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《Cultural and Social History》2013,10(4):447-448
ABSTRACTThis article critically engages with a contemporary play, Aur Kitne Tukde, staged in the Hindi language in various cities and towns in India and Pakistan, about gendered violence during Partition. It unsettles the master narrative of ‘honour’, ‘martyrdom’, ‘choice’ and women's ‘agency’ on Partition. The article also highlights the significance of the play in breaking the silences around Partition in the theatre, which, as compared with other cultural and literary mediums, reaches out to a larger section of people in unique ways. It underlines how the whole production of the play was a process of traversing and sharing the journey and trauma of Partition not only for the actors but also for the audiences. The article also tries to problematize the whole question of violence and its representation. 相似文献
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Nurhayat Bilge 《Journal of Intercultural Communication Research》2017,46(2):130-146
This is a qualitative study examining aspects of refugee adaptation. As refugees negotiate an adaptation process into their host cultures, secondary communities, those who possess certain commonalities and similarities with the newcomers, often act as intermediaries between the refugee groups and host cultures. This article aims to answer the question: how does a refugee group’s extended community of an intermediary group influence the group’s adaptation to their new environment and social context? The study is an examination of narratives of a particular refugee group in the United States, called Meskhetian Turks, ethnically Turkish refugees from Russia. 相似文献
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《Journal of Intercultural Communication Research》2013,42(6):581-595
ABSTRACTThe numbers of refugees worldwide are at an all-time high. The majority of refugees relocated to the United States are women and children. Much research has concentrated on health care issues and trauma but few studies have expressed women’s viewpoints. This study consists of interviews with eight newly arrived refugee women to determine how they construct and negotiate their identity and the idea of being a refugee, as well as how they cope with the challenges of adjusting to a new cultural environment. Narratives indicate an interwoven pattern of interaction including family, home, and concerns. 相似文献
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Chih-ming Wang 《Inter-Asia Cultural Studies》2019,20(2):238-256
ABSTRACTWorking through the entanglements of diaspora, national identification, and minority formation in the protracted aftermath of the Korean War, this article intends to take the dyadic subject of North Korean defector/refugee as an entry point for unpacking the rhetoric of freedom and salvation. Taking a cultural studies approach that regards literature as a terrain of political engagement for reconsidering the narratives of freedom in relation to the hierarchy of nationhood embedded in the protracted Cold War in Asia, I examine Krys Lee’s novel How I Became a North Korean (2016), an Asian American text that weaves together the story of an Asian American returnee with those of North Korean refugees in the North Korean-China borderland. Conflating refugee and returnee, Lee’s novel occasions an exploration of the ethics of co-presence that undergirded Asian American studies, to consider both the predicaments of North Korean refugees and the linkage between Asian America and Asia. Taking literature as a form of activism, this article furthermore seeks to reflect on the promise of activism by asking how the demands for the right for return may complicate the orthodox of humanitarian imagination, and render a moment for relational thinking beyond representation. 相似文献
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ABSTRACTThis article identifies the visual representation of Europe’s “refugee crisis” in the media as a key dimension of the communicative architecture of the crisis and its aftermath. Effectively, it argues, the powerful, even iconic, imagery that the media produced and shared during the 2015 “crisis” affirmed ideological frames of incompatible difference, perpetually dividing European citizens and refugees. The article focuses on some of the fundamental elements of the 2015 crisis’s visual grammar to demonstrate how they have (re-)produced popular fears of strangeness and the need for containment and control of foreign bodies. This visual grammar, we argue, imitated and procreated recognizable representations of popular culture to exaggerate newcomers’ strangeness and incompatible difference from the national subject. On the one hand, many news media simulated zombies’ threatening strangeness in images of refugee massification; on the other, many news media images reaffirmed the decisive power of the national subject over refugees’ fate, not unlike the video game player who unilaterally controls a game and takes action when confronted by zombies. This grammar, we argue, symbolically predetermines encounters between citizens and refugees, by emphasizing their incompatible difference and newcomers’ strangeness. 相似文献
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Myria Georgiou 《Popular Communication》2018,16(1):45-57
