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1.
Tacit narratives: The meanings of archives   总被引:2,自引:2,他引:0  
Archivists and historians usually consider archives as repositories of historical sources and the archivist as a neutral custodian. Sociologists and anthropologists see “the archive” also as a system of collecting, categorizing, and exploiting memories. Archivists are hesitantly acknowledging their role in shaping memories. I advocate that archival fonds, archival documents, archival institutions, and archival systems contain tacit narratives which must be deconstructed in order to understand the meanings of archives. Revision of a paper presented, on the invitation of the Master's Programme in Archival Studies, Department of History, University of Manitoba, in the History Department Colloquium series of the University of Manitoba, Winnipeg, 20 February, 2001. Some of the arguments were used earlier in two papers I presented in the seminar “Archives, Documentation and the Institutions of Social Memory”, organized by the Bentley Historical Library and the International Institute of the University of Michigan, Ann Arbor, 14 February, 2001.  相似文献   

2.
Archivists and historians usually consider archives as repositories of historical sources and the archivist as a neutral custodian. Sociologists and anthropologists see “the archive” also as a system of collecting, categorizing, and exploiting memories. Archivists are hesitantly acknowledging their role in shaping memories. I advocate that archival fonds, archival documents, archival institutions, and archival systems contain tacit narratives which must be deconstructed in order to understand the meanings of archives. Revision of a paper presented, on the invitation of the Master's Programme in Archival Studies, Department of History, University of Manitoba, in the History Department Colloquium series of the University of Manitoba, Winnipeg, 20 February, 2001. Some of the arguments were used earlier in two papers I presented in the seminar “Archives, Documentation and the Institutions of Social Memory”, organized by the Bentley Historical Library and the International Institute of the University of Michigan, Ann Arbor, 14 February, 2001.  相似文献   

3.
王英  舒洁  张睿婵 《山西档案》2021,(2):144-154
档案价值判断是档案利用者利用档案的前提条件。首先通过文献研究法和访谈法收集影响档案利用者判断档案价值的因素;然后利用扎根理论分析发现:档案利用者对档案价值的判断主要受利用需求、利用能力、档案信息、档案来源、档案实体、档案实践活动及档案系统环境7个主范畴的共同影响;最后,根据访谈文本构建了档案利用者档案价值判断的影响因素模型,并据此提出完善档案利用者档案价值认识系统、提高档案工作人员服务水平及推动档案馆馆藏资源建设合理化等启示。  相似文献   

4.
A first introduction to archival science   总被引:1,自引:1,他引:0  
This first introduction, written for educational purposes, is meant to be a concise basic text in which the core concepts of archival science are coherently defined and explained, in a non-polemical way and departing from a de-institutionalised point of view. It is not intended to support or reject any single theory, but to provide an overview. It should be read as a synthesis of a variety of shared ideas and views, not as a manifesto of a new approach to archival science. If there is anything new to it, it might be located in the coherent and integrated presentation. In this primer of archival science annotation has been avoided. The first of several versions of this First Introduction was written in August 1995. It was meant to meet the need of the Netherlands Archiefschool for a basic text on archival science which could support its different programs for archival education and training. After ample discussion with the archival science teachers of the Archiefschool, it was introduced in the 1995/1996 courses. From then on, it has been used in almost all courses and classes on archival science on the undergraduate, graduate and postgraduate levels and in several training and retraining programs of the Archiefschool. The design of the first version has been maintained in all subsequent versions, including this last one. Still, the text has frequently been adapted as a result of discussions with students and colleagues, in and outside the school. This first English version can almost be deemed as a collective product. Of the numerous colleagues who were engaged in this discussion and contributed to the text, special mention has to be made of Peter Horsman, Hans Scheurkogel, Hans Hofman, Eric Ketelaar, Herman Coppens and Kent Hayworth, who commented the English version. For the final text and all imperfections that may still cling to it I am, of course, responsible. An earlier version in Dutch has been published as: Theo thomassen, “Een korte introductie in de archivistiek”, in: P.J. Horsman, F.C.J. Ketelaar en T.H.P.M. Thomassen (red.),Naar een nieuw paradigma in de archivistiek ('s-Gravenhage, 1999), pp. 11–20.  相似文献   

