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1.
马玺 《自然科学博物馆研究》2021,(6):28-37
科学仪器史的兴起是过去数十年科学史领域中一个令人瞩目的现象,很大程度上得益于博物馆藏品和博物馆从业人员对科学史研究的介入。这一研究趋势在国内仍未见波澜。清华大学科学博物馆自2018年筹建以来已经做出了一些尝试,在仪器和发明复原、科学仪器史等方向做出了探索,回应了自20世纪80年代以来国外科学史领域对科学仪器以及科学物质文化的关注,同时积极将自身的馆藏与科学的历史、清华的历史甚至中国的历史相联系。对相关研究的缘起和成果进行了分析总结,反思了既有工作,同时对国内科技类博物馆开展科学仪器史研究的相关方法论做了初步探索和展望。 相似文献
2.
Museums are ideal institutions for the development of volunteer programs. A museum's commitments to education and research and to expansion of learning, as well as its physical resources, offer potentially attractive forms of involvement for various segments of the population. We discuss aspects of a long‐established, self‐funded resident volunteer program that integrates the resources of a museum's field station with seasonal staffing needs, resulting in economic benefits to the museum and educational and career‐advancement benefits to volunteers. The practices used to bring together these objectives are discussed, with the goal of providing an example for museum administrators so they might better appreciate the potential diversity of volunteer programs as methods of broadening museums' roles in society. 相似文献
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Kelly Elizabeth Yasaitis 《Curator: The Museum Journal》2006,49(4):449-462
Abstract This article explores the act of collecting from a postmodern perspective by examining the influences of changing times, places, and persons. Considering the British Museum's stages of development and progress, it discusses the life of Sir Hans Sloane and how his actions helped determine the museum's original goals for its collection. The early days of the British Museum provide a clear view into the values of seventeenth‐ and eighteenth‐century British society. The focus of the museum's collection has changed over the years with the changing views of academics and society. The museum today still strives to hold knowledge of all things, yet tempers this goal under the pressures of modern theorists and politics. While still desiring to communicate information about the world from vast and complex collections, the museum has shifted its focus to answer questions of ownership and entitlement. Explaining national and world heritage views, the article concludes with a discussion of the ethics of collecting as a primary factor in today's British Museum collection. 相似文献
4.
Shane J. Macfarlan 《Curator: The Museum Journal》2001,44(2):166-178
Abstract This article addresses problems associated with museum education collections. Museum education collections are used to provide visitors with opportunities to handle museum objects. These collections are primarily composed of objects that are damaged, lack provenance, or do not fit the scope of the collection. Sometimes, these collections are displayed haphazardly and their interpretation may lack thematic context. Some museum education collections are not being utilized to their fullest educational capacity. The application of cognitive, exhibition, and collections management theories can alleviate some problems with museum education collections. A critique of the education collection at the Lubbock Lake Landmark is presented as a case study of these problems and some of the potential solutions to them. The study can be used as a template by other museums to solve similar problems in their education collections. 相似文献
5.
A. Miller 《Journal of Web Librarianship》2019,13(2):127-155
The emerging creative practices of digital collections are increasing in prominence thanks to the access to, and appeal of, data visualizations. Interactive data visualizations, such as a map, timeline, chart, graph, or artist’s rendering of data, enable users to pursue their own research interests within a collection and participate in new areas of research. Use of these data visualizations enhances the scope of the collection and enables a modern and diverse thematic collection to emerge. This article considers the question: Does the addition of data visualizations affect how users participate with a research collection? Impacts on collection development, application of user-centered design, and analysis of users’ exploratory strategies are discussed. Examples of data visualizations used in digital humanities projects and digital collections are presented as case studies. 相似文献
6.
《Curator: The Museum Journal》2017,60(3):311-333
This paper details findings from a collaborative research project that studied children learning to 3D print in a museum, and provides an overview of the study design to improve related future programs. We assessed young visitors’ capacity to grasp the technical specificities of 3D printing, as well as their engagement with the cultural history of shoemaking through the museum's collection. Combining the museum's existing pedagogical resources with hands‐on technology experiences designed by Semaphore researchers, this study enabled both researchers and museum education staff to evaluate the use of 3D‐driven curriculum and engagement materials designed for children visiting cultural heritage museums. This study raises critical questions regarding the practicality of deploying 3D media to engage young learners in museums, and this paper illuminates the challenges in developing models for children to put historical and contextual information into practice. 相似文献
7.
焦郑珊 《自然科学博物馆研究》2019,(4):12-19
2019年是美国自然历史博物馆建立150周年。在150年的发展历程中,随着博物馆功能逐渐明确为教育、研究与收藏,藏品在该博物馆中的作用也逐渐发生转变。藏品在收藏、研究与传播中所发挥的作用,是自然历史博物馆历史传承与新时代转变的体现。美国自然历史博物馆正在经历一系列的创新与转型,对于自然历史博物馆的未来发展有很大的启示意义,也有助于我们在当代背景下去理解自然历史博物馆的本质与价值。 相似文献
8.