ABSTRACTThis article examines a number of digital initiatives where refugees and migrants speak with/to Europe in the context of the “migration crisis.” The analysis of four institutional and grassroots initiatives illustrates digital Europe’s symbolic articulations of borders that divide people and territories. As argued, the mediated visibility and voice of refugees and migrants matter precisely as the order of appearance (in Arendt’s terms) in digital Europe represents a fundamental dimension of the continent’s communicative order: revealing who speaks and who is silenced, which actors are heard and which are sidelined in the context of Europe’s “migration crisis.” The incorporation of refugee and migrant voices in digital Europe shows that voice does not guarantee recognition; rather, its incorporation reveals the complex politics of digital representation: on occasions challenging hegemonic power structures but most often digitally reaffirming bordering power and its symbolical articulations. 相似文献
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David C.L. Lim 《Inter-Asia Cultural Studies》2013,14(1):62-80
Abstract This paper examines the construction of working‐class Mat Motor (Malay biker) masculinity and queer desire in/through KL Menjerit, a commercial biker film that exudes the unmistakably aura of working‐class kejantanan (masculinity). Specifically, I focus on how the film – or more precisely the ‘queer moments’ it contains – resonates in ways that are not necessarily obvious to the disinterested heterosexual public eye. The discussion takes into account both filmic elements and the sexual geography of Kuala Lumpur (KL), where shifting biker spaces sometimes intersect with homosexual cruising sites. My argument is that the film’s representation of the Mat Motor protagonist as unbendingly straight and heterosexually jantan – while imaginably gratifying to the core audience of Mat Motors – actually belies the opposite reality of KL’s ‘forgotten’ underside, where gender and sexuality are much more fluid and malleable than is sanctioned by society and the state. 相似文献
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Abstract The term guomin is found in Chinese texts from an early period. However, as commonly used today – as a modern political concept of special value and significance – guomin belongs to a political vocabulary adopted by Chinese intellectuals in the late nineteenth and early twentieth centuries from Japan’s new usages. The goal of this essay is to explain how this important concept was formed and what it signified. The term guomin has basically conveyed two levels of meaning since the late Qing. In essence, the term is similar to the English word ‘citizenship’, and it reveals a kind of awakening of a new political consciousness on the part of Chinese intellectuals since the late Qing. Through the discourse of guomin, they began to emphasize the subjectivity of each individual in the national political process, along with all of their rights and duties. Since the beginning of the twentieth century, the criticisms and reflections of Chinese intellectuals about traditional politics, society and culture, and thought have basically developed along the lines of the logic of ‘turning subjects into citizens’. However, the pursuit of a strong nation‐state under a civil crisis sparked by foreign pressure marked the historical conditions that generated the modern Chinese guomin discourse. Limited by this kind of ‘national identity,’ the discourse and construction of guomin since the late Qing have never been able to escape the shadow of the state. Under these ideological conditions, guomin could only become a means of the nationalist project for survival; it could never become an autonomous and universal category. Guomin, as it turns out, has been, and still remains, ‘the people of the state’. 相似文献
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Nishant Shah 《Inter-Asia Cultural Studies》2013,14(3):349-352
ABSTRACT The Indian state, when it announced the opening of its borders – physical and imaginary – to globalisation, also embraced new digital technologies of telecommunication and transportation in its attempt to reconfigure itself as a global player in the world market. The neo‐liberal economic policies and the restructuring of the State had immediate and far reaching impact on the question of citizenship. The technologised State posited the need for a technosocial subject – a subject that was not only a consumer/user of technology but also subject to the different technological networks instituted towards a new‐modernism. The fetishisation of such a technosocial subject entails a new regime of discipline and containment that produces certain glorified non‐legal subject positions which challenge the efforts of the State to create a homogeneous sanitised cyberscape. This paper is an attempt to examine the production of illegalities with reference to cyberspace, to make a symptomatic reading of new conditions within which citizenships are enacted, in the specific context of contemporary India. Looking at one incident each, of cyber‐pornography and cyber‐terrorism, the paper sets out to look at the State’s imagination of the digital domain, the positing of the ‘good’ cyber citizen, and the production of new relationships between the state and the subject. This essay explores the ambiguities, the dilemmas and the questions that arise when Citizens become Subjects, not only to the State but also to the technologies of the State. 相似文献
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Kaarina Nikunen 《Popular Communication》2019,17(2):154-170
