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ABSTRACTPreventive conservation, with its origins grounded in the material fabric of cultural material, is in a period of transformation, with numerous practitioners, in and outside of the field of conservation, considering its broader and holistic objectives. The conventional tools for the assertion of preventive conservation principles, namely the assessment and management of risks to cultural material from the ‘ten agents of deterioration’, have a central focus on the primacy of physical materials and degradation, with less clear relationships with people, place, and time in their modelling. With a case study focus on collections in the Philippines, this paper argues for a practice of preventive conservation that incorporates a balanced assessment and broader thinking around the contexts of objects, people, place, and time. The case studies of ecclesiastical Church collections, and museum environments in the Philippines, demonstrate how the interdependency of objects, people, place and time forms a holistic and conceptual preventive conservation framework. Through a cyclic renegotiation of these four parameters, this paper speculates on the gaps and opportunities for an inclusive view of preventive conservation that is current and more sustainable. 相似文献
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Jessica Lewinsky 《文物保护研究》2018,63(5):170-174
ABSTRACTPreventive conservation plans must include the collaboration of all the different departments within an institution to be able to diagnose the situation, provide proper maintenance, and allocate a budget. Preventive conservation entails understanding the collection’s needs, organizational culture, institutional priorities, and risk factors. Beyond the intervention of objects, the conservator is the creator of guidelines and the implementer of solutions. In this paper, need-based approaches are provided showcasing how tailor-built preventive conservation plans became merged into the backbone of everyday activities. In the Louis C. Morton Auction House in Mexico City, diagnosis tools were adapted, redefining conservation terms within a business-oriented model to guarantee success. In the National Museum of Art in Mexico, the sustainable preservation plan categorized actions within their realization capability. Tasks were allocated to different departments and suppliers; outsourcing, not the responsibility, but the commitment of continuity with service providers via contracts. At the Israel Museum in Jerusalem, the complex conservation projects have focused on high standard continuity. Motivating people to participate in the steady innovation, an encyclopaedic museum must have not only to conserve its collections, but also to serve as an international example. 相似文献
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ABSTRACTWorking on preventive conservation in Italy is difficult but not impossible. After small successes and setbacks convincing museums to adopt elements of preventive conservation in the 1990s, the first author (Rossi Doria) was contracted for 15 years to preserve the historic carriages and associated objects of the Presidency of the Republic of Italy. This required patience to overcome or circumvent obstacles such as an inflexible bureaucracy and the absence of any formal recognition of preventive conservation within the educational and contractual systems for heritage conservation. The key factors in his success were the support of the curators, the financial and planning autonomy of the Presidency, and the obvious need for conservation and preservation of these elegant and complex objects. The program began in 2001 with the recovery of the forgotten collection from inappropriate storage in several locations. The entire collection was surveyed and recorded, not only the carriages but also thousands of harnesses, saddles, clothing, fabrics, weapons and memorabilia. Multiple preventive and interventive actions were undertaken, such as pest eradication for all sensitive materials, environmental surveys, and everyday maintenance, as well as complex treatments for the ornate carriages. Analysis by country of published articles on preventive conservation and of IIC membership both confirm that the topic is not as well established in Italy as in many other countries. Some reasons and solutions are proposed. 相似文献
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ABSTRACTControl of relative humidity (RH) for collections care is challenging in U.K. historic houses because they are often highly ventilated with poor heat retention, a porous building fabric and naturally tend to high (60–80%) RH if unheated. The significance of the building means that large-scale modifications and installation of air handling systems may be unfeasible and undesirable for the conservation of the building. In the late 1980s the National Trust, for English, Wales and Northern Ireland, investigated conservation heating as an RH control method that works with the natural environment of historic buildings, mimicking historic heating and requiring only modification of existing heating services or a light touch installation of new heating systems. The National Trust adopted conservation heating as its preferred method for environmental control in historic buildings from the 1990s. This method was presented at the IIC 1994 Ottawa congress on preventive conservation. Conservation heating has since been adopted by many historic house management organisations, particularly across north-west Europe, where it is well suited to the climate. This paper reviews conservation heating developments implemented by the National Trust since 1994, in response to a changing external context, new knowledge and developments in operational practice. 相似文献
