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Paul Aiken 《Publishing Research Quarterly》1995,11(1):21-26
Digital technology has authors in a rundown. While Internet users question whether copyright has a place in the National Information
Infrastructure, print publishers are insisting on acquiring from authors rights to all electronic media, known or unknown,
whether now existing or yet to be developed. Contrary to the intent of copyright law, publishers are not offering additional
compensation for tying up these rights. The solution, says the Authors League of America, lies in adopting the proposals of
the Working Group on Intellectual Property Rights and in taking a further step: rendering rights to unknown media inalienable.
Paul Aiken, representing the Authors League of America, presented a version of this article to the Working Group on Intellectual
Property Rights of the White House Information Infrastructure Task Force in September 1994 as commentary on the preliminary
draft of the Working Group’s report. 相似文献
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ABSTRACTSemantic Web ontology files can be flexibly programmed to delineate metadata relationships in machine-readable formats to create relational pathways for discovering resources both on and off the Internet. There is a global community of Semantic Web developers and users across a broad multi-disciplinary range of interests who create and share extensible open-source ontologies. In this article, the author will explore the functionality of Semantic Web techniques for representing the ontologies of relatedness through kinship that typically underpin Australian Indigenous knowledge systems, and investigate their potentials for meeting persistent demands among leading Australian Indigenous collections creators and users to be able to search and discover their hereditary knowledge resources in ways that reflect and reinforce their enduring cultural values, ways of knowing and rights-management concerns. 相似文献
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选取暴风科技网络版权侵权案,从法律与经济学视角探讨我国网络版权的侵权与保护问题。在建立网络版权侵权的预期损害函数基础上,分析版权监管部门治理网络版权侵权的最优预防水平,并提出治理对策。 相似文献
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随着科学技术和互联网技术的飞速发展,数字图书馆已成为传统图书馆的发展方向,而著作权问题是数字图书馆建设中一个不容忽视的问题,本文就数字图书馆信息资源建设、传播中的各种著作权问题进行了分析、探讨,并提出了相应的解决办法。 相似文献
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实用分类系统与语义网：发展现状和研究课题 总被引：24，自引：1，他引：24
秦健 《现代图书情报技术》2004,20(1):16-23
语义网（Semantic Web）是当前因特网的延伸，在语义网中信息被赋予清晰的定义与含义，因而计算机和人可以更好地合作。语义网的目标是要充分发挥因特网的潜力，最终使技术能够让机器支持全球化的知识交流。实现语义网的核心是对实用分类系统（ontologies）的开发和利用。实用分类系统已经远远超出图书馆学、哲学、知识表述的范畴，图书馆、信息产业、工商业都在注视语义网技术的开发和应用。研究结果表明，实用分类系统在支持电子商务的浏览和检索与知识管理配置的可互操作性方面起着关键的作用。本文针对目前语义网的发展和实用分类系统的技术，对其应用领域、主要技术和标准、研究项目、发展动向作一综述和评论，并介绍在语义网方面的几个主要研究课题。 相似文献
7.
Chinese Institute of Publishing Science (CIPS), China’s largest publishing research institution, started to carry out national
reading surveys since 1999 and here is the executive summary of its fourth survey, analyzing five key aspects of reading in
China, including book and Internet readings, magazine reading, relations between book price and consumption, reading orientation
of Chinese readers, as well as copyright consciousness among Chinese readers. 相似文献
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Tracey Armstrong 《Publishing Research Quarterly》2012,28(1):23-26
The impact of evolving technology on those who create content and those who use it has raised many interesting copyright-related
challenges that legislators, copyright experts, authors, publishers and licensing organizations around the world are looking
to address. Several international initiatives underway highlight the evolving global copyright landscape, including a report
commissioned by the UK government calling for the creation of a “Digital Copyright Exchange.” Through such international efforts—and
through the content licensing experience of collective management organizations—the best solutions to the copyright challenges
of our time can deliver efficiency to everyone involved. 相似文献
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作为开放性的网络文化的一部分,网络文学的发展同样应该是开放性的。对网络文学版权问题的解决,仅靠法律、技术等围堵的手段不能从根本上解决问题,问题的解决关键在于创新文学网站的盈利模式。 相似文献
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Kimberlianne Podlas 《广播与电子媒介杂志》2019,63(1):160-176
Although many Internet users presume linking to online content is permissible, copyright owners have long complained that it constitutes copyright infringement. The Supreme Court recently resolved this issue in ABC v. Aereo, holding that pursuant to the Copyright Act’s “Transmit Clause,” an Internet transmission of a copyrighted work is a performance of it. Therefore, inasmuch as transmission occurs by inserting and clicking on a link, the link performs the copyrighted work, and may infringe. This article analyzes linking as a species of copyright infringement, and details which types of links infringe, who faces liability, and what defenses exist. 相似文献
11.
Carlo Scollo Lavizzari 《Publishing Research Quarterly》2002,18(2):41-49
Conclusion The 5th IPA Copyright Conference was stimulating and achieved its purpose of fostering debate among publishers and copyright experts.
Many of the debates and findings were certainly no cause for reassurance or a mere exercise in accepted wisdom.