ABSTRACTThis article examines the social media campaign “Once I was a refugee” by former refugees as a response to the increasingly hostile political climate in Finland against refugees. With selfie activism, the campaign expanded the “space of appearance” and introduced new voice and visuality to the public debate. The case depicts politics of claiming citizenship and social value through self-presentation to counter views of refugees as economic burden, noncitizens, and surplus humanity. The empirical material is based on analysis of the Facebook and Twitter campaign and interviews with the participants. It is argued that selfie activism may occasionally, through new voice and visibility, expand the space of appearance and contribute to the rise of affective or counter-publics that can come together and make use of digital media for political action. However, the case also reveals how difficult it is to speak from a refugee position without being drawn into the discourse of deservingness. 相似文献
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Karina Horsti 《Popular Communication》2019,17(2):125-139
ABSTRACTThis article examines how two media art installations in which celebrity actors enact refugee storytelling create awareness of the complexities of representation and solidarity with refugees. The celebrity actor produces familiarity, or “audibility,” for contents of the stories. Yet at the same time, the familiarity of the actor alerts the visitor to the politics of listening. The artworks therefore produce the potential for ethical listening, which requires interrogation into the privileges of the listener. The artworks produce a kind of sociality different from that of typical celebrity advocacy. Instead of being at the center of attention, the actors’ presence draws critical attention to the politics of listening. 相似文献
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As the number of refugee children and youth across the world continues to grow at an alarming rate, the needs of refugee populations require more and sustained attention. This qualitative study explores the specific academic and socio-emotional needs of refugee students in New York City (NYC), a city that has received refugees and asylum seekers from over 50 countries. Using qualitative research methods and drawing on the literature on refugee students’ school experiences and acculturation theory, in this article we ask how refugee students describe the key features of international high schools that foster students’ academic success, social and cultural integration, and academic well-being. Moreover, we examine how the notion of culture itself can interfere with these efforts. 相似文献
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Abstract This article situates Hou Hsiao‐Hsien’s films in the post Cold‐War global setting. It discusses two common interpretive approaches to Hou Hsiao‐Hsien’s films – French auteurism and ‘national allegory’ – and puts these two approaches within their historical context of Cold‐War and post Cold‐War global politics. The article places the rise of Hou Hsiao‐Hsien’s films parallel to the rise of the mainland fifth generation of film directors, pointing out that their apparently opposite directions – Hou Hsiao‐Hsien going political in his Taiwan trilogy and the fifth generation film directors going apolitical – are part and parcel of the same phenomenon of alternative politics in its particular contexts and the reconstruction of a new identity politics. Particular attention is given to Hou’s Taiwan trilogy, Flowers of Shanghai, and Coffee Jikou. 相似文献
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The secondary transfer effect (STE) describes how contact with one outgroup (the so-called ‘primary outgroup’) can affect evaluations of another outgroup (the so-called ‘secondary outgroup’), that was uninvolved in the contact scenario. This research is about the transfer of negative contact. There are only few studies on the STE from negative contact available and even less longitudinal ones. We conducted such a longitudinal study, utilizing data from the GESIS-Panel, (N = 390; 3 survey waves). We investigated negative STE in an understudied intergroup context: forced migration. The primary outgroup was comprised of ‘foreigners’, living in Germany, the secondary outgroup were ‘refugees.’ We investigated three mechanisms by which negative STE might occur: firstly, contact might affect the primary outgroup attitude, which then affects the secondary outgroup attitude – a mechanism termed ‘attitude generalization.’ Secondly contact might be mediated by the general acceptance of diversity and thereby evaluations of outgroups associated with cultural diversity – a mechanism termed ‘multiculturalism.’ Lastly, contact might affect the perceived threat posed by the primary outgroup, and consequentially evaluations of secondary outgroups – a mechanism that we term ‘primary outgroup threat.’ Applying a cross-lagged panel mediation model, we investigated these theorized mechanisms. Negative STE emerged directly and also indirectly via ‘attitude generalization’ and ‘multiculturalism’ – findings congruent with previous cross-sectional research. Contrary to previous research no indirect effect via ‘primary outgroup threat’ emerged. Our results provide additional empirical evidence for negative STE. They further indicate that negative- and positive STE might operate via similar mechanisms. 相似文献
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J. Carter Wood 《Cultural and Social History》2013,10(1):95-114
