoming of opposing viewpoints and opening their own ideas to critical scrutiny in text- and discussion-based learning. I draw on Wolfgang Iser’s theory of reading as bringing the reader into deeper self-consciousness and calling into question implicit beliefs about the role of opposing ideas. The article provides an analysis of Montaigne’s ideas and includes study questions to help students adopt a more constructive attitude toward opposing views and expand their understanding of the role of the confrontation of ideas in learning discussions.  相似文献   

18.
Glen A. Jones 《Interchange》1992,23(3):315-320
The author argues that whileProfscam, by Charles Sykes, is seriously flawed, the book presents a forceful attack on the professoriate. Sykes is successful in raising questions about the modern university that are difficult to answer.  相似文献   

19.
This paper considers a key text in the field of Cultural Studies for its relevance to questions about the identity of knowledge in education. The concept of 'aura' arises as being of special significance in 'The Work of Art in the Age of Mechanical Reproduction' as a way of understanding the change that occurs to art when mass reproduction becomes both technologically possible and industrially realised. Aura seems to signify something of the symbolic halo generated by objects of special significance that is both powerful and indefinite. This paper argues that aura is in fact the necessary property of symbolic representation—and that it attaches as much to the figure of Walter Benjamin as it does to any canonical work of art. But the paper also claims that Benjamin's argument about the significance of popular forms of art—particularly photography and film—can be updated and applied to critical questions about the established order of knowledge in education. This is particularly relevant to those curriculum domains where specific objects—texts, for example—are invested with powerful auras. It may also be applicable to all forms of established knowledge and curricula.  相似文献   

20.
This phenomenological study, based on ecological systems theory, examined the college student bereavement experience in a Christian university. Undergraduate students (N = 127) from a small Christian university provided answers to open‐ended questions about their experiences regarding college following a death loss. Results indicate that students are generally successful in adapting to bereavement and prefer an environment open to discussing death and asking difficult religious questions. Implications for counselors are provided.  相似文献   

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