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1.
Our everyday life is influenced by an overproduction of images and by an iconogenic surplus that is connected to the proliferation of media. These contribute to both the quality and quantity of communication, but simultaneously amplify the knowledge gap between an audience that is able to critically process messages and another that is affected uncritically by prejudices and stereotypes. Bellino argues for a critical media education to address this gap by encouraging the development of students' critical thinking and social awareness. In this article we will discuss the results of a research‐driven design project in which visual communication design students engaged with theories of cultural stereotypes and critiqued the role of media in their perpetuation. We adopted Kolb's model of experiential learning as recent published research demonstrates that art and design students have difficulties in conventional academic approaches to learning theory. In this regard students learned theories of stereotype through doing and making and embodied this learning in their critical project outcomes.  相似文献   

2.
Multi-disciplinary teams and stakeholders are involved in the production of e-learning materials and all have differing and valuable perspectives. A range of factors such as availability of new learning technologies, pedagogy or the learning market, may direct the design process. This article argues that a constructivist methodology for course design enables a project manager to build on all contributors' perspectives in a "bottom up" rather than a "top down" approach and be aware of any weaknesses and undesirable dominating influences. Concept mapping provided the basis for an e-learning development project at the University of Surrey to develop such a constructivist methodology. The design team and wider stakeholders each produced individual concept maps and were analysed to identify both commonalties and unique contributions that might influence design. The project manager then integrated the individual maps to produce an overall map of the project and found the process valuable for a more critical and holistic approach to directing the project.  相似文献   

3.
教育评估的全过程通常可划分为项目立项、项目设计、项目实施和项目总结等阶段,以及贯穿整个过程的元评估。构建教育评估普遍适用的规程,在工作程序和方法技术上建立一套需要普遍遵循的标准和要求,对促进提高教育评估的规范化和科学性、推进教育评估的专业化和现代化具有重要意义。文章对教育评估的四个阶段所适用的规章做了概括性的阐述。  相似文献   

4.
This paper argues that in the pursuit of influencing inclusive education development, definitions of inclusion have been promulgated that remain a distant concept in the minds of the most significant partners in this process, i.e. teachers and schools. This is despite best efforts to share ideas for sustainable change based on such definitions. Based on the author’s experience of being a researcher in an inclusive education project in South Africa and subsequent attempts to influence sustainable development at a secondary school in the project, it is argued that a demystification of the term ‘inclusion’ or related terms such as ‘inclusive education’ is necessary to the process of engagement with schools to bring about more sustainable change.  相似文献   

5.
长期以来,教育科研课题的管理缺乏有效的机制,导致教育科研的效率不高.文章根据项目管理和流程管理的基本原理,提出了教育科研课题积分制评价方法并将其运用于实践.该方法的核心是流程设计和数值分布.  相似文献   

6.
在反思项目教学存在问题的基础上,对程控交换设备运行与维护课程中项目任务单的开发运用进行了实践与探索;归纳出项目任务单的5个作用即促进学生思考,促进学生归纳,促进学生反思,促进学生对比,促进评价考核;开发出两种不同的项目任务单——工作过程记录单和学习过程记录单;提出在三方面的运用。认为对于以完成实际工作项目引领教学的课程,项目任务单可以较好地解决项目教学中存在的问题,在有效促进高职教育"职教性"的同时,也促进了"高教性"的发展。  相似文献   

7.
In the early 2000s, some scholars suggested integrative ethical education as an approach to reconcile the gap between cognitive-development education, based on rule ethics, and traditional character-ethics education, inspired by character ethics in Western ethical education. Darcia Narvaez also tried to establish a comprehensive and systematic model. Nonetheless, she has indicated four questions that need further research. This paper aims to respond to Narvaez’s project and its questions from the angle of Xunzi’s ritual education. It argues that Xunzi’s thought may provide some insights for Narvaez’s approach. To present this, it begins its discussion with an introduction of the main ideas of Xunzi’s thought. Later, it tries to show the insights from certain notions and elements, such as Junzi, reasoned judgment, of Xunzi’s ritual education for Narvaez’s project of integrative ethical education. Some relevant questions are also discussed.  相似文献   

