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1.
A Delphi study of 13 college radio advisors in the United States was conducted by e-mail between October 2000 and March 2001. Panelists responded to a 24-item questionnaire over three rounds, eliciting opinions on the likelihood of various events occurring in the college radio industry during 5-; 10-, and 15-year periods. The final consensus suggested five dominant trends affecting college radio: (1) decreasing prestige of college radio advising within the college and university communities; (2) decreasing amount of direct institutional financial support for college radio; (3) an inexorable move toward digital production and transmission; (4) a changing composition of students participating in college radio; and (5) a continual reliance on locally produced alternative music and sports programming.  相似文献   

2.
Abstract

The myth of the liberal arts college, ivy-covered, cloistered, is increasingly less valid. Yet, at its heart, is an enduring ideal: a small, supportive community of scholars and learners who value the individual's importance. Today's college librarians have an important role in their schools. As agents of change and by offering new ways to achieve old ideals, they subvert the myth, but not the ideals of liberal arts education.  相似文献   

3.
Student-run radio stations at colleges and universities have thrived for nearly a century, yet their stories have been largely excluded from broadcast histories outside the commonly cited and overly simplified “college radio” era in the 1980s. Offering a more accurate definition of college radio, this article demonstrates the need for broader methodologies to contextualize its history, and advocates for the preservation of unique materials containing the voices of generations of young broadcasters. Audiovisual archivists, scholars, and members of the college radio community must engage in collaborative, interdisciplinary efforts in order to save these materials and make them accessible for research.  相似文献   

4.
Rhetorical analysis of radio talk shows in Baton Rouge, Louisiana, home of the Louisiana State University “Fighting Tigers” college football team, revealed that the talk shows gave Tiger fans opportunities to share creative interpretations of events. This helped them cope with moments of perceived crisis when the team lost, and solidified their identity as tied to regional pride and the values of work, race, and masculinity. The talk shows also promoted fantasies about college athletics, essentially designating the university's athletic tradition as the most important activity on campus. In this sense, radio sports talk helps blur the line between amateur and professional sports and oversimplifies the complex mission of higher education.  相似文献   

5.
This research examines attitudes of college radio station general managers toward Internet webstreaming. Managers curtailed the practice in 2001 in response to demands from record companies and artists for payment of fees for streaming copyrighted recordings. Despite the legal and economic uncertainties surrounding the issue, approximately two thirds of the managers indicated they continue to stream their stations. The survey revealed that most general managers-whether full time or part-time-want their stations to stream, and they regard streaming as a valuable technology for extending station presence.  相似文献   

6.
During radio's reign on the airwaves, classics and legends were sources for radio plays written for a wide audience. Scriptwriters realized radio's cultural importance and culled classics for material that pushed their conception of “high” culture but still satisfied a wide audience. Radio plays were adapted from William Shakespeare's plays, Edgar Allan Poe's short stories, Geoffrey Chaucer's The Canterbury Tales, and Robin Hood's legend. This study covers radio adaptations of Robin Hood broadcast between the 1930s and 1970s: Popeye (1939); Buster Brown (1948); Family Theater (1949); the children's theater program Let's Pretend (1954), Escape (1952), Gunsmoke (1955); and Crisis (1975).  相似文献   

7.
The Standards for College Libraries is produced by the Standards Committee of the College Libraries Section of ACRL. The document is directed to college librarians who want guidance in assessing their libraries at institutions that support programs at the bachelor's and master's levels. The most recent 1995 edition is the fourth, and the first in nine years. This article covers changes form the 1986 to the 1995 edition and ideas of the Standard Committee for future updates.  相似文献   

8.
TVPE (1826 Spaight St., Madison, Wisconsin 53704; to begin publication on a monthly basis in February 1973 at $6.00 per year)

Television Quarterly

Terry Galanoy's Tonight! (New York: Doubleday, 1972 -- $7.95)

Gene Kievan, Turn That Damned Thing Off: An Irreverent look at TV's Impact on the American Scene (Indianapolis: Bobbs- Merrill, 1972 -- $6.95)

