共查询到20条相似文献，搜索用时 156 毫秒
1.
Amanda Keeler 《Critical Studies in Media Communication》2017,34(5):495-508
This paper explores Judith Waller’s radio programming philosophy over her career that began in 1922 at WMAQ Chicago. In the 1940s, representing the interests of her employer NBC, Waller began to use the phrase “public service” as a way to break free of the “stigma” of educational radio. The concept of public service programming shifted during the 1930s and 1940s in the US, redefined and negotiated in response to assumptions about radio listeners, the financial motivations of commercial radio, and Federal Communications Commission rulings. This paper brings renewed attention to the past and present political economy of media in the US, providing a window into the historically complex relationship between commercial and noncommercial media that continues to this day. 相似文献
2.
融媒体时代到来,广播电台处于转型发展的关键时刻,如何找准转型方向和构建融媒体平台一直是传统媒体转型过程中遇到的难题。本文主要从内容、传播、产品和平台构建等方面阐述广播电台转型发展途径。提出了构建"电台+两微+APP+网络直播"的融媒体平台,拓宽多元化的融媒体传播渠道。打造以上游内容生产,中游用户社群聚集,下游广告、活动、经营等为主的产业链。 相似文献
3.
Len Kuffert 《Media History》2013,19(3):303-319
In Canada during the pre-television era, the perception of radio as an intimate medium profoundly affected the way people ordered their listening, production, performance and discussion of programming. With evidence drawn primarily from Canadian archival sources, this paper contends that radio's perceived intimacy deeply troubled those who considered themselves responsible for the physical and cultural welfare of listeners, and that Canada's early broadcasting experience provided a particularly good example of how worry could become action. Though thinking about intimacy had helped broadcasters before the mid-1930s to understand the function of radio in relation to other media, it also led the Canadian Broadcasting Corporation (CBC) after its formation in 1936 to scrutinize and control commercial and unsponsored programming, advertising and public service messages alike. The CBC's self-assigned stewardship role – a reaction to plentiful and popular American programming and an emulation of the British Broadcasting Corporation and European services – pushed it toward protecting children and other listeners thought to be gullible or sensitive from programmes that abused the intimate relationship by stepping beyond established boundaries of taste or threatening the Corporation's ‘civilizing’ role. 相似文献
4.
Rebecca Scales 《Media History》2013,19(3):305-321
This article explores the methodological challenges and possibilities of writing a cultural history of broadcasting in French colonial Algeria during the tumultuous decades between the two world wars. In a diverse, multi-ethnic colonial society, how can historians and media scholars evaluate audience reception? What meanings did radio broadcasting acquire in the colonial context? To answer these questions, this article considers the controversies surrounding two culturally hybrid broadcasts produced by Radio-Algiers during the 1930s. A careful examination of the remaining historical record concerning these broadcasts, from newspaper accounts to archival sources, exposes the cultural fluidity that typified everyday colonial life and reveals how radio broadcasting politicized music and oral language in novel ways. Broadcasting—as a purely sonic medium—challenged the classificatory mechanisms of the French colonial state and the racial and ethnic boundaries that undergirded colonial society. In consequence, historical memories of Radio-Algiers and its role during the waning years of the French empire deny the sonic cultural hybridity that flourished over the interwar airwaves. 相似文献
5.
在新媒体时代,广播音乐节目受到了新媒体的强劲冲击。内容为王,广播音乐节目必须在内容上充分发掘自身的优势与不可替代性,提供独具观点、深度整合及可共享的音乐节目,方能在新旧媒体混战中立于不败之地。 相似文献
6.
Jennifer Hyland Wang 《Journal of Radio & Audio Media》2019,26(1):63-74
The physical remnants of long-lost radio programs are not the only sounds that broadcast historians must unearth to unravel the mysteries of radio production and reception. In this essay, I examine the audio tapes of a 1980 oral history interview of Isabel Baumann, a Wisconsin farm wife, rural activist, and radio personality who appeared for twenty years on a monthly local radio show called The We Say What We Think Club. I tell the story of how these recordings came to be archived at the State Historical Society of Wisconsin and the unique institutional context that preserved Baumann’s voice for future generations. The tapes of Baumann’s recollections of her farm life and radio career offer us not only one of the few examples of the sound of Baumann’s voice, but gives insight into how the very process of making oral histories helped her (and ultimately, us) understand the power of her radio work. Oral histories offer a space for women, so often marginalized in the industry and in historical narratives, to say what they think. Most importantly, the audio recovered from these academic projects allow historians to record with more fidelity what these women thought. 相似文献
7.
Michael Stamm 《Media History》2015,21(1):55-73
In the early twentieth century, American newspapers enjoyed high circulations while presenting readers with diverse and plentiful content. After 1920, radio broadcasting made even more information available for public consumption, giving audience members an abundant range of media choices. During a time of plenty for readers and listeners, companies in the business of media struggled with the opposite problem: scarcity. As the amount of media content proliferated, the practical ability to disseminate it was determined by the access to scarce resources, and this was true for both radio broadcasting and newspaper publishing. In many respects, the history of the American mass media in the early twentieth century might best be told as a tale of two scarcities, one—the electromagnetic spectrum—defined by absolute limits and the other—the newsprint—defined by access to markets for a particular material, the supply of which often fluctuated in availability and price. 相似文献
8.
Lachlan Glanville 《档案与原稿》2018,46(1):45-48
The Germaine Greer Archive was created by Greer in the 1970s to document her career and provide-counter evidence against false claims about her work and personal life. Later attempts to address gaps in the archive in relation to her television career were hampered by the poor record keeping of production companies and film and television archives. The archive documents both an attempt to create a complete record and the deliberate creation of a counter-narrative through arrangement and juxtaposition of records. 相似文献
9.
