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1.
Paul Nijhoff Asser 《Publishing Research Quarterly》1992,8(2):5-11
For centuries publishers have acted as intermediaries between author and audience. Copyright, like freedom of expression,
is an essential element of freedom in this role, because without it authors' rights are not fully protected. Only when they
are protected against theft and other economic or moral infringements are authors free to express themselves without fear.
Publishers, too, rely on copyright to protect their investments and their freedom
Paul Nijhoff Asser has been secretary of the International Group of Scientific, Technical and Medical Publishers (STM), Amsterdam,
since 1970. He has been active in publishing and bookselling for more than forty years.
This article was adapted from a presentation at the seminar “East Meets West: Copyright and the Publisher in a Market Economy”,
Hamburg, March 1991. 相似文献
2.
Robbert Vrij 《Publishing Research Quarterly》1992,8(2):69-72
The structure of the Royal Dutch Publishers Association is described, and its activities are detailed. These include promoting
reading, book-buying, and the interests of the publishing industry. The protection of copyright is a major part of these activities.
He has been active in the book trade for more than thirty years: in bookselling, the import business, and publishing in the
Netherlands, United Kingdom, Germany, and Switzerland.
This article was adapted from a presentation at the seminar “East Meets West: Copyright and the Publisher in a Market Economy”,
Hamburg, March 1991. 相似文献
3.
Fred Kobrak 《Publishing Research Quarterly》1992,8(2):30-33
Unauthorized use of copyrighted materials is widespread and has been facilitated by technological advances. Copyright piracy
has been reduced by the actions of the United States Trade Representative, the Association of American Publishers, and the
International Intellectual Property Alliance. A number of successful antipiracy activities are reviewed, along with areas
where problems continue.
Fred Kobrak is a partner in Higham Kobrak Associates, consultants on the international publishing industry. He was formerly
president of Collier Macmillan International, New York, the international arm of Macmillan Publishing Company.
This article is adapted from a presentation to the seminar “East Meets West: Copyright and the Publisher in a Market Economy”,
Hamburg, March 1991. 相似文献
4.
Tracey Armstrong 《Publishing Research Quarterly》2012,28(1):23-26
The impact of evolving technology on those who create content and those who use it has raised many interesting copyright-related
challenges that legislators, copyright experts, authors, publishers and licensing organizations around the world are looking
to address. Several international initiatives underway highlight the evolving global copyright landscape, including a report
commissioned by the UK government calling for the creation of a “Digital Copyright Exchange.” Through such international efforts—and
through the content licensing experience of collective management organizations—the best solutions to the copyright challenges
of our time can deliver efficiency to everyone involved. 相似文献
5.
Richard Balkwill 《Publishing Research Quarterly》2013,29(1):47-51
The government of Armenia and the Next Page Foundation supported the Sixth International Forum of Translators and Publishers held in Yerevan from 5th to 8th November 2012. Antje Sorensen and Richard Balkwill from the International Publishers Association led a two-day workshop entitled ‘The Role of Copyright System in the Promotion of Publishing as a Cultural Industry’. Presentations on international perspectives on copyright and the mechanics of trading in translation and other rights were blended with discussion and debate. The international issues of digital open access and free information were of less concern to local publishers than the effective application of and compliance to recent copyright laws in the country. Piracy was still sapping publishers’ business and continuing to deter potential foreign collaboration and co-publishing deals. The forum was enriched with an extensive program of cultural events and social gatherings. 相似文献
6.
Carol Risher 《Publishing Research Quarterly》1996,12(4):50-56
This paper was prepared for the International Publishers Association and adopted by its international committee in April 1996.
The paper stresses that the new electronic environment will require mature international standards of copyright protection.
Publishers have concerns over how copyrighted works should be protected and welcome the opportunity to work with libraries
and library associations to consider the uses of digitized formats that will preserve the rights of copyright holders while
ensuring that publishers reach their intended audience.
copyright and new technology of the Association of American Publishers. 相似文献
7.
