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1.
《文物保护研究》2013,58(2):65-79
AbstractEnvironmental standards for cultural heritage collections have been much debated in recent years. The interest in the issue has been driven by the growing movement towards green museums, that is, managing indoor museum environments in a responsible and efficient manner, especially in terms of reducing energy consumption and carbon emissions but at the same time maintaining high standards of collection care. Painted wood is among the category of heritage objects most vulnerable to relative humidity and temperature fluctuations. Therefore, scientific understanding of how changes in environmental conditions ultimately affect painted wood is crucial to the development of rational guidelines for the control of climate in museums and historic buildings. This review provides a systematic progression through two fundamental approaches to establish the allowable ranges of climatic variations – an analysis of the mechanical response of painted wood as a complex, multilayer system to climate variations, and an analysis of the historic climate to which the objects have acclimatized. The climate specifications and standards based on both these approaches are reviewed. 相似文献
2.
Karin Kompatscher Bart Ankersmit Edgar Neuhaus Marcel A.P. van Aarle Jos W.M. van Schijndel Henk L. Schellen 《文物保护研究》2020,65(5):262-284
ABSTRACT Many museums are housed in historic buildings, sometimes the building itself is part of the museum collection. Creating a stable environment by providing a nearly constant temperature and relative humidity at correct levels decreases the risk of object degradation. Maintaining this steady indoor environment, however, increases energy consumption and risks to the historic building. Museum display cases offer a solution to the mitigation of risks to which valuable objects may be subjected by providing an extra layer of protection to indoor climate fluctuations. The Anne Frank House is a historic house museum located in Amsterdam. The museum has undergone several renovations in the last years to deal with an increase in the number of visitors to over 1.2 million a year. The original diaries and other documents of Anne Frank are permanently on display in the Anne Frank House. With the recent refurbishment the possibility arose to design a new state-of-the-art display case. This study presents the results of the experimental research related to the design, performed in-situ. The temperature and relative humidity in the new exhibition space and inside the new display cases were monitored to gain insight into the hygrothermal behavior of these controlled environments. A complementary numerical study was performed to investigate effects of dynamic climate control of the exhibition gallery and climate conditions in the display case under various circumstances. Four main conclusions are presented in this paper. The investigated display case design is able to provide a stable relative humidity environment by means of silica gel, while using an active box-in-box climate control system to create stable temperature conditions. The inner case temperature depends on the temperature supplied by the display case air handling unit. Protocols must be in place in case of malfunction or failure of the climate control system of the display case. The air handling unit of the case needs to be shut off to create a passive environment for the objects on display until necessary actions are taken. Exhibition gallery set points can be less stringent when susceptible museum objects are on display in the display case. The environments are separated and provide an opportunity for energy saving set point strategies. The last conclusion drawn is that the numerical study provides valuable insight into imposing dynamic control of set points for temperature and relative humidity in the exhibition gallery and the effect on the display case environment. 相似文献
3.
ABSTRACTOne of the aims of the European Protocol in Preventive Conservation (EPICO) research programme was to implement a simple and flexible assessment method applicable to the majority of historic houses. We present results to verify statistical methods for the application in the assessment of heterogeneous in collections historic houses. For a collection with less than five hundred objects, a complete inventory by two people is possible, in order to collect information about the objects and their condition. A sample is representative when it has the same characteristics as the population studied. In the case of a very small population it is difficult to obtain representative results: here the sample should be almost equal to the total population. Therefore significant work must be done prior to assessment to properly identify the characteristics of the mother population. In the absence of sufficient representativeness, the results obtained from a sample cannot be generalized to the population being studied. 相似文献
4.
