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1.
近代以来,日本的保育事业逐步发展,保育思想也不断发展。今天其《幼儿园教育要领》和《保育所保育指针》的基本思想,就是重视孩子自身的各种感受,重视孩子的嬉戏和生活体验。从"健康"、"人际关系"、"环境"、"语言"和"表现"五个领域规定了比较具体的目标和内容,以确保孩子在各个方面都能够"体验"、"感受"和"享受"各种各样的事情。嬉戏作为孩子的自发的活动,是培养其身心协调发展的基础的重要的学习。日本学前教育机构的工作就是从五个领域指导孩子通过嬉戏和生活体验逐步形成生存的基础,逐步为生存能力的形成奠定基础。  相似文献   

2.
Abstract

This book review symposium aims to open a space for discussions and questions responded to the book Education between Speech and Writing: Crossing the Boundaries of Dao and Deconstruction, which is published in 2018. The symposium is composed of four articles by four authors. They are “Introduction” by the author of the book; Morimichi Kato's “Writing, History, and Playfulness: A dialogical review of Ruyu Hung's Education Between Speech and Writing: Crossing the Boundaries of Dao and Deconstruction”; Xu Di's “Think Beyond Dichotomy: Discussant paper on Education Between Speech & Writing by Dr. Ruyu Hung”; and Chia-Ling Wang's “Buddhist unconsciousness: A language beyond phonocentrism and graphocentrism in postgraphocentric education”. This symposium creates new possibilities of understanding and exploring Eastern Asian philosophy of education.  相似文献   

3.
“What is that sound?”, “What did the kangaroo say?”, and “What might you hear during a walk?” provide evidence that educators of young children realize that listening represents a necessary ingredient in successful school experiences. Children listen for many hours of the school day, but listening has been a neglected area of instruction. The traditional low priority of listening instruction may have been based upon the myth that children naturally learn to listen or on the misconception that listening skills cannot be taught. Using literature to teach listening can improve learners' listening abilities, provided early childhood educators use developmentally appropriate children's literature.  相似文献   

4.
Inherent in the rhetorical tradition of symbolic form is the search for the rhetorical processes which convert experience into the social forms of community. Fusing Robert Scott's notion of rhetoric as dynamic with the rhetorical concept of “spectacle,” this essay explores “the dynamic spectacle” as a rhetorical document of community building. Black America's struggle for identity in White America is offered as a case study.  相似文献   

5.
In this essay Walter Okshevsky addresses the question of whether a certain form of dialogically derived agreement can function as an epistemic (universal and necessary) criterion of moral judgment and ground of moral authority. Okshevsky examines arguments for and against in the literature of educational philosophy and develops Jürgen Habermas's affirmative answer as presented in his discourse theory of morality. Habermas's position is articulated as a moral epistemology (“strong dialogicality”) and is developed through his critique of the “monologism” of certain aspects of Immanuel Kant's moral theory. Okshevsky concludes with a consideration of some educational implications of Habermas's position.  相似文献   

6.
In this paper Amanda Fulford addresses the issue of student writing in the university, and explores how the increasing dominance of outcome‐driven modes of learning and assessment is changing the understanding of what it is to write, what is expected of students in their writing, and how academic writing should best be supported. The starting point is the increasing use of what are termed “technologies” of writing — “handbooks” for students that address issues of academic writing — that systematize, and smooth the work of writing in, Fulford argues, an unhelpful way. This leads to a reconsideration of what it means to write in the university, and what it is to be a student who writes. Fulford explores etymologically the concept of “writing” and suggests that it might be seen metaphorically as physical labor. Writing as physical labor is explored further through the agricultural metaphors in Henry David Thoreau's Walden and through Stanley Cavell's reading of that text. In making a distinction between writing‐as‐plowing and writing‐as‐hoeing, Fulford argues that some technologies of writing deny voice rather than facilitate it, and she concludes by offering a number of suggestions for the teaching and learning of writing in the university that emphasize the value of being lost (in one's subject and one's work) and finding one's own way out. These “lessons” are illustrated with reference to Thoreau's text Walden and to American literature and film.  相似文献   

