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1.
Volunteering is very much in vogue as far as government is concerned; volunteering strengthens society through participation, whilst helping to extend and deliver services and enhance the lives of volunteers in numerous ways. This chapter of Cultural Trends offers an overview of volunteering before looking at the involvement of volunteers in museums, libraries and archives. Many volunteer‐involving organisations are examining carefully the way in which they recruit and support volunteers, as the environment in which volunteers are recruited becomes more competitive. At the same time, organisations can sometimes lose sight of why they involve volunteers. This chapter reports on a survey of museums and libraries conducted for Resource: the Council for Museums, Archives and Libraries, identifying the added value of involving volunteers and the institutional structures in place to support them. A survey was conducted in which 1,500 questionnaires were sent out ‐ with 500 each going to libraries, museums and archives. It finds that volunteers are a key element in extending the services that museums and libraries can offer. It also finds that practices in involving volunteers vary widely. Volunteers are more likely to be found in libraries than museums or archives and women are more likely to be involved than men. Very few of the organisations returning the questionnaires have somebody whose job is to manage or coordinate volunteers; perhaps unsurprisingly most are to be found in museums. Where organisations do not involve volunteers, issues of time management were most often cited, although a minority argued against involving volunteers per se. The chapter concludes that although many organisations value highly the involvement of volunteers, there is more that can be done to support volunteering in libraries, museums and archives. 相似文献
2.
This article examines the London 2012 Cultural Olympiad through the lens of a devolved Scotland, exploring how the Scottish cultural programmes and projects are being evaluated, and what this approach might offer for the wider UK and international context. Structurally, the article begins with a discussion of the relationship between sporting mega-events and culture, focusing specifically (although not exclusively) on the sport and cultural nexus around the Olympic Games. The discussion then moves to consider conceptual, policy and practice debates around cultural value, examining the extent to which existing research tools and techniques satisfactorily capture the contribution of culture to major events, public and social policy. Methodologically, the article draws on elite interviews with strategic stakeholders directly involved in the design, delivery and evaluation of Scotland's London 2012 Cultural Programme. The authors conclude that, when taken alongside other cultural evaluations conducted nationally and internationally, there is a need to develop a multi-criteria analysis (MCA) that can more effectively capture cultural value around major sporting events in the UK. This study has demonstrated a level of dissatisfaction within the Scottish cultural community about the limitations of existing mechanisms for measuring the value of culture within the mega-event platform. A robust, but nuanced, impact assessment is required because, unlike the UK as a whole, Scotland has a unique opportunity to undertake a longitudinal study assessing the conditions for legacy put in place as a result of the London 2012 Olympic Games for the subsequent 2014 Commonwealth Games in Glasgow. However, further research is required into the efficacy of the MCA for assessing cultural value generally and within the framework of major sports events, in particular. 相似文献
3.
This chapter assesses the developments in UK religious broadcasting over the last 20 years in both the BBC and independent television. Debate about the role and purpose of religious broadcasting is nothing new. However, the debate has taken on new significance recently in the light of wider consideration by broadcasting bodies and the government about the meaning and purpose of public service broadcasting in a multi‐channel television environment. The first part of the chapter maps developments in broadcasting policy, with particular reference to statements issued by the BBC's and Independent Television Commission's advisory body, the Central Religious Advisory Committee. The chapter also highlights the impact of the changing religious make‐up of the UK, and the advent of dedicated religious television channels on the content of religious broadcasting. The second part looks at the audience. Research findings may initially suggest that religious programmes are seen primarily as being for ‘other people’. However, closer examination of the audience shows that religious programmes are still watched by the majority of the adult population. And although viewers over 55 are well represented in the audience for many programmes, the audience for religious television is in reality more diverse than public and broadcasting industry perceptions would suggest. Programmes are the focus of the third part of the chapter. While the amount of time devoted to religious programmes on BBC1 and ITV has remained at similar levels, the scheduling of religious programmes has moved away from peak time on both channels, but particularly so on ITV. Both channels have reduced the amount of religious programme time devoted to acts of worship. The official figures for amounts of religious broadcasting do not tell the whole story, however. Discussion continues both about the definition of ‘religious’ programmes and the future of religious broadcasting departments. The challenge for religious broadcasting is to redefine itself for the digital age, without narrowing its scope. 相似文献
4.