8.
The paper describes our 2-year experience with the new problem-based design project, which has recently been introduced in the engineering design seminars for second-year engineering students at the Katholieke Universiteit Leuven. This guided self-study project is a tool to make the students familiar with the design process by presenting them with a framework of clearly defined and timed out phases in the design process. The students have to solve a small engineering design problem in a team. They are guided by a manual and by a strict time schedule. A tutor watches over the students' progress. At the end of the design project, the team writes a design report and presents it orally. A team mark is given by the tutors, considering three criteria: the way the team has completed the phases of the design process, the quality of the design report, and the presentation. The mark is individualized on the basis of the student's contribution to the teamwork. The appreciation of students and tutors for this problem-based learning activity was positive.  相似文献   

9.
The focus of this presentation will be on issues arising from a three year action research project, exploring young people's creative uses of digital technology, outside of formal education. The project, based at the University of Central England in Birmingham, and Jubilee Arts in Sandwell, has sought to both engage young people in a creative process, and provide access to digital technology. The research was formulated as a means of exploring the ways in which young people might utilise digital technology creatively, given access, outside of formal education.  相似文献   

10.
工学结合作为职业教育的重要特征已经逐渐被大家所认识。高等职业教育的主要目标是为现代化建设培养了大量高素质技能型专门人才。＂项目驱动＂教学法是在新形势下为适应新的教学要求应运而生的新型教学法。项目的设计是项目驱动教学法能否成功实施的关键。本文结合具体的教学项目设计,探讨了在项目设计过程中项目的选择、项目的分解、项目在教学过程中的实施、以及需要注意的问题。  相似文献   

11.
The popularity of visual literacy may have resulted, in part, from some school authorities rushing the process of determining school curriculum. This article argues that the haste is reflective of pressure placed on educational discourse to conform to neo-liberal reforms of the sector, and is not the result of a careful and complex debate within the education community. In Australia, such reform has contributed to the erosion of visual art as a discrete subject in the general curriculum. The article accounts for the fact that the lack of careful debate may be due to art educators rehearsing tired arguments for retaining the place occupied by visual art, which smack of sentimentality. The author examines the conceptualisation of visual art at a cultural and theoretical level, and argues that by considering the function art has traditionally played in relation to conceptions of human subjectivity, we may disclose the marginalisation of visual art as a signal of much larger threats to political and economic structures in democratic society. The article considers whether the absorption of ‘art’ within a broader preference for visual communication, graphic design, or design and technology, is symptomatic of a long-term cultural stagnation.  相似文献   

12.
基于"项目导向、任务驱动"以及工作过程导向的职业教育课程理论,以高职高专三年制临床医学专业《医学微生物》的课程设计为例,对高职专业基础课的改革进行研究和探讨。尝试打破学科体系,以医院常用的感染防控技术和微生物感染性疾病病例为载体设计项目任务,以临床医师的实际工作过程为依据安排教学,使学生在完成项目任务的过程中习得必要的临床知识和防治技能。  相似文献   

13.
The author argues that disabled women are kept out of the mainstream of education by the design and lack of representation on decision‐making bodies. A project in Surrey, a model of good practice, is described, where resources were attracted to disabled women's needs.  相似文献   

14.
Recent research indicates that the taught curriculum in art and design secondary school education pays scant attention to meaning‐making in visual art. This article explores possibilities for teaching interpretation through a report on an action‐research project based on Tate Modern's Summer Institute for Teachers. In doing so it argues for the value and necessity of interpretation as a taught skill.  相似文献   

15.
This article describes the Adult Career Education Counseling Project, a special demonstration project funded by the United States Office of Education, Division of Occupational and Adult Education. The major goal of the project is to develop a competency-based individualized instructional training system for guidance personnel wanting to work in adult education settings. The article explains the rationale, development, and process used in identification of conceptual areas that were developed into modules currently being pilot tested prior to final revision. Once the total training system has been developed, adult education and counseling and guidance programs may use these materials to design a counseling and guidance program unique to local program or institutional goals and objectives.  相似文献   

