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1.
《Journalism Practice》2013,7(4):373-389
This article analyses whether a specific news event is reported differently online compared to print newspapers. The question is hardly new but has increased in importance as more readers pass from print newspapers to online news. The conditions of news selection and production are discussed departing from the theories of market-driven journalism and media logic, and are related to aspects of audience needs and gratifications, as well as professional norms and standards. A content analysis of news reporting during the 2010 Swedish election campaign reveals no significant differences between how major newspapers reported the aspects, issues and actors online compared to in print. Individuals using online news received the same information about the election campaign as those reading the print paper, which indicates a displacing rather than complementary effect of online journalism on print journalism. 相似文献
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Kaitlin C. Bane 《Journalism Practice》2019,13(2):191-205
It is becoming exceedingly important for scholars to study and understand how Twitter is influencing news reporting. Using quantitative content analysis, this paper examines the use of tweets as quotes in alternative web-only news organizations compared to traditional print organizations. This study uses a quantitative content analysis of more than 1000 quoted tweets and more than 3000 news articles from The New York Times, The Washington Post, Buzzfeed News, and The Huffington Post. Findings suggest that while print news publications most often use Twitter to quote official sources and for opinion comments, alternative web-only news publications use the medium differently. Additionally, alternative web-only news publications quote Twitter in a higher proportion of articles. 相似文献
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《Journalism Practice》2013,7(6):720-737
As user-generated content (UGC) and citizen-driven forms of journalism have risen to prominence alongside professional media production, they have presented a challenge to traditional journalistic values and processes. This study examines that challenge from the perspective of the creators and consumers of citizen-driven news content, exploring their perceptions of citizen journalism and the professional tenets of good journalism. Through a nationally representative survey of US adults, this study finds that citizen journalism consumers hold more positive attitudes toward citizen journalism, but do not show a significant identification with professional journalistic values, while general news consumption is positively related with affirmation of professional journalistic values. Compared with consumption, content creation plays a relatively insignificant role in predicting attitudes toward citizen journalism and the professional tenets of good journalism. Implications for understanding the changing perspectives of news creators and consumers are discussed. 相似文献
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Louise Grayson 《Journalism Practice》2015,9(4):568-579
In recent years there has been an explosion of citizen-produced content appearing in mainstream media outlets. Terms such as convergent journalism, citizen journalism and user-generated journalism are all widely used in an attempt to define this growing phenomenon. This paper explores the specific genre of citizen photojournalism (CPJ). It is argued this is a definitive genre of its own and has important implications for audience perceptions due to the narrative or “storytelling” role of the visual mage. An “action genre” approach is used to examine how this new photographic genre has been enabled within current technological, cultural, political and economic environments That is to say, that photographic production processes, undertaken by amateur photographers are examined to identify patterns of activity that comprise the genre of CPJ. Through a review of existing literature on how citizens work in the field, and the way the resulting photographs are used in mainstream media, I offer a conceptual structure to delineate recognisable patterns of activity that comprise the genre of CPJ. The strength of this approach is that it allows me to describe CPJ in a way that reveals how external factors and the practice of citizens taking photojournalistic images impact upon the final product published in influential publications including popular press, books, magazines and internet publications. 相似文献
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《Journalism Practice》2013,7(6):688-703
Social media allow everyone to show off their personalities and to publicly express opinions and engage in discussions on politicised matters, and as political news journalists engage in social media practices, one might ask if all political news journalists will finally end up as self-promoting political pundits. This study examines the way political news journalists use social media and how these practices might challenge journalistic norms related to professional distance and neutrality. The study uses cluster analysis and detects five user types among political news journalists: the sceptics, the networkers, the two-faced, the opiners, and the sparks. The study finds, among other things, a sharp divide between the way political reporters and political commentators use social media. Very few reporters are comfortable sharing political opinions or blurring the boundaries between the personal and the professional, indicating that traditional journalistic norms still stand in political news journalism. 相似文献