John Gambling's Rambling with Gambling (Englewood Cliffs, N.J.: Prentice-Hall, 1972 -- $6.95)

Mary Francis Rhymer (ed.) The Small House Halfway Up in the Next Block: Paul Rhymer's Vic and Sade (New York: McGraw-Hill, 1972 -- 9.50)

Charles E. Lowman's Magnetic Recording (New York: McGraw-Hill, 1972 -- $14.50)  相似文献   

9.
ABSTRACT

The author describes the challenges and rewards of creating and growing a new community college library from the ground up, sharing details about the new college, the state of the library when she arrived as director, and the process of prioritizing the organization's development. She further describes particular lessons gained through this experience, including maintaining perspective, focusing growth in productive directions, and being willing to experiment even if it means there will be failure as well as success. The article will appeal in particular to librarians who have the rare opportunity to launch a new college library as well as those who are working on reinventing small college libraries.  相似文献   

10.
Ralph M. Jennings and Pamela Richard's How to Protect Your Rights in Television and Radio (Office of Communication, United Church of Christ, 289 Park Ave. South, New York 10010—price not given, paper)

Ted C. Smythe and George A. Mastroianni's Issues in Broadcasting: Radio, Television, and Cable (Palo Alto, Calif.: Mayfield Publishing Co., 1975—price not given but around $7.00 we learned from editors, paper)

James D. Secrest's Electronic Industries Association: The First 50 Years (Washington: EIA, 1974—price not given)

Ann M. Velia's KOB: Goddard's Magic Mast, Fifty Years of Pioneer Broadcasting (Las Cruces, N.M.: New Mexico State University Press, 1972—$6.95)

Harold Niven's Broadcast Education 1975: 14th Report (Washington: National Association of Broadcasters, 1975—$5.00, paper)

Broadcast Programming and Production (bimonthly/$7.00 per year, with first three issues free on request)

Joel L. Efrein, Cablecasting Production Handbook (Blue Ridge Summit, Pa.: TAB Books, 1975—$12.95)

NCTA is Over the Cable (Washington: National Cable Television Association, 1975—free on request, paper)

Community Antenna Television Journal (4209 N.W. 23rd St., Suite 106, Oklahoma City 73107)  相似文献   

11.
Using British radio and stage drama as its example, this article explores how a new medium took over an old genre and, after attempting to reproduce it closely, gradually modified it into something more suited to its own character. Initial disagreements about the significance of radio's blindness were attributable to the unreliability of pure sound as an epistemological guide. Yet this unreliability is a source of radio's unique dramatic strengths: It is a "theater of the invisible," severing drama's recent connection with spectacle and renewing its pristine association with speech. Radio drama has, in its turn, influenced the conventional theater.  相似文献   

12.
This article evaluates the effectiveness of a small college library's patron-driven acquisition (PDA) program for its print monograph collection, which is unusual in that undergraduate students contribute all PDA selections. To make the analysis comprehensive, this study assesses the program's performance over nine years across four dimensions: circulation, appropriateness of selections, turnaround time, and cost. These four approaches yield varying conclusions about the efficacy of the program, thereby demonstrating the value of a multi-pronged assessment. The circulation advantages of patron-suggested books are less pronounced than in previous studies, which indicates that undergraduates may not consistently select appropriate titles for the local collection.  相似文献   

13.
Television and Children: Priorities for Research (New York: Ford Foundation, 1976—free on request, paper),

Bob Shanks' The Cool Fire: Flow to Make it in Television (New York: Norton, 1976—$9.95).

Clas Zilliacus' Beckett and Broadcasting: A Study of the Works of Samuel Beckett for and in Radio and Television(Acta Academiae Aboensis, Library, 20500 Abo 50, Finland—priced at 40 FmK, paper),

Edward N. McNulty's Television: A Guide for Christians (Nashville, Tenn.: Abingdon, 1976—$3.50, paper).  相似文献   

