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1.
Poetry is a precious part of traditional Chinese civilization.In the times of globalization,an increasing number of for eigners become interested in Chinese poetry.Hence,translating Chinese poetry into English and other languages is an arduous task for translators.Cultural image is a special cultural phenomenon in ancient Chinese poetry.Its proper translation will have a direct impact on the transmission of the artistic conception of poem,affecting the target-language readers’appreciation of the po em.In poetry,the images"gold"and"jade"whose cultural connotations have covered many areas such as politics,etiquette,reli gion,belief,custom,esthetical consciousness and so on,are indispensable parts of poetry translation.Therefore,this essay will anal yse the translation of images"gold"and"jade"in poetry under the cross-cultural perspective. 相似文献
2.
Classical poetry is a kind of special classical literature with highly concise language,rich emotion,profound implication and certain rhythm.The development of poetry translation is related to the spread of Chinese classical culture.There are many opinions about translatability and Untranslatability of poetry translation.The translation of meaning is relatively easy,while the rhetoric technique closely related to the form of expression is more difficult,which is the key to express the poet's feelings.There?fore,this paper aims to explore the untranslatability of onomatopoeia in poetry by combining with the Book of Songs. 相似文献
3.
Fuzziness is universal in all human language in the world.It provides the literature works with inexhaustible beauty and charm.Chinese classical poetry is characterized by its suggestive,subtlety and implicitness.Therefore the author tries to study the fuzziness of Ma Zhiyuan’s Qiu Si and its translation from the perspective of fuzzy linguistics. 相似文献
4.
Different English versions of Libai’s Jing Ye Si are regarded as a target in the paper for the concrete expressions of"meaning beauty、sound beauty and form beauty"in translating Chinese poem.The author is going to put forward a aesthetic view for translators and readers to appreciate the English translation of Chinese classic poem. 相似文献
5.
Translation is an art.The translation of Tang poetry,the cultural treasure of our country,is even more"an art of arts",in the sense that Tang poetry not only pays heed to the content,artistic conception,and emotion expressed by the poet,but also to the refinement of language,the rhyme of antithesis,with its creation background behind even more obscure.At all times and all over the world,translation theories emerge one after another,but the highest standard of poetry evaluation should be the"Three Beauties Theory",that is,the beauty of image,the beauty of sound,and the beauty of form,which was put forward by Xu Yuanchong,the great master in Chinese translation circle.The purpose of this paper is to analyze and compare the three different English versions of Spring Perspective by Du Fu. 相似文献
6.
Since the main purposes of translation lies in expressing to the target readers both the message and the aesthetic value of the source text and making the readers ideologically inspired and aesthetically entertained,Lin Yutang conclusively sum up that the aesthetic criteria in translation should be faithfulness,expressiveness and beauty throughout his translation practices.This thesis mainly focus on the aesthetic criteria of Lin’s translation as well as the aesthetic reproduction in his translation which illustrates the unity reached in Lin’s translation in terms of both the aesthetic features and the loyalty to the meaning. 相似文献
7.
Su Manshu was a writer and translator in modern China. In addition to his fruitful literary creation, in the aspect of translation, he translated a lot of poetry in English literature, Hugo‘s Les Miserable’s and also some Indian literary works. He is good at making use of old verses to translate poetry. As to translation principles, he advocates "translation without increasing", "translation without increasing ornaments," and practices the method of "translation according to the source text context". 相似文献
8.
Chinese poetry has a very long and remarkable history.It is one of the most important representatives of China’s ancient civilization of 5000 years.Chinese poetry utilizes quite a large number of methods in order to be more melodious and charming.Reduplicated words,as a figure of speech,are one of the most frequently used form among them.Reduplicated words as an active rhetorical device can add more flavor and taste to poems.They have the advantages of expressing the stylistic beauty effectively in form,sound and sense,thus push the article to its topmost aesthetic beauty.This paper,from a stylistic perspective,first discusses and argues the translatability of reduplicated words and then the importance to maintain the style of reduplicated words.After that it tries hard to put forward some favorable ways of dealing with the translation of reduplicated words so that reduplicated words in classical Chinese poetry can be appropriately translated without damage to the original style and flavor. 相似文献
9.
Cathay by Ezra Pound is the masterpiece in modern poetry in the West,and it contains nineteen Chinese poems.Based on literary stylistic theory,Pound’s translation style in Cathay is analyzed from lexical categories,aspects of syntax and figures of speech etc.It is found that the vocabulary and sentences in Cathay are very simple and brief,and the language is rich of images,which is the exact reflection of Pound’s idea of Imagism. 相似文献
10.
Image is not only an essential part,but also a major means to convey the implications in English poems.It is a literal and concrete representation of a sensory experience of an object.The rendering of images in English poems into Chinese can be guided by the dynamic equivalent translation theory put forward by Dr.Eugene A Nida.The theory emphasizes the roughly equivalent response of the target language receptors to the TL text to that of the source language receptors to the SL text.To achieve a Dynamic Equivalence,methods like Direct Translation,Addition,and Substitution can be employed in the translation of images in English poems. 相似文献
11.