Madeleine B. Stern 《Publishing Research Quarterly》1994,10(1):47-54
The Franco-American book trade played a vital role in the struggle for mutual understanding during the late eighteenth and
early nineteenth centuries. That trade is exemplified by the work of three colorful individuals: Joseph Nancrede (1761–1841),
who left his native France and became a publisher in Boston; John Hurford Stone (1763–1818), English supporter of the French
Revolution who set up his English Press in Paris, issuing works of American interest; and Nicholas Gouin Dufief (1776–1834),
who fled the French Revolution and set up as bookseller in Philadelphia. Thanks to the efforts of Nancrede and Dufief, the
writings of French thinkers were made available to American readers, and thanks to the presswork of John Hurford Stone, the
writings of Barlow, Paine, Jefferson and others were circulated in France. As publisher, printer, and bookseller, these three
bookpeople reflected the ups and downs of Franco-American relations and became instruments of international understanding.
Madeleine B. Stern, partner in the rare book firm of Leona Rostenberg and Madeleine Stern, has written numerous books on publishing
and bookselling history, includingImprints on History: Book Publishers and American Frontiers. She is the editor ofPublishers for Mass Entertainment in 19th-Century America and is currently completingStudies in the Franco-American Book Trade in the Late 18th and Early 19th Centuries 相似文献
8.
Philip Attenborough 《Publishing Research Quarterly》1990,6(4):3-11
The Single European Market heralds the biggest and most exciting change in English-language publishing since the Anglo-American
copyright agreement was signed a century ago. Now the change is being driven by economic factors; by social, educational,
and cultural elements; and by dreams of an age in which publishing prospers in a totally literate world.
Philip Attenborough has been Chairman of Hodder & Stoughton, London, since 1975 and has been with the firm for 32 years, serving
as export manager, director, and sales director. He has been a member of the Publishers Association Council since 1976 (and
was its President from 1983 to 1985). He is a Director of Book Tokens Ltd, Chairman of the British Council Publishers Advisory
Committee, and a member of the Executive Committee of the International Publishers Association. He is a former member of the
British Library Advisory Council. 相似文献
9.
Edward H. Freeman 《Publishing Research Quarterly》2001,17(3):50-55
Conclusion Freelancers provide unique resources for publishers. Because of their special expertise, unique viewpoints, and even geographical
location, they provide publishers with customized materials in disciplines and locations where the expense of full-time writers
would not be justifiable. They will continue to be an important factor in the publishing industry.
Publishers will continue to write contracts that allow them to republish articles in all known and future formats. Problems
still exist with articles published before 1995. Publishers will have to decide how they will respond to Tasini, whether that means some version of the PRC or deleting articles. It is hoped that a final agreement between authors and
publishers, according to the decision of the Supreme Court, will result in minimum inconvenience to the research public.
New technology presents many challenges, as well as many opportunities, for freelance writers. As technology evolves, copyright
law must ensure that writers’ incentives to create are nurtured and that they are fairly compensated for their work. Authors
whose work creates value should share in the revenue and opportunities created by those technologies. 相似文献
10.
Anji CLARKE 《Learned Publishing》2012,25(3):235-236
Copyright Law for Writers, Editors and Publishers Gillian Davies in association with Ian Bloom London, A. & C. Black Publishers, 2011, 128pp. ISBN: 978‐1408128145, £14.99 (pbk) 相似文献
11.
Carlo Scollo Lavizzari 《Publishing Research Quarterly》2002,18(2):41-49
Conclusion The 5th IPA Copyright Conference was stimulating and achieved its purpose of fostering debate among publishers and copyright experts.
Many of the debates and findings were certainly no cause for reassurance or a mere exercise in accepted wisdom.
Richard Rudick, Chairman of IPA's copyright committee aptly summed this up by citing Oliver Wendell Holmes Jr. (1841–1935):
Certainty generally is illusion, and repose is not the destiny of man. Lucky an industry that can have thought-provoking internal
debates. 相似文献
12.
