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1.
This paper begins with a review of literature and an historical account of the development of alternative women's community radio in the UK. It describes how UK women's radio stations were developed from feminist radio activity in the 70s and 80s. The two short case studies are based on qualitative research in women's community radio stations that have developed in the 90s: Fem FM in Bristol in the southwest and Radio Venus in Bradford in the north of England. Finally it develops a model of alternative women's radio for those who wish to forge a gendered space in a radio environment dominated by male broadcasters.  相似文献   

2.
This article explores the history and development of college Net-radio and analyzes the factors underlying Net-only college radio's growing popularity. It reports on an ethnographic study conducted in 2005 about one of North America's first Net-only college radio stations, City University of New York's (CUNY) Brooklyn College Radio.  相似文献   

3.
This narrative case study examines the news and information role played by WWL Radio and the United Radio Broadcasters of New Orleans during the real life drama of Hurricane Katrina. The performance of United demonstrates that media consolidation, deregulation and the threat of emerging technologies do not justify abandoning the idea that broadcasters still have a moral and ethical responsibility to serve the public interests of audiences; that traditional radio should stop looking over its shoulder at threats posed by other media, and instead should make use of the medium's greatest strength—taking care of the communities it serves on the local level. This study provides further proof that traditional radio is still vital, especially in times of disaster and catastrophe; that radio's attention to the local community, and its ability to collaborate among other broadcast outlets in that community, may be two of many distinct factors that keep the public tuned in to the medium.  相似文献   

4.
Across the radio spectrum, there are relatively few stations in the United States that concentrate on community building and sustainability. One of the country's early community radio stations, KBOO-FM in Portland, Oregon, has been on the air since 1968 and has significantly expanded its signal reach and audience during that time. Preceding National Public Radio, KBOO is the outcome of a Portland grassroots activist movement that initially sought to restore classical music on the local airwaves and eventually concurred on a more radical mission to serve the underserved and to cater to communities at the margins in the metropolitan listening area and beyond. KBOO transmits a potpourri of musical and artistic styles, foreign language programs, and critical news, public affairs, and commentaries—all with a largely volunteer-based governance structure. It also devotes its attention to promoting community-based initiatives. This article focuses on four major community functions served by KBOO community radio: public transmission, radio training, political education and mobilization, and community building and outreach. We conclude with observations about the uses and potential of community radio in developing a rich democratic civil society.  相似文献   

5.
Although community radio has a long history in South and North America, new models are evolving in other parts of the world from South Africa to Central Eurasia. True to its community roots, stations reflect the unique history, culture, and political climate of each country. Radio is the most democratic of media both in providing easy access to citizen participation and in being widely available. In rural areas from subsistence farmers in Mozambique to nomadic herders in Mongolia, radio is the only medium. With limited resources in new democracies, it is the most cost-effective medium. The expressive human voice and natural sound engage the imagination through story telling. Radio stations are not simply passive transmitters of information or hit music; they are a catalyst for building community, for improving health and education, for fostering a civil society. These are no longer theoretical visions; many stations now demonstrate all of these goals.  相似文献   

6.
Radio has been regulated in the United States by the Federal Communications Commission, and previously the Federal Radio Commission, since the 1920s. Now, community radio operators and producers find themselves operating within a range of regulatory frameworks, depending on the platforms (over-the-air or online) on which they place their content. This article reviews how the impact of copyright regulation on community radio is changing as that sector expands into internet distribution. The article draws on a number of case studies of U.S.-based community radio stations, and forms part of a larger study of the changing structure of that sector. A significant lesson from this case study is a better understanding of the manner in which community stations are not only negotiating the platforms on which they distribute their content, based in large part on regulatory constraints on different platforms, but also are often fringe actors in policy debates dominated by larger economic groupings, such as corporate broadcasters and recording industry lobby groups.  相似文献   