ABSTRACTRecent debates about the meaning and role of cultural history have focused on the relationship between ‘culture’ and ‘society’. Some have taken this opportunity to position cultural history as a site of resistance to ‘biological’ explanations of human behaviour. In contrast, this article argues that ‘biological’ methodologies – particularly the perspectives of evolutionary psychology – can usefully contribute to the historical understanding of culture and social development. To this end, it outlines the fundamentals of Darwinist psychology, suggests options for interdisciplinary cooperation and uses the topic of interpersonal violence to explore the potential for uniting cultural, social and evolutionary psychological methodologies. 相似文献
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Rada Iveković 《Inter-Asia Cultural Studies》2013,14(1):45-63
Abstract From Modernity on, there has been continuity for the ‘West’ and interruption for non‐European cultures, histories and languages, for which indeed there is supposed to be only discontinuity with their own antiquity. Their own past counts as ‘premodern’ or ‘traditional’, and thus as belated compared with universalised Modernity. This is so because Modernity itself is normative, and it is normative because it was universalised. The norm of Modernity and the dignity of the modern ‘political’ has been spread through western idioms: through the western normativity of the political, such concepts as democracy, revolution, state, republic and the like will have their patterns in ‘Europe’ and in the ‘West’, while all other political concepts and terms, when contributed to a world dictionary of political terms, will denote merely exceptions. Modernity has been one of the great splits or disjunctions that froze some norms in history, making them become patterns: from that time on, western modernity (first western, then ‘western’ and finally ‘universal’…) has constructed an unbroken genealogical origin for its own concepts and episteme as ‘universal’, and has proposed/imposed them to the planet. The patterns of selection, exception and exclusion of Modernity, which posit the subject as an ‘autonomous’ figure mirrored and complementary of (state) sovereignty – while referring it to the hegemonically dominant model – have not altogether disappeared today. They are merging and mutating into, and coextensive with, configurations of multiple power vectors within non‐transparent networks of blurred and crossed hierarchies with novel, and maybe more volatile, forms of production, of integration and of institution, where again, although in a completely new way, collective action, the sharing and federation of knowledge transcend individual subjectivity while reaching out to both old and new forms of association. 相似文献
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Wang Hui 《Inter-Asia Cultural Studies》2013,14(1):139-144
Abstract This paper aims to explore the changes in creative activities of young people – especially in the alternative media – in Indonesia before and after Reformasi. It begins with the story of the dynamics of a student press, from my personal experience – which I believe is a typical form of student/youth movement in Indonesia – and how the student’s life obviously depends on the political situation, the university policy, and the dynamics of the student’s life at that particular time. Reformasi caused political change and freedom but simultaneously, and ironically, placed the student press in a state of meaninglessness, such that it was painfully forced for search for new meanings to keep it contextually relevant in the new era. I end the paper describing the latest form of the alternative media scene of Indonesian youth, whose focus is dramatically shifting from ‘big’ political issues to issues of the celebration of communities and self‐existence. 相似文献
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ObjectiveThis study examined the mental health of Middle Eastern male unaccompanied refugee adolescents in Germany in relation to the mental health of accompanied refugee peers, first- and second-generation immigrant and native peers. In particular, it was investigated whether differences in the mental health of unaccompanied and accompanied refugees and immigrant peers were related to differences in the perception of post-migration stress, and whether this association changed with different acculturation orientations.MethodIn a cross-sectional study, 193 adolescents (Mage = 18.1 years, SD = 1.74 years; nrefugees = 74, nmigrants = 59, nnatives = 60) completed self-report measures of mental health, trauma, acculturation styles, and post-migration stress.ResultsAnalyses of variance revealed that unaccompanied refugees suffered most from internalizing and trauma symptoms, while accompanied peers, first- and second-generation immigrant and native adolescents did not differ significantly in internalizing symptoms. Hierarchical regression analysis demonstrated that more integrated adolescents were generally associated with lower internalizing symptoms and integration also buffered against detrimental effects of post-migration stressors. Marginalized adolescents showed more internalizing symptoms, especially in the lights of more post-migration stress. Both assimilation and separation had no direct effects on internalizing symptoms. However, assimilation buffered against detrimental effects of post-migration stress on internalizing symptoms, whereas separation amplified these effects.ConclusionAn involvement in host society and an orientation towards the host culture fosters mental health of acculturating Middle Eastern adolescents in Germany when post-migration stress is perceived, particularly for unaccompanied refugee adolescents. Moreover, additionally maintaining the culture of origin seems to be in general most beneficial. 相似文献