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Tobit Curteis 《文物保护研究》2018,63(5):70-75
ABSTRACTEnglish medieval cathedrals are a group of buildings of exceptional significance and they contain collections of equal importance. Both the historic building fabric and the artefacts are vulnerable to environmental deterioration. However, unlike buildings owned by heritage organisations, the primary purpose of cathedrals is to further the Christian mission, and the conservation of the building and collections is required to be conducted within these constraints. Increasing visitor numbers and the installation of sophisticated exhibitions makes the task of conservation all the more demanding. Next to mechanical damage, environmental factors are the greatest source of deterioration to sensitive fabric and collections. However, until recently, there has been little systematic study of English cathedral environments and the effects of different uses and control measures. Detailed studies undertaken on 20 cathedrals in the past two decades have provided an insight into their environmental performance and how they differ as a group from many other historic buildings, as well as the passive conservation measures that can be implemented within their primary function. 相似文献
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《文物保护研究》2013,58(3):7-11
AbstractChristian sacred art is not only an artistic and aesthetic phenomenon, but can also be seen as a manifestation of the divine, the objects becoming a presence of what they represent. A substantial proportion of this kind of art remains dispersed in churches and ecclesiastic treasuries without any special provision for its care and much is still in ceremonial use, continuing to be handled and moved. Recording by inventory and transfer to museums are only recent developments. Portugal has developed various strategies for the preservation of these collections, including the creation of Diocesan Sacred Art Commissions, diocesan museum networks where small museums and museological treasuries are maintained separately but have a common technical staff, a Secure Church Programme and temporary exhibitions, which play a role in conservation, promotion and public awareness. Although not conventional conservation, these actions have helped us to keep the memory of the past alive and let us carry it into the future. 相似文献
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ABSTRACTIt has been widely acknowledged that reinstallations and re-executions of contemporary artworks substantially rely on available documentation. Especially for installations and performances it is crucial to record the artist’s intent, past iterations, and tacit knowledge involved in staging the artwork. The growing presence of contemporary artworks in museum collections increases the importance of documentation as a central focus of collection care. However, collections management systems have limitations in adequately presenting these often rich forms of documentation. Consequently, documentation required for presenting a specific complex artwork is often dispersed across multiple systems, drives, and dossiers inside various departments. In recent years, several initiatives responded to these challenges by implementing a digital platform supporting the conservation of contemporary art. Collaborative networked software such as wiki came into focus as a prominent choice for managing the related documentation. The wiki promises to integrate diverse material in one place and accommodate much-needed requirements such as multiple iterations of an artwork, relations between its elements, and multimedia content. This paper takes the case of San Francisco Museum of Modern Art (SFMOMA)’s experimental use of MediaWiki to determine whether and under what conditions a wiki is capable of supporting collection care sufficiently in terms of documenting time-based media art. The case further illustrates the consequence of adopting a content management system as knowledge base for conservation. While collections management systems are designed primarily to handle objects using forms, wikis are publishing platforms in the first place and provide a different kind of framework for artwork records. They are designed to employ text and media to compose articles. We propose to conceptualise this consequential role of conservator as a manager of content, an editor. 相似文献
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Simon Lambert Catherine Antomarchi Kelly Johnson Julie Stevenson Marjolijn Debulpaep Theocharis Katrakazis 《文物保护研究》2018,63(5):156-163
ABSTRACTThe modern learning environment is evolving at a rapid pace. Technology can help developers of preventive conservation tools and learning resources for collections professionals to increase their impact and reach. However, it is crucial to keep the needs of users, and gaps in skills and knowledge at the forefront. This article examines preventive conservation tools and resources developed by the Canadian Conservation Institute (CCI) and ICCROM (International Centre for the Study of the Preservation and Restoration of Cultural Property) over the past 30 years. In light of the results from a recent survey and research in the learning and development field, a set of orientations for future tool development are highlighted; these tools must be: need driven, user centered, emulating everyday experiences, social and informal, concise, mobile friendly, curated and open access. 相似文献