ABSTRACTControl of relative humidity (RH) for collections care is challenging in U.K. historic houses because they are often highly ventilated with poor heat retention, a porous building fabric and naturally tend to high (60–80%) RH if unheated. The significance of the building means that large-scale modifications and installation of air handling systems may be unfeasible and undesirable for the conservation of the building. In the late 1980s the National Trust, for English, Wales and Northern Ireland, investigated conservation heating as an RH control method that works with the natural environment of historic buildings, mimicking historic heating and requiring only modification of existing heating services or a light touch installation of new heating systems. The National Trust adopted conservation heating as its preferred method for environmental control in historic buildings from the 1990s. This method was presented at the IIC 1994 Ottawa congress on preventive conservation. Conservation heating has since been adopted by many historic house management organisations, particularly across north-west Europe, where it is well suited to the climate. This paper reviews conservation heating developments implemented by the National Trust since 1994, in response to a changing external context, new knowledge and developments in operational practice. 相似文献
5.
Microfibril angle (MFA) – the orientation of cellulose fibres in the S2 layer of the secondary cell wall – is a key determinant of the stiffness and strength of timber. The microfibril angle depends on the way in which the timber was grown and its position within the tree. Microfibril angle can be measured by X-ray diffraction and other methods, but the methods in current use are slow or require advanced instrumentation. The aim of this study was to explore the use of polarised Fourier transform infrared (FTIR) microscopy as a relatively fast and inexpensive method for measuring MFA in historic Scots pine (Pinus sylvestris L.). The FTIR measurements were calibrated against X-ray measurements of MFA in modern Scots pine. We observed a wide range in MFA values and a radial pattern of MFA similar to modern Scots pine in undecayed Scots pine heartwood from sixteenth and seventeenth century beams in Scottish secular buildings. The density of the heartwood was also similar to modern plantation-grown Scots pine despite the much slower growth rate recorded in the ring widths of the historic timber. The sapwood, which had been attacked by both insect pests and fungi, showed an erratic reduction in density and a large increase in MFA compared to the modern material. The increased sapwood MFA was attributed to selective destruction of the S2 layer of the wood cell walls by fungal decay. Using MFA measurements in conjunction with density offers the possibility to estimate the mechanical properties of sound historic pine timber, to detect fungal decay more sensitively than by density alone, and to distinguish between pest and fungal attack in a way that relates directly to the remaining mechanical performance of the timber. 相似文献
6.
《文物保护研究》2013,58(1):67-71
AbstractMonitoring for insect pests in museums is conventionally carried out by using sticky ‘blunder’ traps. Trials of traps enhanced by the addition of the calling pheromone of Anthrenus sarnicus (Coleoptera; Dermestidae) are shown to increase capture rates for this species, thus rapidly identifying areas requiring appropriate counter-measures. Progress on developing comparable techniques targeted at another museum pest beetle, Attagenus smirnovi, is also reported. 相似文献
7.
ABSTRACTClothesmoths catch data fromhistoric properties confirms numbers are on the increase in England. Citizen science research was conducted using Tineola bisselliella pheromone traps handed out from English Heritage properties from April to September 2017. One hundred and ninety-two participants recorded moth counts from residential properties in 42 counties in England. Using an average number of moths per trap, geographical spread indicates higher numbers in warmer southern counties of England. Pale-backed clothes moths Monopis crocicapitella were caught in significant numbers suggesting a new insect pest risk for historic house collections. Threshold numbers for clothes moths that could indicate an active infestation are proposed. Residential flats appear to be more vulnerable to clothes moth activity possibly related to the shared walls or spaces. The research was launched using a public relations campaign called ‘Operation Clothes Moth’ which generated major media activity across the internet, radio, television, newspapers and magazines. Public awareness of insect pest management, preventive conservation and the work of conservators and conservation scientists was significantly increased. 相似文献
8.