5.
Abstract

Many archivists regard the archival imagination evidenced in the writings of David Bearman as avant-garde. Archivist Linda Henry has sharply criticized Bearman for being irreverent toward the archival theory and practice outlined by classical American archivist T. R. Schellenberg. Although Bearman is sometimes credited-and sometimes berated-for establishing “a new paradigm” centered on the archival management of electronic records, his methods and strategies are intended to encompass all forms of record keeping. The essay provides general observations on Bearman's archival imagination, lists some of its components, and addresses elements of Henry's critique. Although the longlasting impact of Bearman's imagination upon the archival profession might be questioned, it nonetheless deserves continued consideration by archivists and inclusion as a component of graduate archival education.  相似文献   

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The author, who is Guest Reviews Editor for this special issue on macro-appraisal, introduces and provides context for four review articles, written by archival educators from Canada, the United States, and Australia, that discuss the most important works they use to teach macroappraisal and why these works are chosen. While each article demonstrates the unique characteristics of the archival education program in which the author is situated, they are united by a common theme—the need for educators to prepare students, as best they can, to take their places as practising professional archivists.  相似文献   

9.
A nordic archival tradition   总被引:1,自引:1,他引:0  
This paper reviews the historical roots of the Danish-Norwegian and the Swedish-Finnish archival traditions, which form a basis for the cooperation between the archives in the Nordic countries. Reprinted from F. Daelemans (ed.),Miscellanea in honorem Caroli Kecskeméti (Bruxelles-Brussel 1998) (=Archives et bibliothèques de Belgique, numéro special 54) pp. 357–370.  相似文献   

10.
网络环境下档案信息一系列信息伦理问题的产生,主要缘于虚拟网络环境易导致档案信息行为失范、档案部门应对网络环境准备不足、网络与计算机系统存在安全隐患、网络信息立法不健全。解决当前网络环境下档案信息伦理问题,应结合产生问题的原因采取相应的对策,具体包括加强信息伦理教育、增强档案信息伦理意识,完善伦理决策机制、规范档案信息伦理行为,加强信息立法、正确引导档案信息合法行为,加强网络监控技术攻关、预防不道德档案信息行为发生。  相似文献   

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互联网政务服务平台建设是整体型政府改革的突出表现,强调信息资源的集中管理与共建共享,这与我国档案管理的集中统一原则以及档案信息资源整合共享思想具有相同内核。在回顾上述原则与思想的基础上,论文指出档案信息资源集中统一建设、档案共享利用和“事前”统筹规划是互联网政务服务背景下档案管理的新要求。基于实地调查与案例分析,论文结合我国当下分别以行政审批档案为整体和以电子证照档案为整体的两种思维,总结出互联网政务服务档案资源建设的两种模式。最后,论文提出“整体观”管理是指,互联网政务服务档案资源建设要涵盖横向与纵向两个业务层面,并根据前端业务模式及档案部门所面向的利用需求,对体制机制、管理制度、系统平台与档案实体等要素进行统筹规划与协调管理。  相似文献   

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14.
档案学作为一门实践类学科,实践教学本就必不可少,但受到资源限制,学生实践机会较少。福建师范大学举办档案职业技能大赛,将档案竞赛活动同档案专业教育相结合,取得了较好成效,同时探索了适合档案专业实践特性的新型教育方式,也为高校档案教育的发展提供了新的思路。  相似文献   

15.
本文结合文献计量分析法和文献研读法,对2022年《档案学研究》和《档案学通讯》所刊发的207篇学术论文进行研究力量布局与研究主题分布分析,并与2021年分析结果相比较,发现高等院校仍是档案学研究的主体力量,来自业界的研究力量有所增强。2022年中国档案学研究依旧关注“档案学基础理论”“档案治理”“档案与数字人文”“电子文件”“中国古文书学”等主题,但也涌现了“红色档案”和“档案学科建设与发展”等新主题;研究特点上呈现显著的本土化和跨学科性,但在关注“人”的需求、跨学科的双向互动以及研究深度上仍有待加强。未来中国档案学研究仍需立足中国档案工作的实际和需求,对从西方移植的理论进行本土化、中国化的过滤和处理,对中国传统的档案思想进行创新性转化和发展,同时,基于档案工作、档案事业发展的新实践和新需求,提出新的思想和理论。  相似文献   