Although international volunteer sending organizations vary greatly, nearly all claim that volunteering will increase intercultural competence. Various theories of intercultural learning suggest, however, that cultural contact will only improve a volunteer's intercultural competence under certain conditions. The study collects self-reported responses from 291 volunteers who served in one of two service models that differ on multiple characteristics. This study isolates four key characteristics and employs a moderated multiple regression to test how these variations affect volunteers’ perceptions of intercultural competence. Findings suggest that that service duration, cultural immersion, guided reflection, and contact reciprocity are all positively associated with intercultural competence. In addition, guided reflection appears to moderate the relationship between duration and intercultural competence. This study responds to the need for research on the effects of international volunteering across institutional models. 相似文献
5.
This paper emphasises the restorative power of engagement with natural/cultural environments by exploring a body of work that identifies the positive impact of the historic environment on the health and well-being of community archaeology participants. Increasing importance has been ascribed to the role of landscape in public health research and to the environmental factors, which contribute to enhanced quality of life. In reviewing the ways that community archaeology projects are evaluated, and in summarising current practice, we observe that the evidence produced is often anecdotal. However, it is possible to increase robust therapeutic evaluation in ways that might be expected from other disciplinary perspectives and to draw on recent work in the role of the arts in health. This paper highlights that many of those currently engaged in community archaeology are self-selecting, and represent only a small subset of society. The narrow scope of engagement is borne out by Heritage Lottery Fund-commissioned research which found that, whilst volunteering has a significant positive impact on participants, they tend to be white, well-educated and live in the most affluent areas. If historic environment practitioners are to claim therapeutic benefits from their work, then the issue of inequity of access to health benefits is a significant concern for the profession. It is not just a matter of social justice but a concern for the arts and humanities sector, which is currently required to justify its public value [Bate, J. (2011). Public value of the humanities. London: Bloomsbury Academic]. 相似文献
6.
Sixty‐six per cent of the UK adult population listen to commercial radio and 77 per cent of all listening to UK local radio is captured by the commercial sector. While those working within this sector argue that it provides a popular and innovative broadcasting service, outside the sector opinion is mixed as to whether commercial radio offers much of value to UK society. This chapter examines the claim that commercial radio stations function as public service broadcasters. In doing so, it seeks to discover what commercial radio offers listeners that can be defined as public service broadcasting. It identifies the social benefits offered by commercial radio, such as the involvement of listeners, the provision of information and encouraging citizenship, and it explains how these processes work, as well as providing what data have been collected on the sector as evidence. Finally, the chapter closes with a discussion of the capacity of all radio to draw on these social benefits and prosper in an era of technological change. 相似文献
7.
ABSTRACTIn response to recent discussions in the UK about the history national curriculum in schools, Cultural and Social History invited several historians to comment on the issues. Their responses to our questions have been interleaved and lightly edited. 相似文献
8.
ABSTRACTIn 2017 the Donmar Warehouse presented The Tempest to women prisoners at HMP New Hall, UK. The production was part of a trilogy of Shakespeare plays directed by Phyllida Lloyd, each staged with an all-female cast and each set within a women’s prison. Over the five years of developing this trilogy the Donmar undertook extensive research and development into the prison context, including in collaboration with York St John University’s Prison Partnership Project. This paper explores the prison audiences’ experiences of The Tempest, examining how they responded to seeing their own lived experiences on stage, filtered through the prism of Shakespearian plot, characterisation and language. In particular, this paper focuses on moments of identification, where the women found direct resonance and self-recognition with the characters and experiences in The Tempest. At the same time it draws on discourses from dramatherapy and aesthetic theory to argue for the importance of various forms of emotional, empathetic and psychical distance. Using close analysis of the spectators’ responses, it describes how for the prison audience the result was an oscillation between identification and distance, a reading of “me but more than me” that produced a powerful affective and reflective impact. 相似文献
9.
