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1.
In an article that appeared in Winter 1958–1959 issue of the Journal of Broadcasting, Profesor Gordon Greb added a new contender for the title of “oldest station in the nation.”; As a result, KQW has joined KDKA, WHA and WWJ as a candidate for the honor of primacy in American radio broadcasting. Although Greb's article created as much interest and controversy as any that has appeared in the Journal, it did not—and could not—still the confidence of the other claimants.

In the instant article, Mr. R. Franklin Smith does the field of historical radio research a service by setting forth, for the first time, a logical set of criteria by which to judge these conflicting claims. To illustrate he has utilized early records of WHA. Using these criteria, it is shown that WHA cannot claim to have been a true broadcasting station before the latter part of 1920. Comparison of the claims of the several contenders is outside the scope of this article. However, it would be extremely interesting if these criteria were applied to the conflicting claims by persons having access to the detailed station records and other data necessary for thorough analysis.

Perhaps Mr. Smith has given us the impetus and the tools necessary for determining which station really was the “oldest in the nation.”  相似文献   

2.
This essay chronicles the early history of New York radio station WEVDAM. Erected as a monument to socialist leader Eugene Victor Debs, WEVD was an electronic voice for the socialist ideas and causes that Debs championed. This essay examines how WEVD struggled to defend its license to become an early radio pioneer for socialist rhetoric and, through the process, guaranteed access to the airwaves for minority viewpoints. These struggles occurred during the formative years of broadcast regulation, and WEVD played a significant role in defining the public interest standard for American broadcasting.  相似文献   

3.
This paper focuses on the emergence of radio receiver technology and its use by the American public as revealed in 1,725 magazine display advertisements in 12 general circulation and women's magazines from 1920 through 1929. It explores how the complicated wireless telephone receiver was adapted to usability for the decidedly nontechnical public. The study also explores how the “new”; radio — broadcasting — became useful to the general public in various aspects of daily life by the end of the decade. From a technical and social novelty in 1920, radio had evolved to a place squarely‐ on the path to social and cultural integration with American society by 1929.  相似文献   

4.
进入新世纪以来,国内广播媒体取得了可喜的进步,但是我们从一些经常性的统计数据中可以看到其自身存在着一些深刻的矛盾、问题:播出频率数量不足,规划格局限制广播功能,制作投入不足影响节目质量,导致接收积极性低、创收乏力。中国广播要借助新媒体的机遇,增加供应数量、提供新的接触方式、延伸媒体的功能,提高中国音像媒体的市场竞争实力。  相似文献   

5.
To understand the major shift in Americans' attitudes about Chinese art between the nineteenth and twentieth centuries, it is essential to know not only what the American collectors thought, but also the social history of these collectors and their agents. Since the advent of the field of material culture studies, scholars have begun to look at museum objects, whether as art or not, from the perspective of different lives—that of their makers and users. It seems that the lack of “great” Chinese paintings in American museums before the twentieth century may be due to the fact that the nineteenth century American collectors and their Chinese agents differed from their twentieth century counterparts in what they regarded as “great,” what they thought was “Chinese,” and what they defined as “paintings.”  相似文献   

6.
Objectivity has been regarded as a central ideal of American journalism in the early twentieth century. The concurrent emergence of photography in the press is rarely associated with this development. The article explores the photographic legacy of journalistic objectivity by discussing a crucial phase in the development of reproduction media for images, the transition from wood engravings to halftones. The former was the dominant mode of ‘illustrated journalism’, the latter became the dominant mode of reproducing photojournalism in print in the twentieth century. The halftone process introduced an equivalence between photographs and their reproductions, obliterating the mediation that had taken place in a code of reproduction that was almost imperceptible. In the contested adoption of the halftone process, it is argued, a shifting valuation of photographs can be observed that prefigures the formulation of objectivity as a transparent code of mediation in journalism.  相似文献   

7.
This article explores the methodological challenges and possibilities of writing a cultural history of broadcasting in French colonial Algeria during the tumultuous decades between the two world wars. In a diverse, multi-ethnic colonial society, how can historians and media scholars evaluate audience reception? What meanings did radio broadcasting acquire in the colonial context? To answer these questions, this article considers the controversies surrounding two culturally hybrid broadcasts produced by Radio-Algiers during the 1930s. A careful examination of the remaining historical record concerning these broadcasts, from newspaper accounts to archival sources, exposes the cultural fluidity that typified everyday colonial life and reveals how radio broadcasting politicized music and oral language in novel ways. Broadcasting—as a purely sonic medium—challenged the classificatory mechanisms of the French colonial state and the racial and ethnic boundaries that undergirded colonial society. In consequence, historical memories of Radio-Algiers and its role during the waning years of the French empire deny the sonic cultural hybridity that flourished over the interwar airwaves.  相似文献   