13.
Irving Louis Horowitz 《Publishing Research Quarterly》1995,11(1):40-45
Upon reviewing thePreliminary Draft of the Report of the Working Group on Intellectual Property Rights, given the titleIntellectual Property and the National Information Infrastructure, one immediately confronts the grand ambiguity that resides in the two words: “intellectual property.” That the task force
on the information infrastructure, enshrined with the acronym NII, had to locate precedent for its missioning Supreme Court
Justice Story's 1841 observations on copyright issues as an area involving the “metaphysics of the law” indicates what a long
reach the very notion of intellectual property entails in a democratic society.
He is the author ofCommunicating Ideas: The Politics of Publishing and has published widely in the journal literature, includingScholarly Publishing; Logos; Publishing Research Quarterly; Journal of the American Society of Information Science, among others. 相似文献
14.
Clive Bradley 《Publishing Research Quarterly》1992,8(2):59-68
Under the former Communist regimes, trade associations were often effectively instruments of government. They now have to
acquire a new role in the emergent democracies. But trade associations have few resources, are difficult to manage, and are
subject to legal restraints. Yet these groups have an enormous job: to act on behalf of their members, to represent them to
the government and other groups, and to achieve what they as an industry want and need. This requires that members reach a
common position and provide support and assistance. It also requires that the association delegate some activities to commercial
operators. A variety of book trade associations is described.
Clive Bradley has been chief executive of the British Publishers Association since 1976 and director of the Confederation
of Information Communication Industries since 1984. A barrister who studied law at Cambridge and Yale Universities, he has
made special studies of the laws of copyright and industrial relations and of European law.
This article was adapted from a presentation given at the seminar “East Meets West: Copyright and the Publisher in a Market
Economy”, held in Hamburg in March 1991. 相似文献
15.
Javier Prenafeta 《Publishing Research Quarterly》2010,26(4):249-254
As regulatory actions against copyright infringement have become to a large degree ineffective in the global context of Internet,
new solutions balancing the interests of copyright owners, users and intermediaries were required. Semantic technology applied
to Copyright may be considered an alternative to DRM or TPM systems, as metadata can be associated with a work, its title,
author or right holder and intellectual property rights involved, so combining query languages and applications, the use or
diffusion of those contents over the Internet can be controlled (authorizing or denying them) in what we named “Semantic Copyright”. 相似文献
16.
This article considers the British experience of developing education for publishers at the end of the 1990s. To introduce
the subject, it briefly outlines recent trends in the UK in publishing and bookselling: the size and nature of the workforce
as revealed in recent surveys; and what employers recently indicated that they are looking for in their employees. Then, it
summarises some of the developments that are taking place in education and training, before outlining the courses currently
available in the Universities, their growing emphasis on business management and Information Technology, and the benefits
to employers of recruiting students from these courses. Finally, it raises issues that will become more significant in the
future: new legal and ethical challenges, and the responsibility for preservation and conservation arising from technological
changes; keeping existing staff up to date; the international dimensions of the industry; retaining links between the academic
community and the industry; regulating standards of professional practice; and the development of research.
An earlier and shorter version of this paper, entitled “Education for publishing— the British experience,” was presented by
Ian Johnson at a colloquium “Books, Publishers and Libraries,” organised by Zagreb Chamber of Commerce’s Association of Publishers
and Booksellers and the University of Zagreb’ s Department of Information Science in December 1996.
IAN JOHNSON has been Head of the School of Information and Media at The Robert Gordon University, Aberdeen, Scotland since
1989, and initiated the School’s development as a centre for publishing education and research in 1992. He is currently joint
editor of Libri; a member of the Editorial Board of Education for Information; and Chairman of the Heads of Schools and Departments Committee of BAILER: the British Association for Information and Library
Education and Research, and of the Executive Board of EUCLID: the European Association for Library and Information Education
and Research.