7.
The Pacifica Radio Network has served as a template for community broadcasting, introducing listener-sponsorship, the program guide, and key fund-raising techniques. This article offers a critical reading of the Pacifica Foundation's history, based on the social theory of Max Weber and Anthony Giddens. Over the last half-century, crises at the Pacifica Radio Network—a progenitor of community broadcasting—have been reported around the world. What are the root causes of these tensions: and what do they tell us about the production and distribution of radical, community-oriented media?  相似文献   

8.
Radio stations regularly conduct music research to determine what music they should play. Programming belief is that if they play music that people like better, more people will listen and listen longer, and the station's ratings will improve. This project utilizes Radio &; Records' Callout America® callout research of the top 30 songs on its Contemporary Hit Radio/Pop chart and their published CHR/Pop radio station playlists to compile an average favorability score for the music the station played. These scores were then compared to Arbitron ratings. Analysis found a statistically significant direct correlation between music research scores and Arbitron ratings.  相似文献   

9.
Using British radio and stage drama as its example, this article explores how a new medium took over an old genre and, after attempting to reproduce it closely, gradually modified it into something more suited to its own character. Initial disagreements about the significance of radio's blindness were attributable to the unreliability of pure sound as an epistemological guide. Yet this unreliability is a source of radio's unique dramatic strengths: It is a "theater of the invisible," severing drama's recent connection with spectacle and renewing its pristine association with speech. Radio drama has, in its turn, influenced the conventional theater.  相似文献   

10.
Based on original oral history and archival research, this historical study details how the development of wireless immigrant community radio has related to the Chinese American experience. It examines (1) the social, political, and economic conditions in which Chinese- language radio emerged in the diaspora; (2) the development of Sinocast, a Cantonese-language station in New York City, as a case study in immigrant community radio; (3) the change and continuity in Sino- cast's radio programming during the past three decades, with a focus on news, community service, drama, and music programs; and (4) a summary analysis of the implications of Sinocast's experience in reference to recent developments of Chinese American ethnic radio at the turn of the 21st century.  相似文献   

11.
During radio's reign on the airwaves, classics and legends were sources for radio plays written for a wide audience. Scriptwriters realized radio's cultural importance and culled classics for material that pushed their conception of “high” culture but still satisfied a wide audience. Radio plays were adapted from William Shakespeare's plays, Edgar Allan Poe's short stories, Geoffrey Chaucer's The Canterbury Tales, and Robin Hood's legend. This study covers radio adaptations of Robin Hood broadcast between the 1930s and 1970s: Popeye (1939); Buster Brown (1948); Family Theater (1949); the children's theater program Let's Pretend (1954), Escape (1952), Gunsmoke (1955); and Crisis (1975).  相似文献   

12.
This study examines the role of radio during the democratization process in Uganda. It tests whether the use of political news and information on radio in Uganda leads to support for democracy, accounting for public interest in politics. Radio is the most accessed medium for current affairs in Africa, and remarkably so in Uganda. Public opinion survey data show considerable use of radio for political information, but no direct influence on support for democracy. Greater use of radio to get political news was strongly related to measures of political interest; which is also a moderating variable to democratic support. The utility of this study and its implications are discussed in detail.  相似文献   

13.
In 1928, the fledgling National Broadcasting Company hired Boston-based marketing consultant Daniel Starch to conduct the first wide-ranging survey of the national radio audience. Starch oversaw more than 5,000 interviews of U.S. radio families living in states east of the Rocky Mountains. The survey's findings provide a glimpse of the early network radio audience prior to the Federal Radio Commission's 1928 reorganization of frequency and power allocations and the industry's subsequent expansion. This paper examines Starch's findings and places them within the historical context of the developing radio industry.  相似文献   

14.
This paper reevaluates and questions some of the assumptions that have been made about the efficacy of radio broadcasting in rural Africa—the target of most domestic and international social change programs. Among other possibilities, the paper suggests that the inexpensive availability, portability, and nonliterate accessibility of rural audiences to radio are necessary conditions but are insufficient to maximize the medium's potential utility for social mobilization. Using an existent tripartite concentric cultural diameter as the basis for argument, the paper reemphasizes the claim that the rural African community is distinct from the suburban and the urban. Recommendations are offered, on that basis, for a restructured radio network that would reflect the uniqueness of rural communities and the changing phase of Africa's marginalized population.  相似文献   

