An assessment is provided of the way in which the creative industries have been measured using the Office of National Statistics' Standard Industrial and Standard Occupational classifications (SIC and SOC). These classifications have themselves been revised since the early 1990s, and further revisions are in prospect from 2007. In this analysis particular focus is given to the ‘Designer Fashion’ sector, illustrated by a number of tables and data analyses.
These actual and proposed revisions have helped in documenting the rapidly emerging creative industries, which have reportedly grown at two to three times the rate of the UK economy as a whole. However, as the Regional Culture Data Framework published in 2002 records, serious problems remain in providing valid assessments of the creative industries sectors from ‘official’ published sources, even for the UK as a whole, let alone at the regional level emphasized by the Regional Culture Data Framework's regional sponsors. In any case, often the ‘scaling factors’ applied to official SIC codes to define creative industries appear arbitrary.
Many of the Regional Culture Data Framework's recommendations, notably the adoption of a more comprehensive ‘supply-chain’ approach to documenting the cultural sector, make further demands upon the existing official structural classifications and the data bases underpinning them. Even where all elements in the ‘supply chain’ are well documented, there are still questions about the validity of this approach. For example, should wholesale and retail distribution of creative industry products be regarded as part of the ‘Cultural Cycle’?
In conclusion, it is suggested that the ‘official’ data has marked limitations in documenting the creative industries and does not realistically or adequately capture the more interesting and dynamic elements of an industry like ‘Designer Fashion’. This is disappointing in a context where central government has placed increasing emphasis upon evidence-based policy to support the development of the creative industries, and where the British ‘Designer Fashion’ sector has lamented the lack of central support in comparison with the French or Italian industries. It is suggested that a more customized approach to collecting data about the creative industries is needed if the results are to usefully inform the further development and profile of these sectors. 相似文献
The chapter presents the first overview of the subject. It covers developments within what is referred to as the ‘cultural framework’ ‐ the infrastructure associated with the Department for Culture, Media and Sport, which includes the ‘arts funding framework’. It also looks at developments affecting local authorities’ provision of cultural services.
The chapter draws on various published and unpublished policy documents, and accounts, as well as interviews with individuals involved in the development of performance management in the cultural sector. Their views are presented throughout the chapter to illustrate the points raised.
The chapter opens by examining the history of performance indicators in the sector, and maps the current requirements to measure performance. The second section considers the resistance to measuring the performance of arts organisations and museums. In doing so, it examines critical inheritance of former attempts to measure performance, and the issues raised in relation to current aspirations to do so. The third section presents attitudes to future developments, and is based on speculations by those currently involved in museums, galleries, the arts funding system and the introduction of Best Value as to the kinds of impact that the introduction of performance measurements might have. The fourth and final section draws together a series of observations about the introduction of non‐economic performance in the English subsidised cultural sector. 相似文献
Since 1990, governmental planning advice has switched the financial burden of recording archaeological remains from the state to private sources. This has allowed a great expansion of archaeological work to take place, through the requirements of the planning system, and funded from private sources.
While central government funding has remained static (falling in real terms) over the last decade, private ‐ developer ‐ funding has become the norm. It is calculated that approximately £120 million was spent on professional archaeological practice in 2000, with over half of that sum coming from private sources.
This chapter examines and quantifies all the sources of funding for professional archaeology, considering developer funding in detail. Undoubtedly the expansion of developer funding has brought great benefits to professional archaeology, not least in terms of the greater scale of work required, but it has also raised problems, allowing archaeological practice in 2000 to become a weakly regulated, market‐led activity.
Local government, as the regulator of the planning system, has a key role to play. As archaeological services in local government are not maintained on a statutory basis, they are open to budgetary pressures.
The chapter concludes by examining the key issues relating to development and archaeology in the near future, and suggests an alternative approach to funding that might better suit developers, planners and archaeologists alike. 相似文献
This chapter of Cultural Trends considers what has been driving data collection, and how valuable its pursuit has actually been. While not disputing the importance of accountability within the public sector, the chapter observes that much of the data produced about the workings of thecultural sector have been criticised as methodologically flawed and that these say more about policy intentions than about actual impact. Until the collection and analysis of data is carried out more accurately and objectively, and until the evidence gathered is used more constructively, it could beargued that much data gathering in the cultural sector has been a spurious exercise. 相似文献
The first part of the chapter discusses the first ‘revolution in learning’, based on the development of television as a ‘window on the world’ for UK schools since the 1960s. Research evidence for the very positive teacher attitudes to their use of the services in the 1990s is cited.