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《Cataloging & classification quarterly》2012,50(7-8):463-495
AbstractDocumentation of local policies, workflows, and procedures is an important activity for cataloging and metadata units. But creating and maintaining documentation is a huge task that is not always a high priority. Librarians at the University of Minnesota Libraries planned a documentation hackathon, CatDoc HackDoc, with three primary goals: to update a large amount of documentation quickly, to apply accessibility best practices to all documentation, and to bring new staff into the documentation workflow. This article describes the event’s planning process, structure, and outcomes, and offers guidance on how others can adapt the CatDoc HackDoc model in their own organizations. 相似文献
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While working together on tradition-based and contemporary works at the Smithsonian's National Museum of African Art (NMAfA) and in private practice, the authors found that their expertise in ethnographic conservation can be applied to the conservation of contemporary works. The treatment approach to ethnographic works has evolved over decades, shifting from alteration of original surfaces and heavy restoration to an emphasis on preserving the original integrity of the artwork through minimal intervention. This paper describes the evolution of ethnographic object conservation regarding surface alteration, while specifically focusing on African objects, and discusses applications of this approach to the conservation of contemporary art. The historical change in treatment attitudes is presented using examples from NMAfA's collections to underscore why the profession developed a minimal intervention approach and to argue for the relevance of this approach to related contemporary media. 相似文献
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《文物保护研究》2013,58(3):30-33
AbstractIs the conservation profession dividing into two groups – specialized technicians often working in private practice, and generalists in the heritage sector whose work is often in preventive conservation covering a diverse range of materials? If so are we moving away from conservation specialists, who contribute to the wide range of processes involved with object care and research within particular curatorial disciplines? We examine the increasing distancing of conservators from collections and their curatorial colleagues and will assess how this is reflected in the changing nature of training courses, and the impact this may have on museums in the future. These issues are discussed with reference to the National Museum of Wales, which has recently undergone an externally refereed conservation review. The outcomes of this can be viewed in relation to other institutions employing conservators. 相似文献
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《期刊图书馆员》2013,64(3):47-55
ABSTRACT Documentation is the written record of activities, policies, and procedures within a certain organization or group. Libraries, especially technical services units, need to be more vigilant about documenting the important activities of their departments for current and future use. After looking at past library literature, this article highlights ways to incorporate documentation into acquisitions, serials, and cataloging units while emphasizing the importance of these activities and making sure all staff members are involved. 相似文献
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《The Journal of Academic Librarianship》2020,46(5):102201
As academic libraries continue to face acquisition budget challenges, collaborative collection development (CCD) offers greater opportunities to fulfill the core role of library collecting and collection management, namely, to provide enhanced access to the widest variety of relevant resources in the most cost-responsible manner possible. Libraries have successfully implemented CCD projects of various types, and as a result, have achieved these needed cost savings. The authors conducted survey research to investigate current CCD activities and librarians' perceptions of its benefits, drawbacks, elements contributing to successful CCD programs, and possible obstacles to success. Library collections consist of a variety of material formats and librarians have applied CCD models to maintain needed access to these resources, shifting from ownership to access, all in support of building collective collections. The survey results found that, although challenges can exist, application of CCD activities have realized substantial benefits, financial and otherwise, for academic libraries overall. 相似文献