16.
Archival theory in Italy has a long tradition, going back as far as the second half of the nineteenth century, and with roots in the 17th and 18th centuries. Central theme in the theory is themetodo storico, the principle of provenance, for the first time expressed in the late 19th century by Bonaini and Bongi. In the following decades archivists like Casanova and Cencetti were among the leading authors. Elio Lodolini assigned himself the task to synthesize ideas and notions, within a clear distinctions between records (registratura) and archives. One of the overall characteristics of the rich Italian literature is the stressing of the cultural value of archives. I have twice treated before the theme of archival theory in Italy from the fifties up to the nineties. The first time on the occasion of the 25th anniversary of theScuola speciale per Archivisti e Bibliotecari dell'Università degli Studi “La Sapienza” di Roma in 1989, when there was an international round table on archival science in the State Archives of Rome. My essay,Italian archival science today, has been published in the proceedings of the meeting (cfr. Donato Tamblé,L'archivistica in Italia oggi, inStudi sull'archivistica, by Roma: Elio Lodolini, 1992). Some years later, in 1993, I published a book on contemporary Italian archival theory (Donato Tamblé,La teoria archivistica italiana contemporanea (1950–1990). Profilo storico-critico (Roma, 1993) which was the sequel to the volume of Elio Lodolini on Italian archival history — (Lineamenti di storia dell'archivistica italiana (Roma, 1991). The purpose of my book was that of locating and identifying the scientific object of archival science as it developed and was clarified in the thinking and in the lucubration of the contemporary Italian Archivists.  相似文献   

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18.
Archival theory in Italy has a long tradition, going back as far as the second half of the nineteenth century, and with roots in the 17th and 18th centuries. Central theme in the theory is themetodo storico, the principle of provenance, for the first time expressed in the late 19th century by Bonaini and Bongi. In the following decades archivists like Casanova and Cencetti were among the leading authors. Elio Lodolini assigned himself the task to synthesize ideas and notions, within a clear distinctions between records (registratura) and archives. One of the overall characteristics of the rich Italian literature is the stressing of the cultural value of archives. I have twice treated before the theme of archival theory in Italy from the fifties up to the nineties. The first time on the occasion of the 25th anniversary of theScuola speciale per Archivisti e Bibliotecari dell'Università degli Studi “La Sapienza” di Roma in 1989, when there was an international round table on archival science in the State Archives of Rome. My essay,Italian archival science today, has been published in the proceedings of the meeting (cfr. Donato Tamblé,L'archivistica in Italia oggi, inStudi sull'archivistica, by Roma: Elio Lodolini, 1992). Some years later, in 1993, I published a book on contemporary Italian archival theory (Donato Tamblé,La teoria archivistica italiana contemporanea (1950–1990). Profilo storico-critico (Roma, 1993) which was the sequel to the volume of Elio Lodolini on Italian archival history — (Lineamenti di storia dell'archivistica italiana (Roma, 1991). The purpose of my book was that of locating and identifying the scientific object of archival science as it developed and was clarified in the thinking and in the lucubration of the contemporary Italian Archivists.  相似文献   

19.
This essay is a preliminary assessment of David Bearman as the leading archival thinker of the late twentieth century. Bearman has revolutionized thinking in archival circles around the world by offering a defence of traditional archival notions of provenance, evidence, recordness, and contextuality that equals the noblest statements of a Hilary Jenkinson, and by positing a relevant, dynamic, engaged future for archivists to transform the Information Age into a Record-Keeping Age. The essay is both a personal reflection and critical analysis. There are three main themes: an assessment of Bearman's ideas and their overall importance to general archival theory; a more specific exposition of the nature and importance of the University of Pittsburgh Project and of where Bearman sees that its results are leading archivists and their profession and institutions in future; and a critique of some of the implications, if not the conscious intentions, of his ideas and methods that seem to exclude the cultural, historical, and heritage dimensions and uses of archives, public or private. The overall aim of the essay is to push the archival discourse to the next stage by challenging and constructively critiquing as well as extolling the work of this archival pioneer.  相似文献   

20.
任越 《档案学研究》2016,30(1):4-10
档案文化问题是近年来我国档案学界研究的热点问题之一,而针对档案文化的社会推广与社会公众档案文化观念的养成是我国档案文化实践的重要内容。然而,当前我国档案学界的档案文化认知与社会层面文化认知存在着明显的冲突,这种冲突衍生出我国档案学界对档案文化问题研究的悖论。本文从分析我国档案文化问题现状入手,阐释了档案文化研究悖论的表现及其成因,并分析了消解档案文化认知冲突的途径。  相似文献   

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