The second part begins by discussing a BBC consultation exercise undertaken in the autumn of 2000, seeking support for a policy decision to develop a new ‘digital curriculum’ for schools. Recent research into the effectiveness of such technologies is reviewed. While schoolchildren enjoy using ICT (and especially video components it may include), there is as yet no firm evidence to support the confident claims being made for its effectiveness in promoting learning.
The chapter concludes that the BBC decision to begin the rundown of its ‘traditional analogue’ television service for schools is premature. At a sensitive time for public service broadcasting, it threatens the future of free services teachers have used and respected for many years. Without government action to include relevant provision in forthcoming broadcasting legislation, UK schools seem likely to lose this distinctive and valued support for their work and their ICT resources are also likely to be impoverished. 相似文献
It introduces the UK National Inventory of War Memorials, an archive which was established in 1989 and which records details of memorials throughout the UK. The chapter is based on data and detailed examples taken from the 47,000 records currently input on the archive's database and it explores those records to examine memorials commemorating the Boer Wars, First and Second World Wars and the Korean War, in particular.
The first section considers general issues regarding war memorials in the UK ‐ the ways in which memorial styles have changed, and how these reflect changing attitudes towards those who served in the armed forces in the late 19th and 20th centuries.
The second section is about the pragmatics of memorialisation, and focuses on the significance of where memorials are positioned, whether inside or out and within public or private spaces; the increase in secularisation; the geographical spread of memorials; and issues related to urban and rural memorialisation.
The third section considers the evolution of memorials from being a focus for grief for those whose friends and relations’ bodies were not returned, to manifesting veterans groups’ assertions of their identity many years after a conflict. The physical movement of memorials is also covered, ranging from memorials which have been lost or neglected, through to memorials being moved in order to preserve them so that remembrance services can continue. Peaks and troughs of memorialisation through the 20th century are also considered.
To conclude, the fourth section pulls together various threads drawn throughout the chapter, analysing memorials chronologically, geographically, stylistically and in terms of their relative ‘popularity’. 相似文献
This chapter describes the development and piloting of a national survey of people's engagement with the arts by the Arts Council of England and the Office for National Statistics. It outlines the main reasons for the development of the survey, presents results from the pilot and compares them with other national and international sources of data.
From the outset, procedures for obtaining feedback on the pilot questionnaire were built into the planning process. The paper discusses respondents’ reactions to the questionnaire, their views on how meaningful the questions were and how well the interview worked. It also explores respondents’ understanding of such terms as ‘the arts’ and ‘public funding’, and how they responded to questions.
The chapter concludes with a summary of the changes made in the light of the pilot and outlines future plans for the survey. 相似文献
However, the funding of culture through the various Structural Funds (although not categorised as such at either European, national and regional levels) has dwarfed that of the Culture Unit. No cultural policy or plan for this significant amount of investment in cultural facilities has been evident, and such programmes have largely bypassed national arts policy, being directed through regional and local authority economic development, tourism and regeneration departments.
Promotion of European ‘Common Culture’ was expounded in the Maastricht Treaty and, it is argued, these objectives have driven increased city‐regional autonomy. Notwithstanding difficulties in categorising grant data in cultural terms, this chapter measures the impact and distribution of such regional funding across beneficiary countries and within the eligible regions. A UK survey provides a regional breakdown of projects receiving support in the 1990s and European funding used as part of partnership funding (lottery, regeneration programmes). The chapter concludes that, while the funding of these cultural projects has been under‐estimated and ‘hidden’, its concentration in city arts and heritage venues raises questions for both European and national cultural policy: whether cultural investment has been of the right type, in the right place; or whether European common culture aspirations have ignored local and more culturally diverse opportunities. In short, whether form has followed funding. 相似文献
Recent research has shown that the museum market is static. Sustainability may be difficult for many, with only those that are small and run by volunteers escaping financial difficulties. Alongside these market factors, and following the election of the Labour government, museums are being expected to confront new challenges. While much government policy continues the thrust of the previous administration ‐ especially the focus on the national museums and galleries ‐ there have been some distinctive shifts, especially in respect of admission charges. Besides devolution to Scotland, Wales and Northern Ireland, an increasingly important English regional agenda has developed, in which museums are expected to play a significant role.