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当代中国马克思主义新闻观主要由党性原则观念、人民中心观念、舆论引导观念和新闻规律观念构成。其中,新闻规律观念在四大观念结构中居于基础地位。基础观念,是一个观念系统结构中的根基性观念,是其他观念发挥合理作用的出发点或奠基石。新闻规律是新闻活动的内在本质联系、稳定机制,新闻规律观念是对新闻规律的自觉。新闻规律观念的实质就是以新闻为本位的观念,对职业新闻活动来说,规律观念表现为专业新闻观念,体现在新闻工作中,就是坚守专业精神、专业伦理,按照专业原则、专业方法生产传播新闻。在更为广泛的意义上,新闻规律观念要求所有新闻活动主体要承认新闻规律,尊重新闻规律,按照新闻规律办事,不断探索新闻规律;一切期望通过新闻实现的追求都要首先以新闻的基本目的、基本功能为基础。 相似文献
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《Journalism Practice》2013,7(4):357-372
Despite scholarly research inconsistencies in conceptualizations of hypertext, there seems to be a consensus among scholars from different epistemological grounds that hypertextuality as a communication potential refers to the interconnectivity and interlayering of textual parts in an extended nonlinear chain of integrated content that enables innovation in practices within the triad journalist–text–reader. However, within this rather large area of research, media and journalism scholars have paid minimal attention to hypertext as practice despite hypertext raising many questions regarding the processes and relations of news making. In this paper the author attempts to fill this research gap and to investigate how hypertext shapes different phases of online news making, that is, gathering, selecting, and assessing information, and how these processes influence journalist–source–audience relations. This study thus provides analysis of data gathered through participant observation in the online departments of two leading Slovenian print media organizations, Delo and Dnevnik, and in-depth interviews with their online journalists and editors. The analysis indicated that (1) lack of reasoning and a conservative mind-set prevail among online staffers when conceptualizing hypertext; (2) the normalization of hypertextual news making is subordinated to speed and timeliness in news delivery; and (3) nurtured journalist–source–audience relations bring little to strengthen the social relevance of news. These results confirmed hypertext as a commodity rather than emphasizing its public character. The practice of hypertext at the two Slovenian newspapers indicates a phenomenon that could be labelled as journalistic deskilling in online news making. 相似文献
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Social media has become a key medium for discussion and dissemination of news stories, fuelled by the low barrier to entry and the ease of interaction. News stories may be propagated through these networks either by official news organisation accounts, by individual journalists or by members of the public, through link sharing, endorsing or commenting. This preliminary research aims to show how computational analysis of large-scale data-sets allows us to investigate the means by which news stories are spread through social media, and how the conversation around them is shaped by journalists and news organisations. Through the capture of more than 11 million tweets relating to 2303 Twitter accounts connected to journalism and news organisations, we are able to analyse the conversation within and around journalism, examining who spreads information about news articles and who interacts in the discussion around them. Capturing the tweets of news organisations and journalists and the replies and retweets of these micro-blogs allows us to build a rich picture of interaction around news media. 相似文献
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《Journalism Practice》2013,7(4):502-516
This study examines how politicians act as sources on Dutch television news. It argues that due to the mediatization of politics and a shift towards more interpretive forms of journalism, journalists use politicians' quotes and sound bites first and foremost to support their interpretation of news events. Previous research has shown that because of the growing importance of media logic, journalists are more autonomous and powerful in their relations with sources. This case study shows, however, how the format of news items, especially the use of interviews and quotes, supports the interpretive nature of television news. While there is less on-screen interaction between journalists and politicians on television news, interviews are cut into short sound bites of politicians without the context of the actual interview. Detached reporting of what politicians say because of its newsworthiness has become less important than fitting suitable quotes into predetermined news frames. The analysis is based on a case study of the 2010 local council election coverage by the two major Dutch television news programs, NOS Eight O'Clock News (NOS Achtuurjournaal) and RTL News (RTL Nieuws). 相似文献
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Bonnie Brennen 《Journalism Practice》2015,9(4):520-535