Richard Rudick, Chairman of IPA's copyright committee aptly summed this up by citing Oliver Wendell Holmes Jr. (1841–1935):
Certainty generally is illusion, and repose is not the destiny of man. Lucky an industry that can have thought-provoking internal
debates. 相似文献
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介绍传统法定许可制度的分类，并对《最高人民法院关于审理涉及计算机网络著作权纠纷案件适用法律若干问题的解释》第三条的规定进行诠释。 相似文献
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知识共享与著作权保护的平衡 总被引：1，自引：0，他引：1
互联网的飞速发展,使传播者和作品传播载体发生了巨大变化,传统著作权制度受到冲击。2006年《信息网络传播权保护条例》颁布,但并没有赋予新主流传播者利用作品的便利,而新主流传播者也缺乏作品资源渠道。因此网络环境下,一方面著作权极度膨胀;另一方面法律的不完善造成著作权侵权大量发生。如何调整著作权人、新主流传播者和作品使用者之间的关系,平衡三者之间的利益成为丞待解决的问题,也成为建设创新型国家的关键。 相似文献
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Robert W. Clarida 《Publishing Research Quarterly》2001,17(2):24-29
Conclusion For publishers or authors’ estates holding rights to 2003 Works or Post-2003 Works, time is running short. The Copyright Act
provides an opportunity to extend the copyright in these works, but the deadline for doing so is neither flexible nor far
distant, and copyright owners who fail to take advantage of this opportunity will not likely get a second chance. 相似文献
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《Slavic & East European Information Resources》2013,14(2-3):79-116
SUMMARY Digital technology and global economic trends present fundamental challenges to copyright law in the twenty-first century. On a practical level, librarians need to understand the particulars of current laws in order to make responsible decisions and to utilize to the fullest extent the possibilities that copyright law affords them in their missions. This article will identify the major copyright issues associated with library digital activities, and will discuss copyright protection in the digital environment of material originating in the Slavic, East European, and Eurasian nations. It covers use of Slavic and East European material in the U.S. in various contexts, including Internet activity, preservation and replacement, interlibrary loan, electronic reserves, classroom and educational use, text encoding, digitization of print and microform materials, and creation of digital content and databases. 相似文献
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网络环境下多元著作权保护制度的建构——以"Creative Commons"机制与合理使用为视角 总被引：4，自引：0，他引：4
“Creative Commons”授权许可机制的实施必然在一定程度上对传统著作权制度造成影响，使得著作权学者必须开始考虑现有的著作权体系是否能够支持这一在网络环境下逐步流行的授权许可协议。在一定条件下，这一系列协议形式会在很大程度和范围上，让一般公众和使用者得以规避愈来愈倾向加强网络著作权保护的相关著作权法律。从另一个角度来看，这种网络自发采用的许可合同形式很可能会“改写版权法的规则”，促进建立全新的、多层次的、立体的合理使用法律体系，并在此基础上推动著作权法的相关发展，从而在网络环境下建立更合理、更有弹性的著作权保障模式。 相似文献
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Steve Carey 《Publishing Research Quarterly》2008,24(3):156-164
This article looks at the consequences of the 1991 amendment to the Australian Copyright Act, which meant that, for the copyright owner or authorised distributor to attain the right to control imports, it had to make
the book available in Australia within 30 days of first publication overseas; and, to retain that right, it had to notify
the retailer within 7 days of receiving an order whether it could be fulfilled within 90 days, and then in fact do so (. Accessed 28 June 2008). The article discusses the background to that change, what has happened since and what arguments
are marshalled by those in favour of the status quo (restrictions that must be qualified for), and those in favour of a completely
open market. The arguments used say much about the current preoccupations of those in Australian publishing. The debate around
whether booksellers should be free to import copies of a new book from any supplier willing to sell them boils down to four
issues: the availability in Australia of books published overseas; the price of books in Australia; the preservation of Australian
publishing; and the protection of the rights of copyright holders. Those in favour of the open market believe that it would
improve the first two without diminishing the latter two; those who support the status quo, that changing would bring no substantial
benefits, and hurt both publishing and the rights of copyright holders. In summary, the reasons for maintaining the status
quo are that things work fine as they are; that Australian literature (authors, bookshops, publishers) would suffer if things
changed; and that the publisher is entitled to protect its investment through territorial control of copyright. The reasons
for going to a completely open market are that only an open market can determine market price; that booksellers are unfairly
disadvantaged competing against online sellers, on whom parallel importing restrictions are effectively not imposed; that
copyright holders lose their rights when they sell something, and shouldn’t get a secondary chance to protect their investment;
there is already a de facto open market, which unfairly restricts those who obey the law; there is a narrow window of opportunity
for selling a book, which the current restrictions don’t serve; and the current situation is a poor compromise that doesn’t
achieve the benefits of the open market. 相似文献
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Carla S. Myers 《College & Undergraduate Libraries》2018,25(1):91-99
Plagiarism and copyright infringement are terms that most students are familiar with, and when asked, most students will readily express the sentiment that plagiarizing the work of others or committing copyright infringement is wrong. Despite students' basic understanding of these concepts, many struggle to put them into practice. Often this is a result of students not having enough knowledge about how to cite sources or how copyrighted works can legally be reused for scholarly purposes. This article identifies a way in which copyright and plagiarism can be taught as well as a process students can work through when addressing these issues. 相似文献
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Charles Clark 《Publishing Research Quarterly》1992,8(2):79-85
The four corners of the copyright system are the security in law of the creator; the markingout of the publisher's role as
“producer”; the balance of the interests of copyright owners with those of copyright users; and enforcement of rights. To
advance the system, publishers must make an economic case for copyright, explain what they actually do, publish about themselves,
educate one another, and develop and exploit specialist knowledge. 相似文献