Other influences have also had a considerable impact, such as the advent of Best Value, which requires museums funded by local councils to demonstrate their efficiency and effectiveness, and the National Lottery's significant investment in museum capital projects. While this has created some exciting new projects, it has also added to museums’ running costs at a time when market conditions are difficult. Additionally, limited opportunities for employees to progress and develop, and uncompetitive pay, make museums an unattractive career choice, thereby depriving them of the talent that will be needed to meet the public's changing needs.
All these issues provide a reason for central government to understand better the issues faced by the museum sector as a whole, and regional museums and galleries in particular. Without such national guidance, and opportunities for strategic change and rationalisation, museums may close in a disordered way, and their collections lost. In this way, the legacy of this generation to the next may be in danger. 相似文献
The first question was answered in spectacular fashion when, in earlysummer 2002, the Department for Culture, Media and Sport (DCMS) announced a 62% increase in ‘visitor numbers’ in the seven months since entry charges were scrapped. While it is known that DCMS tends to use the terms ‘visitors’, ‘people’ and ‘visitor numbers’ to refer to visits per se, as a researcher two questions sprang to mind:
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Did these figures mean there were actually a lot more people visiting museums and galleries, or were the same people visiting more frequently?
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Was the boost in visiting restricted to the national museums and galleries, or were more people visiting museums and galleries generally?
MORI decided to see what more could be discovered about these extra visits by placing four questions about the British public's museum‐going habits on its GB Omnibus study in August 2002.
The results of that survey form the basis of this chapter. They demonstrate that, although the numbers of people visiting museums has increased significantly since 2001, the increase is greatest among those groups who have traditionally always gone to museums and galleries, while the increase among groups who might be described as socially excluded is much lower.
The chapter concludes with a discussion of the implications of MORI's findings for the future of the museums and galleries sector. 相似文献
Because there are no official requirements for data collection, much of the work on archival statistics has been voluntary, informal and, until now, uncoordinated. As a result, there are no comprehensive sources of data and no common statistics spanning the whole range of archives services. In their absence, this chapter explores the make‐up of the archival network and uses the available statistical data on core service elements as the basis for postulating averages for use as models for an attempted overview of the domain. While the limitations of this approach necessarily warrant caution over the results ‐ which are described as tentative ‐ it is proposed that with further refinement such a model could form the basis for future headline statistics of key archival inputs and outputs.
The remainder of the chapter looks in detail at evidence and trends in archives, with a particular focus on usage (user profiles, motivation for using archives and patterns of use etc); collections management and stewardship (archive holdings and preservation activities); and impact. The section on impact takes an overview of the archival contribution to the public policy agenda with regard to social, economic and learning issues.
In conclusion, the chapter reflects that too much of the previous effort has gone into measuring the resource base. It is argued that the future emphasis should be on using the available data to provide evidence of impact ‐ showing how archives can and do ‘make a difference’ in the broader cultural agenda. A final table illustrates the views of users on what archives contribute to society, highlighting the potential for creative partnerships between archives and other cultural service providers. 相似文献
The study's objective was to review and analyse existing research and data on the economic contribution of historic parks and gardens, and to make recommendations for a range of research projects to fill any gaps identified.
The report first sets historic parks and gardens within the wider context of the ‘gardens and gardening’ market generally; it then deals with the economic impact of tourism, recreation and leisure at historic parks and gardens and then with the economic contribution of public parks with particular regard to the latter's role in promoting regeneration of the local area. The applicability of various non‐market valuation techniques is considered in relation to free‐entry parks and gardens. Finally, specific research recommendations are set out to cover stocktaking, the visitor attraction sector, local area regeneration and the valuation of non‐market sites. 相似文献
A key element in the proposed higher status accorded to music is the collection and analysis of data on musical activity and musical employment at the European level, notably through reference to the 1996 study carried out by EMO and updated more recently as part of the EC and EMO funded European Music Observatory project. Statistics covering employment, sales of recorded music, composers’ royalty earnings, sales of instruments, public support for music and other features are included.