《The Reference Librarian》2013,54(29):21-31
Results of several research studies indicate that corporate reference collections may differ in kind and in definition from reference collections of other types of libraries. It was found that a corporate reference collection may not embody a "core"; it might not imply ownership of items; it might rely heavily on referral sources; and it might be redefined functionally as a wlndow or gate to rentable information. The corporate librarian may make little distinction between a reference book and any other item in the library collection. Further, evaluation of such a corporate reference collection entails the evaluation of other parts of the library. This includes the ability of librarians to use any source to answer reference questions or provide information for the decision makers in the corporation; such a mode implies that the presence of a reference collection may be counterproductive to the provision of information services. Methods of evaluation were also considered as indicators of performance distinct from output measures. 相似文献
9.
《期刊图书馆员》2013,64(4):85-93
The major serials collections in Australia have been seriously affected by adverse economic trends and changing collection development policies. The university libraries now have a crucial role to play in preserving and improving the quality of Australia's serials resources. In the midst of major changes to higher education encouraging competition among universities and emphasizing specific national priorities in research, the university libraries must promote a national perspective on serials collections, if Australia's resources are not to deteriorate further. 相似文献
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Marjorie Kelly 《Curator: The Museum Journal》1995,38(4):229-245
Increasingly, museums are seeking to incorporate indigenous perspectives into their exhibits, programs, and collections management policies. Despite its history and close proximity to Hawaiians, Bishop Museum has neither a long nor an unblemished record of consulting the indigenous community. Within the last three years, there has been a theft/removal of sacred objects, a lawsuit involving repatriation of Hawaiian remains, demonstrations and state government hearings concerning the Bishop's interpretation of archaeological sites, as well as more positive activity; e.g., a renewed interest in exhibiting Hawaiian culture. While factionalism within the indigenous community complicates matters, many of the museum's problems are an outgrowth of its own decisions: lucrative contracts have not been without cost, and internal dissension has resulted in such high staff turnover that the museum's professional capability has been publicly called into question by Hawaiians (and others). As Hawaiians assume a more active role, their 106-year relationship with Bishop Museum is being redefined. (Note: “Hawai'i” is used here to refer to the southernmost island in the chain; “Hawaii” designates the entire chain, the state). 相似文献
13.
Robert Waller 《文物保护研究》2018,63(5):288-292
ABSTRACTThe Royal British Columbia Museum (RBCM), Canada, houses a collection of almost 7 million artifacts, archival records, and natural history specimens. Three comprehensive collection risk assessments over the past decade have resulted in improvements to the physical environments of the collections as well as new policies and procedures to reduce risk. However, there remain ongoing risks that can only be mitigated through major facility renewal. The last collection risk assessment, completed in 2016, was revisited to review the data and build a defensible case for funding to replace the RBCM's on-site collection storage facilities. Changes to overall collections risk is a complex function of collection development and use trends, evolving risk factors both internal and external to the museum, a growing understanding of the relationship between risks and preservation, in addition to reduction due to risk mitigation projects and building systems aging and wearing out. A defensible method for illustrating the facilities-related risks over time involves estimating the expected loss of individual collection items or loss in value of a group of items that may occur if a major facility upgrade or redevelopment is not realized in the near future. Risk assessment data for representative collection units were reviewed to differentiate risk due to permanent facility characteristics versus more active controls, operations budget controlled risk versus capital budget controlled risk, and collection management-controlled risk versus facility management-controlled risk. This enabled the risk model to isolate risks that could only be mitigated through major facility upgrades. Change in collection value was expressed as Object Equivalents Lost (OEL) and its compliment Object Equivalents Remaining (OER). Projections into the future indicating the effect of varying facility renewal dates could then be clearly shown. Losses, when presented as numbers of items expected to be lost from the collection, become emotionally salient to persons in senior management and governance roles. 相似文献
14.