15.
This article reveals how Spanish-language radio started in San Antonio, Texas—as blocks of time bought by Hispanics interested in providing music to San Antonio's Spanish-speaking residents. In particular, this study recognizes the contributions of San Antonio radio pioneer Manuel Davila and his role in starting Spanish-language radio and the Tejano format, drawing from a combination of on-site observation at Davila's station, personal interviews, and the collection of historical data. The article also lays a foundation for critically analyzing the political economy and hegemonic process of maintenance of economic and cultural power possible in the early days of radio broadcasting to compare it to the current corporately dominated marketplace.  相似文献   

16.
This study investigated the impact of using community radio stations to extend information and communication technology (ICT) benefits to poor communities in South Africa. Six community radio stations in six rural South African communities were studied, using face-to-face interviews, community conversations, and observation method. The study found these radio stations have ICT presence, but because of a lack of resources they are only able to allow their stakeholder communities' indirect access to these technologies. It concludes that for these stations to realize their full development potential of extending ICTs to poor rural communities in South Africa, collaborative innovative strategies will have to be instituted.  相似文献   

17.
Before 1994, blacks in South Africa were second-class citizens on the basis of color. With the Dutch arrival in 1652, and the British discovery of diamonds in 1867, the immigrants amassed wealth at the expense of local culture. In 1948, the National Party instituted apartheid, a policy that separated races. But in 1994, Nelson Mandela was elected first multi-racial president under the banner, “The Rainbow Nation,” to reflect the country's diverse cultures. Pervasive radio has taken up the challenge to promote the once dormant South African inclusive culture through programming, including world-known Sesame Street. Today, South Africa has over 200 community radio stations broadcasting cultural programs in eleven languages.  相似文献   

18.
Queer Radio History: Pacifica Radio   总被引：1，自引：1，他引：0  
Pacifica Radio was the first listener-sponsored non-commercial radio network in the United States to air queer voices beginning with Allen Ginsberg reading his iconic poem, Howl on KPFA-FM in Berkeley, California in 1956. From that broadcast, Pacifica stations KPFK-FM (LA), WBAI-FM (NYC), KPFT-FM (Houston), and WPFW-FM (Washington, D.C.) have consistently given space to the LGBTQI community and perspective over 60 years, creating a vibrant recorded history relatively unknown and vastly under-researched.

What survives of the broadcasts are largely found in the Pacifica Radio Archives (and other repositories) and documented in the printed station program folio guides (1949–2005) and consumer catalogues.

This article explores the importance of Pacifica’s queer sound and print archive and looks to identify what survives and what has been lost. It also highlights the many ways the queer story was expressed; bearing witness to the Gay Liberation movement through reportage, literature, poetry, radio drama, music, interviews, live event coverage, documentaries, docudramas, listener call-ins, and group discussions. The author presents this article to bring awareness to these rare instances and help motivate their preservation and access for extended scholarly use.  相似文献   


19.
Community radio is a form of noncommercial broadcasting designed to serve audiences in a specific geographic area. In recent years, community radio has become a viable alternative to both commercial and public radio, which produce nationally oriented programming designed to attract mass audiences. The value and impact of community radio can be seen through the work of Allegheny Mountain Radio, a three-station network serving a rural and geographically isolated region of southern West Virginia and Virginia.  相似文献   

20.
This article surveys efforts at preservation and diffusion of archival radio in Latin America. The region’s largest radio archives are housed within large sound libraries in Brazil and Mexico. Mexico’s Fonoteca Nacional, for example, houses the archives of XEW/Televisa Radio, the nation’s most important radio network. In countries like Argentina and Chile, radio preservation and diffusion has been a component of efforts to document and preserve the public memory of revolution and dictatorship during the Cold War era. While much remains to be done to secure the region’s radio patrimony, Latin American radio preservation has advanced significantly in recent years.  相似文献   

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