This qualitative research project explores the specific ways in which 12 traditional television, print and internet news organizations in the United States integrated user-generated visual content into news coverage over the course of an ordinary week, June 8–14, 2014. Framed from a cultural materialist perspective, we found that user-generated visual content constituted a minimal part of the print, broadcast and online news coverage. Based on our research, we suggest that traditional media outlets marginalized the use of citizen photojournalism in an effort to control news production, maintain their influence and power, and to reinforce the reliance on ideological notions of accurate, responsible and relevant journalism. 相似文献
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Maria Nilsson 《Journalism Practice》2015,9(4):484-501
An increasing flow of amateur images of global crises presents challenges and opportunities for mainstream news media. Furthermore, many news organizations now solicit eyewitness reports for near-instant upload to Web editions. Yet, there is a lack of empirical research on amateur images in the regular news flow, in particular in newspapers. Thus, this case study examines the general frequency of amateur content, the gatekeeping process and the opinions of editors making decisions about images for publication in the online and print editions of four Swedish newspapers. Our findings, based on quantitative content analyses and interviews, indicate that a majority of the content falls in the hard-news category in contrast to findings in previous research about user-generated text content. Moreover, it appears regularly but in small numbers in a tabloid-content daily and a regional paper but hardly ever in broadsheet-content papers, and that opinions in the newsroom about amateur images vary from a lack of interest to a stated need for them in the regular news coverage. The low impact of amateur content may be due to the gatekeeping process and professional standards of photography, as well as a lack of audience interest and difficulties in implementing new structures in the newsrooms. In sum, the findings disprove predictions in the literature of a near-paradigmatic rise of amateur content in the mainstream news media. 相似文献
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The goal of this study was to analyze the extent to which the visual coverage of the final stages (April/May 2009) of the long-lasting Sri Lankan Civil War relied on war and peace frames. Based on the revolutionary conceptual work of Norwegian scholar Johan Galtung, who viewed war and peace journalism as two competing frames in covering conflicts and wars, we examined news photographs available from Associated Press (AP), Reuters, and Getty/Agence France-Press (AFP). To date, this topic has been discussed from mostly normative viewpoints, and only little research combined the peace journalism concept with visual framing and/or the role of newswires as gatekeeper of information. We tested this concept empirically by using content analysis of editorial news photographs of the conflict in the three leading Western newswires. By and large, our results suggest that overall visual coverage of the conflict waxed and waned over time, but was primarily driven by visuals originated in the Sinhalese-dominated regions of Sri Lanka. Further, newswires are serving very different purposes and news markets: the AP–and to a lesser extent also Getty/AFP–with their focus on external events (therefore qualifying for peace journalism) and Reuters with a stronger focus on the conflict itself (thus qualifying for war journalism). Overall, the stock photo agency Getty/AFP was found to be the newswire that is most likely to provide media outlets with photographs highlighting peace frames, with the most balanced coverage between the two conflict parties and a particular emphasis on peace demonstrations worldwide, negotiations and summit meetings. 相似文献
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Facebook is challenging professional journalism. These challenges were evident in three incidents from 2016: the allegation that Facebook privileged progressive-leaning news on its trending feature; Facebook’s removal of the Pulitzer Prize-winning “Napalm Girl” photo from the pages of prominent users; and the proliferation of “fake news” during the US presidential election. Using theoretical concepts from the field of boundary work, this paper examines how The Guardian, The New York Times, Columbia Journalism Review and Poynter editorialized Facebook’s role in these three incidents to discursively construct the boundary between the value of professional journalism to democracy and Facebook’s ascendant role in facilitating essential democratic functions. Findings reveal that these publications attempted to define Facebook as a news organization (i.e., include it within the boundaries of journalism) so that they could then criticize the company for not following duties traditionally incumbent upon news organizations (i.e., place it outside the boundaries of journalism). This paper advances scholarship that focuses on both inward and outward conceptions of boundary work, further explores the complex challenge of defining who a journalist is in the face of rapidly changing technological norms, and advances scholarship in the field of media ethics that positions ethical analysis at the institutional level. 相似文献
15.