JO ROYLE is Subject Leader for Publishing Studies and Course Leader for the BA/BA (Honours) in Publishing Studies in the School
of Information and Media, where she has taught since 1993. She is currently researching aspects of branding in publishing,
and the impact of the Internet on relationship management within the book trade. 相似文献
17.
Francis Dodds 《Learned Publishing》2018,31(3):270-275
Key points
- This article marks the publication of the Tenth edition Clark's Publishing Agreements: A book of precedents.
- The growing complexity of traditional assignment agreements is accompanied by researchers’ misunderstanding about their rights.
- There is a shifting balance between assignment and licensing of rights in an author's work.
- Academics continue to agree standard assignment contracts even where they disagree with the principles.
- Publishers are loosening control over copyright in response to demands from funders and a growing minority of researchers.
- There is a complex range of researchers’ attitudes to copyright issues.
18.
John R. Garrett 《Publishing Research Quarterly》1991,7(4):13-20
This article focuses on several conceptual and structural issues that are central to copyright compliance in the electronic
age. It presumes the development of a national electronic network for storing, organizing, accessing, managing, and charging
for information. The article first discusses the implications of constructing a comprehensive electronic “highway,” or Digital
Library System (DLS), which would link information to the widespread community of users. It then presents the ramifications
of a highly decentralized set of subsystems serving rights holders and users, linked by protocols established by the DLS.
A discussion of the implications of digital interchangeability for copyright follows. The article ends with an analysis of
alternatives to existing intellectual property rights conveyance systems, and concludes that current ownership structures,
and systems for conveying rights and royalties, will remain the foundation for copyright in the electronic world.
This article appeared in a slightly different form in theProceedings of the Twelfth National Online Meeting—1991, and is published here with the permission of Learned Information, Inc., Medford, N.J. 相似文献
19.
Henry J. Gartland 《International Information and Library Review》2013,45(2):201-208
Copyright, a legal discipline concerned with the protection of the moral and economic rights of the creators of literary, scientific and artistic works, is recognized in the Universal Declaration of Human Rights (Article 27.2), as are the rights to information and culture. This intellectual right amounts to a monopoly on exploitation for authors, which is the subject of national legislation and international conventions designed to ensure its worldwide harmonization. Since the invention of printing, which brought it into being, copyright has been adapted to the various technologies for disseminating and communicating works of the mind that have subsequently developed. Because respect for copyright is a fundamental requirement for the full development of the creative work for which it provides remuneration, copyright today is faced with the difficulty of maintaining the delicate balance among the legitimate interests of authors, successors-in-title and the general public in the digital environment. This paper illustrates a highly topical international debate, analyses international agreements adopted under the aegis of WIPO (World Intellectual Property Organization) last December and describes UNESCO's doctrine on the subject. 相似文献
20.
Authors and Electronic Publishing, a report produced by Alma Swan and Sheridan Brown, Key Perspectives Ltd Association of Learned and Professional Society Publishers (ALPSP) 2002. Members, £50 (US$100); Non-members £100 (US$200). ISBN 090734123-3 My Life in Science by Sydney Brenner BioMed Central Ltd, 2001; rev. edn including personal photos, 2002. Pp. 199. Paper, £14.99 recommended retail price; £10.49 for BioMed Central users ( www.biomedcentral.com/info/brenner.asp ). ISBN: 0-9540278-0-9 Understanding Copyright… in a Week by Graham P. Cornish Institute of Management, published by Hodder & Stoughton, 2000. £6.99. ISBN 0-340-78241-2 Towards Consensus on the Electronic Use of Publications in Libraries – Strategy Issues and Recommendations by Thomas Dreier Gottinger Bibliotheksschriften, 2001. Pp. 120. Paperback. Available at: http://gdz.sub.uni-goettingen.de/tecup/towacons.pdf . ISBN 3-930457-16-4. ISSN: 0943-951X 相似文献