In recent years,foreign films have been introduced into China,which have a tremendous impact on people’s social life.As a major tool for obtaining information and enjoying entertainment,film subtitle translation is becoming increasingly important.Meanwhile,the English level and appreciation ability of domestic audience is continuously improving with the change of the times,and their demand and requirement for subtitle translation are also improving.Nowadays,there are still many immature parts in sub?title translation,and the theory in China is relatively deficient.Therefore,the subtitle translation level of film needs to be rose.The translator constantly improves the translation ability by using translation theories and skills.Based on the theory of functional equiv?alence,this thesis translates the subtitle of the film Three Billboards Outside Ebbing,Missouri.Firstly,this paper briefly introduces the development of the film subtitle translation and the film.Secondly,it introduces the translation theories and skills applied in translation practice,making a particular analysis in combination with specific practical cases.Finally,the translator makes a sum?mary for the translation process.The translator hopes that through the translation practice,some attempts can be made for future re?search in subtitle translation. 相似文献
12.
People have different points of view on the criteria applicable to poetry translation.This paper focuses on what kind of principle should be followed in poetry translation.It starts with a brief introduction of one interesting dispute over the standards and criteria applicable to poetry translation.Based upon a brief summary of the two conflicting theories raised by Professor Xu Yuanchong(许渊冲)and Professor Liu Yingkai(刘英凯),this paper compares two Chinese versions of Thomas Hardy’s"The Darkling Thrush"for the purpose of establishing the idea that"faithfulness"should be treated as the paramount principle and criteria in poetry translation. 相似文献
13.
As enormous transformation is taking place in the whole world because of the influence of economy glo- balization,business and trade are inevitably becoming a fraction of the globalization which results in the internationali- zation of trade marks.Hence,translation of the trade marks is also turning out to be of importance in the exchange of both economy and culture.This paper addresses the principles of the translation of trade marks.It also pointed out that success model of translating lies in catering for the target market aesthetic interest,reflecting its traditional cul- ture value,taking in its culture essence and following its culture fashion.This research aims at achieving a better un- derstanding of brand name translation process and can help to overcome the cultural barriers to successful translations of brand. 相似文献
14.
Literary writing is inseparable from aesthetic values and it is the same as with literary traslation.However,due to different social and cultural traditions,people from different culture have different presuppositions and expectations of beauty,which cause difficulty in conveying this beauty in literary translation.This paper tries to analyze the respective effects of the Chinese and western aesthetic values on the translation between the Chinese language and the English one.By analyzing the differences in the aspects of philosophical influence,moral standards and the form between the Chinese culture and the English one,this paper concludes that it is the task of the translators to make some adjustment in order to cater to the aesthetic values of the target language and convey the beauty of the original work to readers at the same time. 相似文献
15.
Mr Xu Yuanchong puts forward the translation theory of "three beauties" which defines that poetry translation should reproduce the sense beauty, sound beauty and form beauty of original poetry. This thesis analyzes Mr Xu’s translated work on the Height from "three beauties" theory and explains the concrete realization of three beauties in his translation work. 相似文献
16.
Yulinling is a famous piece of Ci by Liu Yong of the Song Dynasty.It is one long-cherished classical in lamenting the sorrow of departure.The author pictures a gloomy scene of separation:the cold autumn,the long corridor,the misty sea and the lonely boat,all the scenes depicting the sorrow and unwillingness of the separation between the two who are in deep love.The translator translated it into Eng lish in order to express his depressive feelings but he did not convey the depressive meaning of the original Ci in full extend.He lost some of the intentional feelings of the original in his translation.Through the comparison between Yulingling and its translation,the paper dis cusses the missing of emotional feelings in the translation of Ci works. 相似文献
17.
LIU Shang-fen 《海外英语》2011,(8):192-193
The issue of the translatability of poetry is still under hot discussion. Translation of poetry was, and still is by some, believed as impossibility, for the myth of untranslatability looks upon poetry as beauty itself which is untouchable for once it is touched it is destroyed[1]. From different perspectives, such as the perspective of word formation, pun, reduplicated words etc, the author argues that poetic translation is translatable, and that poetry and aesthetics can be reproduced in another language and culture if accommodation is made. 相似文献
18.
Translation means the conversion of an expression into another language. To say plainly,It is an art to reproduce the exact idea of the author by means of a language different from the original.So the original thought of the expression must be kept as exactly as possible. The duty of the translator is simply to change the vocabulary not the thought. Literal translation and free translation are two essential ways in translation. Literal translation refers to an adequate representation of the original in sequence of vocabulary, in grammatical structure and rhetorical device. Free translation is also called liberal translation, which does not adhere strictly to the form or word order of the original. Which one is preferable？ We can hardly say. Each has its advantages and disadvantages.Argument between them has been more than 80 years. What on earth is the argument？ What do they focus on？ The argument brings great effect to us, so I want to find some answers to it. 相似文献
19.
HUANG Qiu-yue 《海外英语》2014,(11):144-146,148
"Jianjia"("蒹葭"),one of the most famous poems in Shijing(《诗经》), is characterized by balanced sound patterns and euphonious rhythm. Investigation into the stylistic elements in both the source text and the English translation of"Jianjia"shows us the musicality in ancient Chinese poetry and its limits of translatability. 相似文献
20.
仲亚娟 《读与写:教育教学刊》2011,(5):12+26
Reference is one of the cohesive devices of discourse,the comparison of which between English and Chinese will benefit translation practice,and a understanding of the differences in this aspect between the two languages is helpful in the reproduction of the original coherence of discourse.Based on the data of the Chinese novel "Kong yij" and its English translation,this paper will make a detailed analysis of the differences in reference and propose some translation strategies. 相似文献