16.
This article reports on findings from a research study exploring the potential for democratic learning in a gallery education project which took place in the UK in 2006–7. In doing so, it also explores a pressing issue for education today: the question of young people's democratic education in a time of political crisis in Europe. The focus of the article lies in a critique of the primacy of rational thought, cognitive skills and verbal discussion within democratic education, and an exploration of the potential role of the arts and art education in challenging this. Specifically, the article argues that there has been an affective and corporeal deficit in democratic education, and that some forms of gallery education are well placed to address this. Although the data discussed derive from a particular time and place (the UK in the latter days of a government that rigorously pursued an agenda of social and economic inclusion through both education and cultural policy), they also have relevance beyond their immediate context, illuminating the nature and dynamics of the process of democratic learning, and its aesthetic and artistic dimensions.  相似文献   

17.
Interior design, as a field of study, is a rapidly growing area of interest — particularly for teenagers in the United States. Part of this interest stems from the proliferation of design‐related reality shows available through television media. Some art educators and curriculum specialists in the nation perceive the study of interior spaces as a ‘practical application’ of the arts. This article discusses an experiential design problem, originally used in higher education interior design studio courses that was modified and shared with students in third grade to address national academic standards. Later, this same project was modified for use with high school students in the educator's community and with international design students in South Korea. Lastly, the project was presented in a workshop to art education students at a higher education institution. The project was modified to address (1) the age group level and (2) a topic relevant to the audience. Goals of the design project were: (1) to explore creative problem‐solving, (2) to explore the application of design elements and principles, and (3) to increase student understanding of spatial relationships within an interior environment. Findings indicate that the project supported several visual art standards, including perception and community. This project may be of interest to current and future art educators and others interested in the potential of interior design content supporting art education.  相似文献   

18.
A WebQuest is an inquiry-based online learning technique. This technique has been widely adopted in K–16 education. Therefore, it is important that conditions of effective WebQuest design are defined. Through this article the author presents techniques for improving WebQuest design based on current research. More specifically, the author analyzes the WebQuest technique in terms of the principles of cognitive load theory, interactivity, accessibility, and usability and visual appearance. The author argues that several factors must be taken into consideration in order to effectively design WebQuests that will educate without impeding the learning process.  相似文献   

19.
Biggs has argued that teaching is most effective when it supports those activities appropriate to understanding the curriculum objectives. This paper uses Biggs' argument to analyse how a UK higher education initiative, the Chic project, has promoted learning and teaching innovation that supports collaborative, inclusive learning by integrating on-line and face-to-face delivery. Methods by which assessments, teaching processes and learning objectives can be aligned are discussed.
The author identifies two project approaches to the utilisation of on-line materials within curriculum design. Staff and student questionnaires and interviews are evaluated in order to assess whether these processes promote a reflexive approach to learning. Such reflexivity depends upon stimulating the learner's emotional involvement and active engagement in undertaking achievable tasks.
The paper argues that an integrated approach to on-line learning and teaching can be used to promote students' critical use, understanding and application of materials. Moreover, it is argued that this can be liberating for staff and students as long as there is a shared vision and experience upon which to act. Promoting motivation within a supportive and meaningful context is fundamental.  相似文献   

20.
This article is part of a formal research project concerning design as an integrated part of sloyd education. The concept of ‘sloyd education’ is used in the Nordic countries as an umbrella term for different educational crafts whose scientific basis is to be found in the university subjects Sloyd Education and Crafts Science. The aim of the whole project is to develop methods for teaching design theory and design practice within sloyd teacher education. By analysing the design processes of five design students during an MA course in Fashion and Textiles, an account of the kind of design knowledge the students are working on during the process, and how iterativeness and multi‐layered procedures, which are characteristic for the design process of a single student, is built up. The results of the analysis show that during the design process the students concentrate on technological and aesthetical knowledge and that the design process can be very varied and have its starting points both in images and in concrete materials.  相似文献   

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