Rafi Mann 《Media History》2013,19(2):169-181
The article discusses the political and public debates in Israel over the appropriateness of a military radio station in a democratic state. The Israeli station was established in 1950 to assist the defense forces in absorbing and educating new Jewish immigrants, but later developed to become one of Israel's major media outlets. Previously unstudied documents reveal that the initiative to launch the station was met with criticism from its early stages; concerns about letting the army run a radio station without public oversight have been raised repeatedly ever since. This research project illustrates the benefits of media historiography as an effective prism for studying wider aspects of societies in which various media organizations operate. It adds, as well, to the historiography of military radio stations around the world. 相似文献
10.
本文以全球化、数字化、产业化的新语境分析我国广播业的发展趋势：加强各地广播电台间的合作与联盟,加强广播与电视、报刊、互联网等媒体的合作,加强传媒业与其他行业的合作发展及广播载体的多样化发展。 相似文献
11.
骆育红 《浙江传媒学院学报》2004,11(1):37-39
面对日益加剧的媒体竞争局面,单一做广播节目的年代已经过去了,广播媒体的建设是一项系统工程.广播电台一方面要明确电台的专业定位.另外更重要的是建立专业频道的品牌概念,塑造专业电台的视觉识别系统与听觉识别系统,确立专业电台的整体品牌形象.专业电台靠加强专业电台品牌的竞争力,一步步渗透到听众的耳中、心中. 相似文献
12.
13.
Paul Rixon 《Media History》2020,26(2):153-166
This article analyses how British newspapers in the 1930s created a particular frame or view of radio as an international medium. This frame was created around the idea of a duality, of radio being defined by both national and foreign broadcasts. By analysing coverage provided by the main national newspapers at this time, in relation to their specific radio coverage, such as programme listing and highlights, this paper delineates the form the frame took, what was included and was absent. Such a frame provides an understanding of how the newspapers viewed and valued radio in a period when international broadcasts were seen as an important part of what radio could offer. 相似文献
14.
《Journal of Radio & Audio Media》2013,20(2):80-83
Radio stations were organized in Europe during the 1920s as state‐regulated public service institutions. Contrary to the model in the U.S., radio thus was embedded in the cultural and political spheres and accordingly kept outside of the market forces, although some countries allowed limited advertising. Radio's role as a national service faced increasing legitimation problems, and in most Western European countries, local radio was introduced as a divergence measure to balance political and cultural convergence of national radio. Generally, local radio activities were initially an attempt to revitalize a vivid public sphere. This article describes the development in the Scandinavian countries, where local radio developed in different ways with a rather strong commercial component that filled the “commercial deficit”; resulting from public service policies and a rather fragile component of noncommercial community stations. Although the structural development in many ways showed a different pattern than expected and wanted, local radio will have an ever greater role to play in a globalized media and information society. 相似文献
15.
进入 2 1世纪 ,中国面临的新形势是经济全球化、全球信息化和中国现代化 ,中国广播电视的对外传播显得尤为重要。中国领导人历来重视广播电视的对外传播 ,中国的广播电视在让世界了解中国、让中国了解世界方面也作出了成功的实践。但就全球新闻信息市场而言 ,中国的广播电视在对外传播中的弱势显而易见 ,充分认识中国广播电视与世界链接的距离并寻找增强链接的有效途径十分重要。 相似文献
16.
《Journal of Media Economics》2013,26(3):21-36
In 1996 French radio stations began complying with loi Carignon that sets a minimum quota of 40% of music time for French-language chansons. The law represents a departure from previous voluntary efforts to promote French-language music in broadcasting, but I argue that it is an example of political continuity in the protectionist tendencies discernible in French media policy. This article explores the reasons for the creation of the law, including political factors, career desires, and French media and cultural policies. 相似文献
17.
《Journal of Radio & Audio Media》2013,20(2):254-255
This article examines the emergence of local radio in a rural southeastern Turkish city called Sanllurfa in the early 7990s following the end of the state's media monopoly on broadcasting. Informed by a media ethnography conducted there in 2001, this article discusses local debates over the content and quality of local radio and the influence of the state's official cultural policies on the programming decisions of local radio owners, managers, and DJs. This paper also illustrates Turkish young people's local and national radio preferences, their responses to local programming and on-air personalities, and the meaning of music and local radio in their lives. 相似文献
18.
《Journal of Radio & Audio Media》2013,20(2):268-276
Many forms of alternative media empower marginalized populations by providing the tools of media production as an outlet for their voices. Drawing on the experiences of youth collected from semi-structured ethnographic interviews, the preliminary research presented in this paper demonstrates how youth, in their own words, are empowered through their participation in the alternative media production process. Since the relationship between empowerment and radio production is currently unexplored, critical media literacy is applied to illustrate how production can enfranchise the creator. Although the production of the radio artifact initiates the process, it is the legitimacy of the discursive space that is truly empowering for youth. 相似文献
19.
《广播与电子媒介杂志》2013,57(2):230-232
This article reports the results o f a qualitative study of women in television and radio broadcasting. Its purpose is to chronicle career experiences and to relate those experiences to the culture of mass media organizations. Fourteen women managers in a major metropolitan market were interviewed about their own career paths and the overall status of women in the industry. Based on these interviews, the article suggests questions for future research on women in broadcast management. 相似文献
20.
The interplay between Twitter and media organizations has been an increasing area of research. This article examines how talk radio stations have adopted Twitter at an institutional level, based on a comparative study of the official accounts of three prominent talk radio stations in Canada in 2010 and 2011. While talk radio is considered an interpersonal medium, our analysis shows the stations mainly use Twitter as a one-way medium to broadcast news updates, rather than to engage with audiences. Our findings suggest a divergence between institutional and individual social media practices, with official accounts as formal channels of communication. 相似文献