Chang Sup Park 《Journalism Practice》2017,11(9):1158-1177
This study, drawing on journalistic role conceptions and media systems theory, investigates the different perceptions of news users in the United States and South Korea toward citizen-run news podcasts. The findings reveal that Americans view citizen podcasts performing the role of interpreters of social issues more than other journalistic roles, while Koreans display a perception that the most important role of citizen podcasts is critical commentator against the government and businesses. The study also finds that Korean news users’ trust in citizen podcasts is significantly higher than that of Americans. The present study concludes that citizen podcasts play an alternative role in Korean journalism, while they complement professional journalism in the United States. 相似文献
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Television anchors are key public figures in the American news media, vital for the ratings success of their outlets. This study uses content analysis and framing theory to examine US network news anchors’ role at a pivotal career moment—the last minutes in the all-powerful anchor chair—their swan songs. These final words are examined for messages as anchors express gratitude, sum up careers, provide journalism insights, and pronounce final words of wisdom. The textual analysis revealed several dominant frames—becoming one with the audience, expressions of gratitude to staff and viewers, the anchors’ perception of their historical role noting predecessors and successors, and insightful wisdom about journalism’s role in society. The visual analysis showed a style reinforcing a professional presence, signaling authority, and objectivity. Each American lodestar anchor was different, yet they were similar in how they said goodbye and how they wanted to be remembered. 相似文献
17.
Heikki Heikkilä 《Journalism Practice》2015,9(1):50-64
The media-saturated nature of everyday life is well acknowledged in current audience research, but the role of journalism for people living in this digitalised environment remains less clear. To provide a better understanding of the role of journalism and news in everyday life, this article states the case for combining two complementary analytical perspectives in cultural audience research that draw on the framework of practice theory. We need to focus on both interpersonal communication practices within social networks and on discursive practices and patterns of how people use the media. Empirically, this article draws on an extensive audience study conducted in Finland, whose findings provide a cause for moderate optimism regarding the sustaining relevance of journalism in people's everyday life in the digital era. Firstly, social networks—both offline and online—constitute a vital structure within which the output of journalism is rendered meaningful by users. Secondly, the discursive practices applied by the participants emphasise the importance of news as a central means of orientation to society and making sense of the political nature of the public world. However, much of this potential remains unknown to journalists because users' activities occur at a distance from journalism and political institutions, which poses a challenge to digital journalism. 相似文献
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This study examines how American newspapers made sense of the issue of fake news. By analysing newspaper editorials and considering the problem of fake news as a critical incident confronting journalism, this study found that news organizations in the US recognize fake news as a social problem while acknowledging the challenge in defining it. They generally considered fake news as a social media phenomenon thriving on political polarization driven by mostly ideological, but sometimes also financial, motivations. Therefore, they assigned blame for the rise of fake news to the current political environment, to technological platforms Google and Facebook, and to audiences. 相似文献
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Kathrin Schmieder 《Visual Communication Quarterly》2016,23(3):161-174
Amateur photographs must fulfill specific standards if they are to be used in professional news media. These standards include news value, credibility, ethics and taste, as well as the technical and aesthetic quality of images. The research presented in this article explores the value of poor-quality photographs for the news industry, and the view that they can be good enough for certain news content. At the same time, this article reveals strong reservations regarding the incorporation of amateur photographs. The article asks whether such findings manifest necessary quality standards, or whether they constitute claims to defend the position of the professional news media. The data for this article were collected in 2010/2011 using observation, interviews and textual analysis. 相似文献