Since the late 1970s, European funding of the arts has been a feature of the mixed‐funding regime and support of a range of community arts, training, heritage and regeneration programmes in Member States. In the late 1980s, following widened membership and more direct policy engagement by the European Commission, regional development began to support increasing levels of investment in culture, notably heritage, cultural tourism and city regeneration through arts venues. Meanwhile the Commission's own culture programmes have focused on Cities of Culture, language and heritage projects. However, the funding of culture through the various Structural Funds (although not categorised as such at either European, national and regional levels) has dwarfed that of the Culture Unit. No cultural policy or plan for this significant amount of investment in cultural facilities has been evident, and such programmes have largely bypassed national arts policy, being directed through regional and local authority economic development, tourism and regeneration departments. Promotion of European ‘Common Culture’ was expounded in the Maastricht Treaty and, it is argued, these objectives have driven increased city‐regional autonomy. Notwithstanding difficulties in categorising grant data in cultural terms, this chapter measures the impact and distribution of such regional funding across beneficiary countries and within the eligible regions. A UK survey provides a regional breakdown of projects receiving support in the 1990s and European funding used as part of partnership funding (lottery, regeneration programmes). The chapter concludes that, while the funding of these cultural projects has been under‐estimated and ‘hidden’, its concentration in city arts and heritage venues raises questions for both European and national cultural policy: whether cultural investment has been of the right type, in the right place; or whether European common culture aspirations have ignored local and more culturally diverse opportunities. In short, whether form has followed funding. 相似文献
10.
“Arts entrepreneurship” is beginning to emerge from its infancy as a field of study in US higher education institutions. “Cultural Entrepreneurship”, especially as conceived of in European contexts, developed earlier and on a somewhat different but parallel track. As Kuhlke, Schramme, and Kooyman [(2015). Introduction. Creating cultural capital: Cultural entrepreneurship in theory, pedagogy and practice. Delft: Eburon] note, “In Europe, courses began to emerge in the late 1980s and early 1990s?…?primarily providing an established business school education with an industry-specific focus on the new and emerging creative economy.” Conversely, the development of “arts entrepreneurship” courses and programmes in the US have been driven as much or more from interest within arts disciplines or even from within the career services units of arts conservatories as a means toward supporting artist self-sufficiency and career self-management. This paper looks at the conceptual development of “arts entrepreneurship” in the US as differentiated from “cultural entrepreneurship” in Europe and elsewhere. Its intention is to uncover where the two strands of education (and research) are the same, and where they are different. In addition to a review of existing literature on European cultural entrepreneurship, US data is drawn from a new survey and inventory of US arts entrepreneurship programmes developed for the Alliance for the Arts in Research Universities (a2ru). 相似文献
11.
The starting point for this article is the author's 1994 study of the museums and galleries' market, By Popular Demand. The article sets out to look at some of the key findings and track any developments in the 10 years since its publication. The article examines both quantitative and qualitative evidence from national (rather than local or regional) data. The subject matter covered includes the old questions of how many visits are made to UK museums and galleries each year, who visits and why do they visit. This is a period only partly impacted upon by the policy initiatives of New Labour, notably free admission to the national museums and galleries and the Renaissance in the Regions programme. The author demonstrates that, at best, the total number of visits grew only a little and those who visit became more middle class and more middle aged rather more than the population did itself in these years. Museums and galleries might maintain their audiences but they were not expanding them or broadening their social appeal. This alone was sufficient justification for New Labour's policies, the early stages of which seem to have been successful. 相似文献
12.
By calculating an additively decomposable inequality measure following the lines of Shorrocks (1980; see Econometrica, 48(3)) we are able to evaluate regional disparities in private funding of cultural enterprises in the UK in a novel way. The country-wide index of inequality separates funding differences across regions from disparities within regions. Using data on private investment in UK cultural organisations, we consider three datasets: the first includes 139 organisations between 1993 and 2005; the second includes 573 organisations between 2002 and 2005; the third includes 898 organisations between 2005 and 2006. Differences among the 12 UK regions account for between a quarter and a third of overall funding inequalities. The largest contributor to funding inequality of cultural institutions in the UK is the degree of heterogeneity among cultural organisations within each region. We find that successful private fundraising is not significantly associated with the region where the organisation operates or with the particular cultural expression object of its activity. These are significant findings for cultural policymakers working on addressing issues of regional concentration of culture and diversifying sources of funding for the sector. 相似文献
13.