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ABSTRACTThe 2008 Wenchuan earthquake brought numerous issues to the attention of researchers of seismic mitigation in Chinese museums. After the Wenchuan earthquake, the structural design team of Chengdu Museum conducted a series of research projects on seismic mitigation and subway vibration control design of buildings. These projects included the following topics: optimization of design, numerical simulation of seismic performance, analysis of key technologies for the base isolation structure, in-depth studies on structural vibrations caused by the nearby subway, and proposals for reducing structural vibrations. In 2015, after the superstructure of Chengdu Museum was completed, conservators evaluated the safety of permanent exhibitions under earthquake conditions. Seismic protection devices were installed on the showcases according to the preventive conservation requirements for museum collections. Reinforced measures were used for museum collections according to the methods suggested in the document ‘Specification for seismic protection of museum collection’ (WW/T 0069-2015). The conservators also built a systematic platform for earthquake monitoring for museum collections. Preventive conservation studies on seismic protection and subway vibration control in Chengdu Museum are summarized and forecasted. 相似文献
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Marcel C. Obiagwu 《International Information and Library Review》2013,45(4):291-305
AbstractThe abuse of library materials defined in terms of theft, mutilation, unauthorized borrowing and vandalism was investigated in University of Port Harcourt (Uniport) in Nigeria and King Fahd University of Petroleum and Minerals (KFUPM) in Saudi Arabia. The study sought to find out the ways the collections of the two institutions were abused by various classes of readers and for various reasons. By interviewing librarians, and analysis of collection use records, it was revealed that students, as well as faculty, staff and external readers indulged in abuse of library materials, motivated by situational, conceptual, attitudinal and other factors. It was observed, however, that Uniport had more problems with the misuse of library materials than KFUPM. Recommendations relating to library building design, tightening of security, generous and flexible loans policies, etc., were made for improved collection protection. Besides, public relations campaign and multilateral co-operation on book theft detection would help to discourage in particular the uninitiated or new converts from any acts of library abuse. 相似文献
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《文物保护研究》2013,58(4):222-226
AbstractLarge ethnographical collections sometimes contain examples of preserved human heads. There are those from the Maori of New Zealand, the well-known Jivaro Indian shrunken heads, and others from Papua-New Guinea. The article describes the preservation process as practised in Western Papua by the tribal craftsman, and then the problems of conservation in the museum laboratory. The latter include the cleaning of the skin, and the painted areas of the face, with the non-ionic surface-active agent Lissapol N in distilled water, followed by consolidation of the painted surface with an application of 2 % soluble nylon in industrial methylated spirit. Clay and fibre within the head were consolidated with a 5 % solution of the polymethacrylic ester Bedacryl 122X (I.C.I.) in xylene; and the fibre ear ornaments, after cleaning with Lissapol N, were consolidated with a 5 % solution of soluble nylon in industrial methylated spirit. The specimen was fitted with a specially made polythene cover, and stored in an individual box. 相似文献
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Zoitsa Gkinni 《资料收集管理》2013,38(3):127-148
The growing interest in the preservation of archival and library collections in Greece and the lack of documentation in this field led to a nationwide survey to explore the preservation status in Hellenic (Greek) cultural institutions, including public, municipal, academic, and bank libraries as well as the General State Archives. This article describes the survey's background and methodology, presents key findings on the preservation management and actions undertaken, provides a sound documentation on the state of the art regarding preservation, and sets future goals. 相似文献
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《The Reference Librarian》2013,54(75-76):83-90
Summary Evening staff members of the Research and Information Services Department (RISD) at the North Carolina State University (NCSU) Libraries have recently noticed an apparent increase in the use of the library by people perceived to be mentally ill. RISD staff members have found themselves in some ways unpreparedtorespond comfortably to this change. This paper, a case study, proposes reasons for this increased visibility of mentally ill people, and describes the challenges the staff members faced and how they overcame them. The RISD staff members acquired the knowledge and confidence they need to work with mentally ill people through communication among colleagues, review of the literature, and staff training. 相似文献
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ABSTRACT During the fall 1999 semester, the College Libraries at the State University of New York (SUNY) College of Arts and Sciences at Geneseo conducted an Interlibrary Loan (ILL) survey of the entire faculty, staff and student body. The purpose of the survey was to find out whether patrons using ILL are satisfied with the service, and to discover the reasons why non-ILL users are not using the service. We received 538 responses in total (a 10% response rate). Of these, 60% were from students and 40% were from faculty and staff. 相似文献