Michal Łukomski Vincent Beltran Foekje Boersma James Druzik Ashley Freeman Marcin Strojecki 《文物保护研究》2018,63(5):181-186
ABSTRACTThis experimental program, implemented by the Managing Collection Environment Initiative at the Getty Conservation Institute, has provided data about the response of historic objects to changes in relative humidity (RH). Alongside other less sensitive documentation techniques (visual observation, physical measurements, photography, and 3D scanning), acoustic emission (AE) was monitored for six historic, museum-like wooden objects exposed to gradually increasing RH variations. Quantitative calibration of AE sensors and an anti-correlation measuring scheme to reduce environmental noise allowed the AE system to effectively trace micro-damage development caused by environmentally induced stress. Using an epidemiological approach, with respect to sample selection and experimental protocol, the obtained results can be used to explore the acceptable range of climate fluctuations for museum collections. The study’s well-controlled environmental protocol also allowed for the examination of the concept of ‘proofed fluctuation’ by the analysis of object response to reoccurring conditions. 相似文献
9.
ABSTRACTThe preservation of artefacts in museum collections is profoundly affected by fluctuations in temperature and, especially, relative humidity (RH). Since the late nineteenth century, many studies have been carried out on the best way to control hygrothermal conditions. In old buildings located in maritime temperate climate zones (such as Portugal) with strong thermal inertia, and which have low ventilation rate (relative to the volume and number of visitors), daily and seasonal hygroscopic inertia may help to assure the maintenance of RH stabilization conditions. The use of expensive active systems may be minimized through the passive behaviour of internal finishing building materials. This work presents the results of an experimental laboratory study conducted in a flow chamber to demonstrate the enormous potential of hygroscopic materials in stabilizing interior relative humidity. Based in these results and in-situ monitoring in a museum housed in a building, located in Porto, with a typical construction of the 1950s (granite masonry and reinforced concrete slabs), a numerical analysis was done to quantify the influence of hygroscopic materials in stabilizing the interior relative humidity. 相似文献
10.
Ângela Santos 《文物保护研究》2013,58(4):221-239
ABSTRACTFor centuries, the only painting materials used in stained-glass production were grisaille and yellow (silver) stain. At the end of the fifteenth century, stained-glass painters began to use a new material, sanguine. This paint is mainly produced with iron oxide particles, usually haematite, and allowed to obtain a colour that can vary from yellowish to brownish-red due to the nature and particle size of the iron oxide. A translucent sanguine was mostly applied as flesh and hair colour, with an opaque sanguine used for drapery, architectural motifs, and heraldry. The main goal of this study is to investigate the relationship between historic sources on the preparation and use of sanguine from the fifteenth to the nineteenth centuries and the evolution evidenced in the recipes regarding the production method. Representative recipes from several centuries (sixteenth to nineteenth centuries) were selected and reproduced for this study. These reconstructions were thoroughly characterized using X-ray powder diffraction, optical microscopy (OM), and fibre optic reflectance spectroscopy (FORS). The OM and FORS data were correlated with historic sanguine paints applied on historic stained-glass. The similarities and differences between historic and reconstructed paints are presented. The study of reconstructed sanguine’s adhesion to glass using cross-cut testing was also performed, revealing that the adhesion is strongly influenced, not only by the binder, but also by the composition and morphology of the sanguine paint. 相似文献
11.
《文物保护研究》2013,58(2):118-122
AbstractThis paper deals with the materials used in conservation treatments in the first half of the twentieth century for the preservation and consolidation of wooden art objects from the Saxony region in Germany. The use of such materials must be seen as early attempts to find a conservation treatment for wood. The documentation of conservation treatments provides a reference to the application of oils and oil–resin mixtures. The results from the chemical analysis of samples of historic preservatives from the beginning to the middle of the twentieth century (so-called 'Puckelin') carried out by gas chromatography–mass spectrometry (GC-MS) and Fourier transform infrared (FTIR) analysis confirm the use of tung oil as a drying oil, whereas the use of linseed oil cannot be excluded. Colophony and, probably, amber varnish were used as resinous constituents. There are indications that a conservation material dating from the second half of the twentieth century most likely contained rapeseed oil. 相似文献
12.