8.
This article examines the emergence of local radio in a rural southeastern Turkish city called Sanllurfa in the early 7990s following the end of the state's media monopoly on broadcasting. Informed by a media ethnography conducted there in 2001, this article discusses local debates over the content and quality of local radio and the influence of the state's official cultural policies on the programming decisions of local radio owners, managers, and DJs. This paper also illustrates Turkish young people's local and national radio preferences, their responses to local programming and on-air personalities, and the meaning of music and local radio in their lives.  相似文献   

9.
This article assesses the extensive ‘reader competitions’ run in popular magazines and story papers of the early twentieth century. Using examples from Irish story papers, it examines the appeal of these competitions to both the publishers and the readers. For readers, competitions offered an opportunity to display skills which combined the results of universal education with the more playful knowledge that was part of popular parlour games and other leisure activities of the time. They also offered readers an opportunity to ‘write back’ to the mass media, with indications of an extremely high level of interactivity between readers and editors, including reader suggestions for competition ideas, and disputes regarding the rules and judging of contests. The article goes on to argue that these competitions were themselves significant examples of mass media structures of the time, relying as they did on the specific forms of print culture and upon mechanisms of industrial time and communication processes.  相似文献   

10.
Notable radio scholars including Christine Ehrick, Phylis A. Johnson, and Caroline Mitchell have explored critical challenges of gender and sexuality radio research and its importance in relation to communities. A major issue faced in studying the early years of women’s history in broadcast is the ephemeral nature of the medium as many of the voices are lost in the ether, unrecorded or once deemed inessential to archive. Web-based radio and podcast archives provide renewed avenues for listening to lesbian and queer women’s radio across transnational borders yet many long running shows in Canada such as The Lesbian Show on Vancouver Co-Op Radio have only recently begun to surface as digital collections. As personal and institutional archives of lesbian and queer women radio begin to reach a public audience, analysis of radio works across decades of LGBTQ2+ activism and feminisms must be traced to understand the role of radio and digital radiogenic media in creating space and identity for queer activism. A turn to the past brings forward questions of analog and digital futures for radio and podcasting space as place to construct and shape queer and especially lesbian communities and identities in the North American broadcasting industry. Through research of notable live and pre-produced content including Dykes on Mykes on CKUT 90.3 FM, and The Lesbian Show on Vancouver Co-Op Radio, this work offers an exploration of radio and radiogenic media’s role in creating sonic space for queer and feminist subjectivities.  相似文献   

11.
This article considers the Radio Preservation Task Force’s (RPTF) recruitment efforts and current list of member archives, assessing its success in fulfilling its mandate from the Library of Congress’s National Recording Preservation Board to adequately inventory archival collections throughout the country and facilitate preservation of and educational access to materials within these collections. The RPTF’s membership, it argues, represents significant progress in overcoming initial favoritism toward collections of network broadcasting materials, enabling the creation of alternative forms of cultural memory and production of new histories that can speak to issues and constituencies neglected in traditional histories of radio broadcasting. At the same time, it proposes further attention to nonconventional archives that may not take radio or media as their focus, warns against privileging sound recordings at the expense of contextualizing paper documentation, and stresses the need to consider forms of radio content beyond broadcast programming and to actively preserve born-digital materials within the present as well as recordings from the past. While the RPTF has helped expand existing conceptions of the radio archive, significant challenges and opportunities remain for identifying and preserving the full range of American radio heritage for both current and future generations.  相似文献   

12.
Some of the most ambitious experiments in early radio programming involved the coordination of sounds and visuals. This essay explores the phenomenon of “illustrated radio,” or radio broadcasts enhanced with accompanying visual media such as lantern slides, museum exhibits, and filmstrips. Newspapers, museums, and schools experimented with this format in the 1920s–40s in an effort to expand their audiences and adapt their informational missions to a changing media environment. While relatively short-lived, illustrated radio constituted a significant form of audiovisual broadcasting before television and highlights the range of uses that were envisioned for radio when it was new.  相似文献   