7.
At a time when both philosophy of education and the arts are under threat within education, this article inquires into interdisciplinarity as one way of approaching the disciplines of philosophy of education and aesthetics. The article offers a retrospective autobiographical intellectual history and phenomenology of the author's own learning and scholarship within Higher Education in three main areas—philosophy of literature education, women's studies, and philosophy of music education, areas paralleling the three periods of her academic career. One sub-theme of this narrative about the balancing act of working in literature and music through philosophy of education is the author's ongoing resistance to professionalization or disciplinary academic control—of literature, philosophy, and music—while being a critical student of educational theory and practice in these areas—philosophy, literature and music within philosophy of education—of thus being “betwixt and between.” Two other themes comprising the article's subtext are “praxis” and “embodiment.” The double entendre of the phrase “working through” entails, first, using the arts of literature and music to practise philosophy of education; and secondly, embracing the psychological, ethical, and spiritual introspection that comes with critical engagement of the arts and its discourses. In short, the article aims to reprise some burning philosophical educational questions that have preoccupied its author over the years, questions deemed especially pertinent to the current increasingly diverse membership in the discipline of educational studies.  相似文献   

8.
Four definitions of “cultural fairness” are examined and found to be not only mutually contradictory (for reasons which are explained), but all based on the false view that optimum treatment of cultural factors in test construction or test selection can be reduced to completely mechanical procedures. If a conflict arises between the two goals of maximizing a test's validity and minimizing the test's discrimination against certain cultural groups, then a subjective, policy-level decision must be made concerning the relative importance of the two goals. The terms in which this judgment should be made are described, and methods are described for entering the result of this judgment into mechanical procedures for constructing a “culturally optimum” test. Such a test will not necessarily fit any of the four definitions of “cultural fairness.”  相似文献   

9.
This study examines the speeches and events of Theodore Roosevelt's New England tour of 1902. Specifically, it looks at how Roosevelt developed a representative anecdote of the “good citizen” as a basis for his political philosophy and his advocacy of policy initiatives. This representative anecdote allowed Roosevelt's audiences to participate in the rhetorical situation as an enactment of the “good citizen” and thus provided a strong presence for Roosevelt's argument. Implications for understanding both Roosevelt's rhetoric as well as the concept of the rhetorical presidency are discussed.  相似文献   

10.
The purpose of this study is to answer the question: What is the Israeli instructor's conception of a “good university professor?” The study deals with the instructor's conception of the characteristics of the “good professor” with regard to the department in which he is teaching. A sample of 51 instructors from two departments were asked to select the three most important characteristics of a “good university professor” from a list of fifteen. It was shown that instructors attached primary importance to the professor's ability to spark intellectual growth. Of secondary importance was his method of instruction. The professor's traits connected to his academic status and his personality were of relatively little concern. There was unanimity among instructors from the two departments in their conception of what a “good professor” should be. They singled out characteristics that fall under the heading of delivery. A disparity exists between the instructor's conception of the “good professor” and the students' conception.  相似文献   

11.
Nothing Human     
In this essay C. C. Wharram argues that Terence's concept of translation as a form of “contamination” anticipates recent developments in philosophy, ecology, and translation studies. Placing these divergent fields of inquiry into dialogue enables us read Terence's well‐known statement “I am a human being — I deem nothing human alien to me” as a recognition of the significance of the “nothing human” for contemporary humanism. By recasting Terence's human/foreign pairing through Freud's concept of the uncanny, Wharram draws a parallel between a “nothing human” that is radically interior to the human subject and an exterior agency of “nothing human” described by actor‐network theory and object‐oriented ontology. Only through an “alien phenomenology” (a concept borrowed from Ian Bogost) dependent on metaphors and translations that are necessarily approximate (or “contaminated”) can we begin to approach this “nothing human.”  相似文献   

12.
Abstract: Students’ perception of 8 criteria (rationale of the problem; interdisciplinary learning; facilitator asked essential questions; learner's skills; assessments; facilitation procedures; team's use of resources [team collaboration], and facilitator within a problem‐based learning context) were assessed for a food biotechnology course that was part of a 3rd year biotechnology program. The mean score for “perceived learner's skills” was the lowest whereas those for “facilitation” and “facilitator” were the highest. Selected qualitative comments from students were also analyzed. This study demonstrated interdisciplinary learning as the students could make meaningful connections across different science disciplines. Further investigation is needed to develop possible strategies to accommodate the challenges in making meaningful connections across science disciplines as well as to develop a defined hybrid method for analysis of students’ responses.  相似文献   