Nathaniel King 《The Reference Librarian》2013,54(2):138-155
This study assesses the reference collection management practices and strategies used in the reference departments of academic members of the Association of Research Libraries (ARL). Librarians who participate in the management of the humanities and social science reference collections within ARL member libraries responded to an online survey about collection development policies, acquisition processes, collection use, weeding, and marketing of their reference collections. The results of this survey suggest that a large percentage of academic ARL member libraries are weeding their collections regularly, measuring use of the print and electronic reference collection, and moving decidedly toward electronic reference materials. 相似文献
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Susan Mancino 《Curator: The Museum Journal》2016,59(2):141-152
Throughout their history, museums have performed diverse public services: from preservation, collection, and exhibition, to interpretation, education, and civic engagement. As Stephen E. Weil ( 2002 ) explains, since the mid‐twentieth century, museums have experienced two major revolutions. First, a revolution in focus from collection‐oriented to visitor‐oriented practices, and second, a revolution in public expectations as museums secured a position within the nonprofit sector (81–82). With competition for public, private, and philanthropic support resting upon measurable results, the evaluation of museums depends upon its ability to “accomplish its purpose” (5). However, the question remains: what is the museum's purpose? Which is the more important: collection and artifact preservation, or public engagement and education? An overview of museum practices reveals a multiplicity of professional tasks distributed among three imperatives: preservation, scholarship, and programming (Weil 2002 , 11). The competition for resources devoted to each of these imperatives can spark controversy—particularly if museum professionals answer the question of the purpose of museums differently. Organizational communication scholar, Janie M. Harden Fritz, developed a theoretical framework that seeks to respond to such controversies in Professional Civility: Communicating Virtue at Work. This essay considers Fritz's “professional civility” in the context of the American museum sector, lending insight to the question of museum purpose and function. 相似文献
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《Behavioral & Social Sciences Librarian》2013,32(3-4):107-117
Due in large part to the interdisciplinary nature of the profession, Home Economics reference collections are often difficult to develop, maintain, and assess. Collection development responsibilities are usually divided among several librarians across the broad spectrum of the social sciences, humanities, and applies sciences. To help ensure basic and balanced collections, a "core" bibliography of home economics reference sources is provided. The included works are listed alphabetically under the broad categories of "Indexes and Abstracts," "Dictionaries and Encyclopedias," and "Handbooks and Sourcebooks." This bibliography should be used as a starting framework for a basic home economics reference collection. Individual libraries might further develop specific subject areas to support their own institution's needs. 相似文献
18.
Gilberto Silva Taboada 《Curator: The Museum Journal》1994,37(2):90-98
Relevant events in the history of twentieth-century zoological collection in Cuba and the institutions involved are traced here in order to document the present whereabouts of Cuba's zoological collections. The historical accounts are divided into two periods: from the founding of the republic in 1902 to the revolutionary victory of 1959, and from 1959 to the present. A preliminary survey of the nature, size, and current state of these collections is included. 相似文献
19.
《Library Collections, Acquisitions, and Technical Services》2002,26(1):47-59
Many libraries are currently experiencing a transition from printed to electronic collections. This transition has led to changes in collection development practices as well as in the roles of information professionals who facilitate access to information. Roles of librarians in both public and technical/access services are converging. There is a demand for a new breed of librarians who understand the entire electronic information scenario: procurement, organization, access and public services. All these come into play when making decisions and choices for meeting users’ information needs. Libraries are addressing such issues as ownership versus access, consortial access to electronic resources, licensing and authentication, surrogate versus full-text electronic resources, and integration of free Web content into collections. Librarians are challenged to embrace new ways of optimizing access to electronic resources and to explore ways to fit new technologies and innovations into traditional library structures and practices. 相似文献
20.
The Artist Initiative at the San Francisco Museum of Modern Art (SFMOMA) is piloting models for increased collaboration between conservators and curators through joint work with artists. We seek a more integrated, holistic approach to the care and research of our collection. The project, funded by the Andrew W. Mellon Foundation, comprises five robust research engagements that serve the curatorial collecting departments of the museum (Photography, Painting and Sculpture, Media Art, and Architecture and Design). Three of the projects are monographic studies, examining the work of Ellsworth Kelly, Vija Celmins, and Julia Scher in depth, while two more are thematic, exploring modes of displaying digitally-driven design objects, and developing strategies for addressing the problem of color shift common to photographic prints made with experimental materials during the 1970s and 1980s. The Artist Initiative is also charged with developing hybrid working spaces to advance collaborative approaches to collections research at the museum's new downtown campus and at SFMOMA's new Collections Center in South San Francisco. These spaces include the Collections Workroom, a 56?sq?m (600?sq?ft) space that functions as a studio for visiting artists, a conservation laboratory, an interview suite, and a classroom at SFMOMA's downtown campus. At the Collections Center, a 121?sq?m (1300?sq?ft) Mock-Up Gallery has been built as a working model of one of the museum's new galleries. A functional exhibition space, the Mock-Up Gallery is also a venue for interviewing artists, prototyping exhibition formats, and meeting with students, scholars, museum staff, and community members. With the goal of contributing to critical discourses in contemporary art history, art conservation, and public engagement, each of the Artist Initiative projects includes a colloquium that will bring experts from multiple fields together with the featured artists. Thereafter we aim to share our findings widely through public programs and a range of publications, both digitally and in print. 相似文献