13.
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14.
Over the past three decades, discussion of government documents on American Indians has emphasized federal agency documents and archival records. Despite the fact that Congress has the ultimate authority in Indian affairs, document librarians have not explored the considerable research potential of hearings as a format for information. This article will show, with examples from early twentieth century legislative and oversight hearings, that there is significant untapped research content on American Indians in congressional hearings.  相似文献   

15.
For most of the 20th century, international broadcasting was characterized by state-run broadcasts carried over shortwave radio. Such broadcasting was at the core of the Cold War and World War II, as well as the decade leading up to World War II. After the end of the Cold War in the early 1990s, the geopolitical context that had structured international broadcasting for so long dissolved, allowing for the possibility of significant changes in international broadcasting. One of these changes since the end of the Cold War is the development of Web radio. The year 1995 marks the point when broadcasting over the Web began in earnest. Included in this movement were a number of the primary broadcasters who had been, and still were, active in international shortwave broadcasting. Then, in 2001, after gradually reducing shortwave output to North America, Australia, and New Zealand, the BBC World Service terminated official shortwave broadcasts to these areas. In place of shortwave, listeners were directed to receive BBC World Service programming primarily through Web broadcasts and secondarily through local AM/FM rebroadcasts. The announcement of the termination of these shortwave broadcasts provoked a large and vocal opposition to the cuts from shortwave listeners, professionals in international broadcasting, and even the British Parliament. This article documents the BBC World Service's announcement as well as the reaction it generated.  相似文献   

16.
This article reveals how Spanish-language radio started in San Antonio, Texas—as blocks of time bought by Hispanics interested in providing music to San Antonio's Spanish-speaking residents. In particular, this study recognizes the contributions of San Antonio radio pioneer Manuel Davila and his role in starting Spanish-language radio and the Tejano format, drawing from a combination of on-site observation at Davila's station, personal interviews, and the collection of historical data. The article also lays a foundation for critically analyzing the political economy and hegemonic process of maintenance of economic and cultural power possible in the early days of radio broadcasting to compare it to the current corporately dominated marketplace.  相似文献   

17.
While useful in establishing U.S. public media, the Public Broadcasting Act of 1967 is an imperfect instrument for moving public radio to a secure future. Policies governing public broadcasting are insufficient to address the economic, political, social, and technological changes upending media organizations, both commercial and non-commercial. The urgent need is for more flexible structural arrangements as public radio and public television stations merge, partner with non-profit media entities, and seek funding that builds on the strength of the local public radio network as well as responds to the demand for imaginative, on-demand content from national networks.  相似文献   

18.
A distinctive dimension of political life, power as the capacity for people to act in concert, was a key in understanding one of the major transformations of the late twentieth century—the democratic aftermath of the collapse of the Soviet empire in central Europe. In this paper, the way this dimension—the politics of small things—provides alternatives in the United States is analyzed. A new media regime, with significant interactions between virtual and embodied social interactions, has opened up the opportunity for a new democratic politics. The antiwar movement and the Dean campaign are shown to have constituted alternative political possibilities for those critical of hegemonic discourses and practices.  相似文献   

19.
As Mexico's government undertook neoliberal reforms to join the North American Free Trade Agreement (NAFTA) in 1994, a number of scholars questioned the cultural consequences of closer media ties to the United States and Canada. Government officials countered that Mexico's strong identity needed no protection. This study situates the disagreement within cultural policy traditions, and examines how Mexican television broadcasting changed under globalization forces—including domestic competition, international market expansion, and new technology development—during the 1990s and early 2000s.Thestudy concludes that insufficient attention was given NAFTA's impact on Mexico's own television industry, which strongly influences culture.  相似文献   

20.
Educational, state, cultural, and university radio stations have already developed over more than 70 years of history in Brazilian radio broadcasting. Currently, there are hundreds of stations transmitting across the country, from the North to the South. Some of them—that in the 1990s included 100 broadcasting stations and among these, the oldest and nationally referenced—up to this decade operated and were referenced as a component of the educational radio system. Mainly from this period on, most of these stations began to call themselves public. And, especially due to their programming, they have been attempting to define themselves within the profile of public radio stations. The purpose of this article is to uncover the historical construction of this group of radio broadcasting stations, by means of a timeframe, from the advent of the non-commercial segment in the 1930s until today. It reconstructs referential models and presents main threads and features of the programming of these stations throughout these seven decades. In this way, it will also evince how Brazil is constructing its model of public radio.  相似文献   

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