The chapter also considers the difficulties posed by such a pan‐European project, notably in the comparability of data between nations with different national systems of data collection and the difficulties of attempting to combine data from the ‘subsided’ and ‘commercial’ sectors. 相似文献
While overall participation rates have sustained the levels of the 1970s, participation rates in 1998 do not reflect the growth in participation projected then. Furthermore, the spectrum of people visiting museums has narrowed, rather than being ‘democratised’. Those with post‐secondary education have always been more likely to visit museums but now represent a majority of visitors for the first time.
That museums are now attracting relatively fewer people and fewer types of people suggests a diminishing presence for museums. Nonetheless, museums’ audiences are noticeably less elite than often portrayed, and there are opportunities for changes in policy and programmes designed to reach more people. Ultimately, though, the surveys give only limited insight into the role of museums in the lives of the general public, and new types of research and measurement are needed. 相似文献
The first part of the chapter maps developments in broadcasting policy, with particular reference to statements issued by the BBC's and Independent Television Commission's advisory body, the Central Religious Advisory Committee. The chapter also highlights the impact of the changing religious make‐up of the UK, and the advent of dedicated religious television channels on the content of religious broadcasting.
The second part looks at the audience. Research findings may initially suggest that religious programmes are seen primarily as being for ‘other people’. However, closer examination of the audience shows that religious programmes are still watched by the majority of the adult population. And although viewers over 55 are well represented in the audience for many programmes, the audience for religious television is in reality more diverse than public and broadcasting industry perceptions would suggest.
Programmes are the focus of the third part of the chapter. While the amount of time devoted to religious programmes on BBC1 and ITV has remained at similar levels, the scheduling of religious programmes has moved away from peak time on both channels, but particularly so on ITV. Both channels have reduced the amount of religious programme time devoted to acts of worship. The official figures for amounts of religious broadcasting do not tell the whole story, however. Discussion continues both about the definition of ‘religious’ programmes and the future of religious broadcasting departments.
The challenge for religious broadcasting is to redefine itself for the digital age, without narrowing its scope. 相似文献
The chapter begins with the background to the subject, describing the trends in tourist activity and cultural behaviour that have affected the seaside. It then gives the recent history of the live entertainment industry, with particular emphasis on the summer variety show. Section three provides an overview of the contemporary data available on the amount and type of live entertainment at today's seaside resorts. Section four concerns the provision and programming of live entertainment, and the capacity at resort venues. It focuses on the major role played by local authorities, and also considers the involvement of the private sector. The chapter concludes with some forecasts of the likely future form and provision of live entertainment at the seaside. 相似文献
The main aim of the survey was to gather data about public parks in order to assist grant‐making by the Heritage Lottery Fund, through its Urban Parks Programme. The returns were used to create a database of local authority owned parks and open spaces, providing details of size, condition, features, facilities, status, conservation designations, visitor numbers and so on. The first section reports on the responses from local authorities, 174 of which had park stock. It notes that a further survey is in process to increase the knowledge base.
The second section provides details on individual parks defined by local authorities as being of historic interest; what conservation status or value they are seen to have; what condition they are in; and what features they possess. It goes on to consider the need for objective standards, covering their various uses and the opportunities they provide, as well as for the more easily quantifiable data of size, features and catchment area. The section also includes consideration of local authority knowledge of parks, aspects of best practice, regional variations in conditions, plus recent trends in parks management, such as the known impact of Compulsory Competitive Tendering and the possible effects of Best Value. Finally, the section covers the financial and training needs for the proper maintenance of parks, and considers the questions of the numbers and kinds of park users and ways of reflecting their concerns and needs.
The third section notes the general decline in the condition of parks over the last two decades, across the whole of the country. Recommendations include immediate, medium‐term and long‐term proposals. In the short term, the authors call for the completion and maintenance of the parks database and the dissemination of its findings. In the medium term, they recommend the development of agreed definitions for parks and their features, with national standards, guidance for Best Value, sharing of best practice, development of national and local parks strategies, improved training and career opportunities, and a standard formula for visitor numbers and usage. In the long term, the authors call for greater government recognition of the role of parks in urban regeneration, a comprehensive investment programme, and the encouragement of new ways of involving users, residents and others in the further development of parks. 相似文献
This chapter of Cultural Trends does not, strictly speaking, set out to confirm or refute these common criticisms of the Dome. Instead, it aims to establish the facts and figures concerning various aspects of the project as precisely as possible. This in itself is difficult to do since, for instance, the exact value of corporate sponsorship is impossible to ascertain due to commercial confidentiality, although it was quite a small proportion of the actual funding ‐ less than 20 per cent. Further complicating matters is polling evidence of high visitor approval for the Dome which must be set against its general damnation in the media.