AbstractThis article examines the position of Alexandria during the crusading period (487–857/1095–1453), seeking to open up the question indicated in the title for discussion. Did Alexandria's importance as a trade centre have an impact on whether or not it became the target of military attacks by the Franks? What other forms of contention was it a focus for during the period? While not claiming to provide conclusive answers, we seek at least to provide a starting point for discussion of this complex issue. 相似文献
14.
ABSTRACTIn March 2019, Arts Council England (ACE), an official statistics producer, started collecting a new set of data from its National Portfolio Organisations intended to reveal whether those organizations’ intentions correlate with the perceptions of their peers and audiences. In a world dominated by quantitative data, the Impact and Insight Toolkit addresses a perceived lacuna and marks a substantial investment in qualitative metrics. ACE also expects it to address a number of other concerns – help organizations self-evaluate, measure their short-term outcomes and advocate more effectively. Indeed, it envisages that an aggregation of the data collected will support the case for sustained public support of the sector. The Toolkit’s launch comes at a time when changes to the UK’s official statistics are encouraged, and policymakers are looking elsewhere to inform their thinking. The campaigning aspect of ACE’s aspirations suggests a model of data collection and analysis distinct from that of official statistics production, valued for its impartiality. This article considers what might happen if the Toolkit, which relates to ACE’s role as a development agency, encourages data to be collected and analysed in order to deliver specific outcomes. It reflects on three visions of cultural sector data from the past 50 years: Toffler’s The Art of Measuring the Arts, DCMS’s Taking Part and ACE’s Impact and Insight Toolkit. These suggest a trajectory of cultural sector data determined by increasing importance being attached to institutional interests, and implies that the future of cultural sector data in England may be determined by how ACE addresses its potentially conflicting interests as an official data provider and development agency. Greater investment in the former would more accurately reveal the arts’ contribution to economic and social development; greater investment in the latter would encourage the teleological development of cultural sector data designed for sectorial advocacy. 相似文献
15.
The Heritage Lottery Fund (HLF) distributes money from the National Lottery to heritage. Since 1995 the HLF has given some £3 billion to 15,000 projects. As a small organization with a relatively large remit, applied research has been critical to the work of the HLF, helping it set priorities, make decisions and evaluate its programmes. Key research issues include: defining the needs of the heritage, the best means of evaluating projects and programmes, and capturing the economic and social benefits of heritage. Young people can be a difficult audience for heritage funders to reach, and it is shown how evaluation informed a dedicated new programme. The example of its support of parks shows how a need identified through research became a priority for the HLF, and has since been taken up by government. Finally, the HLF has developed a distinctive approach based on a very open concept of what heritage is and means to people. Research into public attitudes to heritage has been central to this. The Lottery will be reviewed in the lead up to the licence review in 2009 and inevitably questions will be asked about the future of funding. In another context, the Secretary of State has asked how it is possible to capture the value of culture. In common with organizations who deal with sports, art and culture, the HLF needs to capture the benefits of funding in a way that makes sense to both politicians and the public. Doing this depends upon robust research. 相似文献
16.
Earlier research has suggested that ethnic minority students have a significantly lower chance of attaining academic success compared to their peers without an ethnic minority background. Numerous research has also illustrated the importance of social capital for being academically successful. In two studies we examine the particular role of interethnic interactions in the social and academic adjustment of students in higher education. We use a Flemish university as a case study. Study 1 ( N = 1549) uses mediation analysis, and Study 2 ( N = 2479) replicates the first study using SEM (structural equation modelling). We first found that social adjustment is necessary for adjusting academically, and that it has a small, but positive effect on study success. While adjusting socially by interacting with students from other ethnic groups is of little benefit to native Flemish students, the opposite is true for students with a migration background. Furthermore, the more open-minded native students are, the less socially adjusted they tend to be, and they seem to benefit from a more close-minded stance than from open-mindedness in terms of adjusting to the social (and academic) context of a university. 相似文献
17.