13.
Inspired by Friedrich Nietzsche's idea of philology and William Gass's concept of transreading, Huiwen (Helen) Zhang employs “transreader” to suggest the integration of four roles in one: reader, translator, writer, and scholar. “Transreader” recognizes that close reading, literary translation, creative writing, and cultural hermeneutics are interdependent activities with intertwined goals: to transfer, transvalue, transform, and transcend the canon. From this perspective, Lu Xun, China's Nietzsche, is a twentieth‐century transreader of the canon, and his prose poem “Revenge (The Second)” delivers a self‐referential ethics of transreading. Zhang's transreading of this poem shows why slow reading is today more necessary than ever, in what sense translation is a universal dilemma, how humanity grows when its expression grows more subtle, and that transreading opens a space for genuine communication.  相似文献   

14.
This conceptual paper considers what it would mean to take seriously Freudenthal's suggestion that mathematics should be taught like swimming. The general claim being made is that “direct instruction” and “discovery” are not opposite but complementary, linked by repetitive yet explorative practice. This claim is elaborated through an empirical case of martial arts instruction. That repetitive practice can nonetheless be a fountainhead of discovery is explained using Bernstein's notion of repetition-without-repetition. Finally, we attend to parallels in canonical mathematics practice. Implications are discussed, with a focus on reconceptualizing direct instruction, repetition, and discovery as complementary and synergistic.  相似文献   

15.
16.
The paper begins by discussing the difficulties of formulating coherent social purposes, with particular attention to the relationship between social purposes and the “inner citadel” of higher education's intrinsic values. A detailed examination is then made of social purposes which have come to the fore in the transition from elite to mass higher education: equality and expansion, in which the importance of higher education as a political phenomenon is emphasised; “hard” vocationalism, the matching of educational content to the skills needed for effective job performance; continuing education (an issue linked to these two social purposes); “soft” vocationalism, which is concerned with abilities highly valued in job performance which are also highly valued in the well-educated person; moral development; and “higher education as society's powerhouse”. The paper concludes by suggesting that however much higher education is implicated in society, it may have to continue to exist in active tension with society if academic ideals are to be self-perpetuating.  相似文献   

17.
以电影《入殓师》为例,通过论证入殓仪式的艺术性,揭示"艺术之道"和"入殓仪式之道",最终阐明真正的艺术完全超越了所谓"为艺术而艺术"和"为人生而艺术"的出发点之争、目的论之争,真正的艺术既是为艺术也是为人生。  相似文献   

18.
Reading historical intelligence community documents primarily through the lens of Kenneth Burke's essay “Semantic and Poetic Meaning,” this article explores the history and stakes of the intelligence community's ongoing commitment to a problematic model of language use. The essay argues that the intelligence community's pursuit of a “mathematical” ideology of language is an attempt to render language “neutral” and to divorce rhetoric from ethics in ways that Burke anticipated, and with negative consequences for the generation of written intelligence reports and national policy decisions.  相似文献   

19.
This study deals with the issue of incorporating values education in music education in Hong Kong's primary and secondary schools. It includes the development of the state's cultural and national identity since its handover from the United Kingdom to the People's Republic of China (PRC). Thirty primary and secondary school music teachers were interviewed in order to understand how notions of “musical values” and “non-musical values” have been addressed in the curriculum. In particular, this study focuses on music teachers' perspectives on teaching world music, traditional Chinese music, the PRC national anthem, and non-musical values. This paper questions the effectiveness of existing curricular and pedagogical attempts to encourage the students' musical experience and extra-musical education. It concludes that values education must have clear conceptions of “values”, “musical cultures”, and “national identity” in order to maintain unity amidst the intensifying plurality of ethnicities and cultures in Hong Kong.  相似文献   

20.
This article focuses on the influence of Wilfred Cantwell Smith's presentation of the nature of faith on James W. Fowler's faith-development paradigm. Smith contended that, in the pre-modern era, terms translated by the English words “faith” and “believe” denoted a personal allegiance that did not require assent to any objective assertions. Two difficulties with Smith's research are highlighted: 1) In the premodern era, the terms translated as “faith” and “believe” denoted both personal allegiance and objective assent. 2) Although “faith” and “believe” primarily indicated personal allegiance in the premodern era, the primacy of personal allegiance within faith does not preclude the presence or the necessity of objective assent. The author suggests that, although Christian faith and Fowlerian stage-development are two distinct phenomena, the reality to which Fowler referred as “faith” describes the psychical context for Christian faith. The article concludes by reflecting on the implications of this concept, suggesting that Christian faith emerges from Fowlerian stage-development, but that the content and development of both phenomena remain essentially distinct.  相似文献   

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