In effect, the chapter traces a complex process whereby an ambitious cultural project was beset by a series of seemingly intractable problems from beginning to end, including eventual disposal and future use of the site. Whether the Dome is considered an abject failure or an under‐reported success, it certainly did not meet its official targets in terms of visiting, revenue and sponsorship. 相似文献
Rubiera i Mata, María Jesús.Introducció a la literatura hispaho‐àrab (Col. ecció Xarc AI‐Andalus, l).Alicante: Universitat d'Alacant, 1989. 117pp.
Guichard, Pierre. L'Espagne et la Sicile musulmanes aux XIe et XIIe siècles. Lyon: Presses Universitaires de Lyon, 1990. 232pp., figures, maps. FF. 138.‐ ‘ .
Lozano Cámara, Indalecio. Tres tratados árabes sobre el Cannabis Indica. Madrid: Agencia Española de Cooperación Internacional, Instituto de Cooperación con el Mundo Arabe, 1990. 220pp.
Powell, James M., ed. Muslims under Latin Rule, 1100–1300. Princeton: Princeton University Press, 1990. 221pp.
Actas del Simposio Internacional sobre la Ciuidad Islámica. Ponencias y Comunicaciones. Zaragoza: Institución Fernando el Católico de la Diputación Provincial, 1991. 474pp.
Neugebauer, Otto. Abu Shaker's “Chronography”: A treatise of the 13th Century on Chronological, Calendrical and Astronomical Matters, written by a Christian Arab, preserved in Ethiopie (Õsterreichische Akademie der Wissenschaften Philos.‐Histor. Klasse: Sitzungsberichte, 498).Wien: Ö.A.W., 1988. 198pp., 7pl. OS 350.‐.
Arbel, Benjamin, Hamilton, Bernard and Jacoby, David, eds. Latins and Creeks in the Eastern Mediterranean after 1204. London: Frank Cass, 1989. 245pp. £18. 相似文献
Kedar, Benjamin Z., ed. The Horns of Hattin. Jerusalem and London: Yad Izhak Ben‐Zvi, Israel Exploration Society and Variorum 1992. 368 pp., 12 plates; $74.75 (cloth).
Köprülü, Mehmed Fuad. The Seljuks of Anatolia: Their History and Culture According to Local Muslim Sources. Translated and edited by Gary Leiser. Salt Lake City: University of Utah, 1992. xi +101 pp., $22.00 (cloth).
Cameron, Averil and Conrad, Lawrence I., eds. The Byzantine and Early Islamic Near East: Problems in the Literary Source Material (Papers in the First Workshop on Late Antiquity and Early Islam). Princeton: The Darwin Press, 1992. xiv + 428pp., 12 plates; $29.25 (cloth).
Vereno, Ingolf. Studien zum ältesten alchemistischen Schrifttum. Berlin: Klaus Schwarz Verlag, 1992 (Islamkundliche Untersuchungen, 155). 414pp.
Tolan, John. Petrus Alfonsi and his Medieval Readers. Gainesville, Florida: University Press of Florida, 1993. xv + 288pp., $34.95 (cloth), $16.95 (paper).
Lassner, Jacob. Demonizing the Queen of Sheba: Boundaries of Gender and Culture in Postbiblical Judaism and Medieval Islam. Chicago: University of Chicago, 1994. 281 pp., $19.95 (paper), $49.95 (cloth).
Menocal, María Rosa. Shards of Love: Exile and the Origins of the Lyric. Durham, North Carolina: Duke University Press, 1994. xv + 295pp., $34.95 (cloth), $14.95 (paper).
Massignon, Louis. The Passion of al‐Hallāj, Mystic and Martyr of Islam. Translated and edited by Herbert Mason. Abridged edition, Bollingen Series XCVIII. Princeton: Princeton University Press, 1994. xxxi + 293pp.
Viguera Molins, Maria Jesús. El Islam en Aragón. Saragossa: Caja de Ahorros de la Inmaculada, 1995 (Colección “Mariano de Pano y Ruata”, 9), 174 pp., 182 ills. in colour, maps, diagrams, charts etc No price stated. 相似文献