Little research has been conducted that explores connections between the fields of intercultural communication and English-language instruction. To address this gap, we report on an intercultural communication course delivered as an integral part of a short-term professional development immersion program for English-language teachers from South Korea. Study results indicate that intercultural communication training served to enhance participants’ pragmatics awareness along with sensitivity regarding sociocultural influences on communication that they experienced in situ. After the four-week course, most of the participants expressed desire and readiness to integrate intercultural communication into their teaching in South Korea. Intercultural communication training promises to complement pragmatics instruction aiming at improving English-language learning and teaching. 相似文献
18.
‘Closing a Window on the World: convergence and UK television services for schools’ is about the proven value to UK schools of the two free television services provided by Channel 4 and the BBC, and a serious threat to their future. The first part of the chapter discusses the first ‘revolution in learning’, based on the development of television as a ‘window on the world’ for UK schools since the 1960s. Research evidence for the very positive teacher attitudes to their use of the services in the 1990s is cited. The second part begins by discussing a BBC consultation exercise undertaken in the autumn of 2000, seeking support for a policy decision to develop a new ‘digital curriculum’ for schools. Recent research into the effectiveness of such technologies is reviewed. While schoolchildren enjoy using ICT (and especially video components it may include), there is as yet no firm evidence to support the confident claims being made for its effectiveness in promoting learning. The chapter concludes that the BBC decision to begin the rundown of its ‘traditional analogue’ television service for schools is premature. At a sensitive time for public service broadcasting, it threatens the future of free services teachers have used and respected for many years. Without government action to include relevant provision in forthcoming broadcasting legislation, UK schools seem likely to lose this distinctive and valued support for their work and their ICT resources are also likely to be impoverished. 相似文献
19.
Libraries and archives are increasingly under pressure to justify the cost of preserving the recorded heritage. This paper addresses the real need to identify and measure the benefits of preservation of the recorded heritage in the UK. Stated preference techniques are well established in the field of environmental economics, and they are also appropriate for the valuation of cultural heritage. The authors develop and test a methodology to estimate people's preferences for the preservation of the recorded heritage through two stated preference case (pilot) studies. All library and archive materials supporting the written and documentary heritage of the chosen case studies have been considered. The benefits of preservation are identified as those associated with the use of the recorded heritage (for example, by schools, commercial organisations, academics and other interested parties), the option of using it in the future, and the value placed on its existence by the general public, even if they have no intention of using it. The main advantage of estimating the benefits of preservation in monetary terms is that these can be compared with the costs of preservation to determine whether any given project or policy is worthwhile, or indeed to choose among competing projects for the allocation of funds. 相似文献
20.
ABSTRACTThis study will take two cases from East Asia to illustrate how visual archive/archiving has become or potentially becomes new space where image, heterogeneous temporalities and ideas of the common may lead to a redefinition or at least reconsideration of the binaries between public and private, between image and visual, between past and future. In contrast to historical archives, such visual archives not only aim for documentation and conservation but also become the sites of creating agencies and provoking critical reflections on the idea of the public. The first case is “Center for Remembering 3.11” 1 initiated by Sendai Mediatheque (SMT), where civic participation and the archiving of the post-311 Tohoku Earthquake images of the disaster-ridden region were solicited and made into an online archive. The second case is Multitude.asia, a digital archive initiated by Taiwanese activist and scholar Huang Sun-quan, who works in collaboration with students, artists, and researchers from Mainland China and Taiwan in sorting, interviewing, and editing videos and texts about alternative cultural activities and space in Asia. While discussions on the archive and the public discourse are predominated by theories from Europe and the US, the current study intends to contextualize the concepts of “the public” ( gōng/ ōyake), “the private” ( sī/ watakushi), and “the common” ( gòng/ kyō) in Chinese and Japanese languages in the discourse of archive in cultural specificity. 相似文献
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