14.
Analysis of twenty-six college and university libraries' monographic holdings in WorldCat shows that university libraries hold radically more rare titles and their collections are seven times larger than college libraries. Language and Literature (Library of Congress [LC] class P) accounts for 30% of university and 27% of college holdings. The number of books held declines and the number owned by only one library increases after the 2000 publication year. Since then, total library budgets have barely kept pace with inflation and book budgets have declined as a percentage of library expenditures. These changes align with current emphasis on priorities other than book collections.  相似文献   

15.
This article reports on ongoing studies of political satire in the seriocomedy genre produced by the Canadian Broadcasting Corporation (CBC) and its French language counterpart, la Société Radio‐Canada (SRC). We compare and contrast examples of each network's way of imagining its respective society as well as each other's society. We situate the definition of seriocomedy in a discussion of the contrasting role of private and public broadcasting in the North American context. Then we present examples from programs produced in two historical periods. The definition of seriocomedy and the analysis of texts follows the dialogical theory of discourse developed by the Russian thinker, Mikhail Bakhtin. In the conclusion, we discuss how these examples of dialogical criticism help demonstrate the complex process in which the seriocomedy genre expands and reinstitutes the normative boundaries of what can be said or represented in public culture.  相似文献   

16.
This article provides a historical account of Bush Radio, the oldest community radio station in Africa, based in Cape Town, South Africa. The creation of Bush Radio's precursor, the Cassette Education Trust (CASET) was a pivotal moment for the emergence of community radio on the continent. This people's history of Bush Radio tells the full story through the voices of the founders and staff, together with other sources of historical data. The article argues that although the apartheid state constructed essentialist racial and ethnic categories, CASET and later Bush Radio constantly positioned themselves in a space of liminality to interrogate and redefine these categories. Privileging an instrumentalist approach, this article shows the connections between ideology, politics, and economics as they converge to form the industrial structure, the political environment, and the cultural product of broadcasting.  相似文献   

17.
Radio stations regularly conduct music research to determine what music they should play. Programming belief is that if they play music that people like better, more people will listen and listen longer, and the station's ratings will improve. This project utilizes Radio &; Records' Callout America® callout research of the top 30 songs on its Contemporary Hit Radio/Pop chart and their published CHR/Pop radio station playlists to compile an average favorability score for the music the station played. These scores were then compared to Arbitron ratings. Analysis found a statistically significant direct correlation between music research scores and Arbitron ratings.  相似文献   

18.
For decades, academic libraries made efforts to provide study environments differing in acoustic environment. The present study aimed to provide an evidence basis for this practice by comparing background noise acceptance and personality factors of two groups of college-aged students self identified as preferring quiet or background noise when performing cognitive tasks. Twenty young adult college students participated. Each participant completed background noise assessment (reading and listening) and personality assessment (five factor inventory, locus of control, and self-control). Results of the present study indicate that personality factors are not related to an individual's acoustic environment preference while studying; however, background noise acceptance measured while reading and while listening to speech was related to study environment choice. Findings of the present study indicate that students accurately self-assess their acoustic study environment needs. This evidence indicates that academic libraries should continue to offer multiple acoustic study environments for college students.  相似文献   

19.
In the 1950s, television knocked radio off its pedestal as the primary electronic entertainment in the home and forced the radio industry to find new ways to compete. In Memphis, Tennessee, WHER went on the air in 1955 as an early experiment in all-women's programming. Located at 1430 on the AM dial, WHER featured a female on-air staff, but it was owned by three businessmen: Sam Phillips of Sun Records, Roy Scott, and Kemmons Wilson, the founder of Holiday Inn. WHER called itself "a thousand beautiful watts." The Memphis Sunday Times heralded it as "the nation's first successful all- girl station."  相似文献   

20.
Almost everyone knows Nashville, home of WSM Radio's "Grand Ole Opry" as "Music City U.S.A." However, Knoxville, nearly 200 miles east, also was important in the development of country music radio. Many of the early and contemporary "Opry" performers began their careers at one of KnoxvilIe's two early radio stations. Despite Knoxville's significant role as a "feeder" of talent to the "Grand ole Opry," Nashville today is the undisputed capital of country music. This paper explores the contributions of both cities to the country music industry of Tennessee, as well as reasons for Nashville's enduring prominence and Knoxville's present obscurity in this activity.  相似文献   

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