《文物保护研究》2013,58(2):135-146
AbstractDust presents a physical risk to objects and reduces evidential value; it also creates a perception of poor standards of care. However, cleaning also imposes risks of damage, takes time and costs money. The presence of visitors induces much of the dust found in properties, so increasing or extending access has implications for housekeeping that are rarely discussed in economic terms, despite the fact that dust control represents the most expensive element of preventive conservation in historic houses. The range of preventive and protective measures that minimize the deposition of dust also carry costs that often relate to visitor flow. Simple economic calculations show the balance between the costs of cleaning and of other equipment and materials in National Trust properties. The cost per visitor initially reduces with increased numbers of people, but at high flow rates expenditure can increase because of the cost of cleaning. The per capita conservation costs become less than UK?2 per visitor at reasonable visitor flow rates (about 30000 per annum), although, in the calculations presented here for an idealized medium-sized property, costs begin to increase as visitor flow rises above 60000 per annum. Recognizing the economic importance of managing dust is thus essential in assessing the level of access consistent with maintaining appropriate standards of presentation and collections care. 相似文献
13.
ABSTRACTThis paper analyzes the process of crack saturation, which is fundamental to understanding why panel paintings have survived remarkably well in the uncontrolled environments of historic houses or places of worship for several centuries. The process of crack saturation was analyzed using finite element modeling. A double layer elastic model with fractured overlying paint layer was subjected to uniaxial tension. The critical separation between cracks was determined and compared with patterns observed in real paintings. In addition, the generation and propagation of delamination were studied to elucidate the effect of their propagation on the saturation distance of cracks, as well as the load carrying ability of the paint layer. Contributing modes of crack propagation and their significance are also discussed. The results demonstrate that shearing fracture mode dominates the process of delamination. The impact of crack saturation on the degree of relative humidity variation that is allowable is also discussed. 相似文献
14.
15.
谢宇斌 《大学图书情报学刊》2009,27(4):66-69
古籍虫害防治工作是保护古籍的首要任务。分析古籍虫害的发生原因,介绍破坏害虫的发生条件来保护古籍的各种方法。通过对第一批全国古籍重点保护单位防治虫害的各项措施统计,分析古籍虫害防治所面临的问题,提高古籍虫害防范意识。指出杀虫措施对保护古籍的必要性。呼吁加大资金投入,提高古籍保存环境的空气质量,建议成立从事古籍灭虫防蛀专职机构,提供古籍保护的专业产品。 相似文献
16.
ABSTRACTThis paper provides the climate specifications of several museums in the Netherlands that have been renovated. These climate specifications developed in the last two decades are very similar, and hence demonstrate that not much has changed in 20 years. Since the use of the climate classes presented by ASHRAE often plays a major role in developing climate specifications in Dutch museums, an analysis was made of its pros and cons. Issues concerning the use of the ASHRAE table are presented: the table is used as a list, the meaning of short fluctuations is unclear, and translating the numbers to a control algorithm is troublesome. An alternative table is presented for temperature and relative humidity specifications to overcome these issues. 相似文献
17.
《文物保护研究》2013,58(1):6-10
AbstractA sixteenth-century Spanish wooden ceiling was installed in the Morning Room of Hearst Castle in the early 1920s. Since that time, the adhesion between the ground/paint layer and its wooden support has weakened considerably. As a first step in designing an effective conservation program, it was necessary to assess the role of the environment in this deterioration process. Air movement patterns, humidity and temperature parameters, air pollutants, and the impact of approximately one million visitors per year on the microclimate were studied over a one-year period. Correlations between the various components of the study were mapped, including CO2 concentrations vis-à-vis the number of visitors, and humidity and temperature changes in relation to tourists, air circulation patterns and variations in the external climate. As a result of this study, temporary measures were taken to improve the conditions of the immediate environment and proposals were made for more permanent solutions. 相似文献
18.
AbstractThis article describes the role of exploratory teams in leading radical innovation within academic libraries, empirically expanding on Jantz’s research on the managerial and environmental conditions necessary for the creation of such units. Using historical and contemporary private-sector examples, as well as an in-depth case study from successful implementation of one such unit, this article documents the components, characteristics, and return on investment associated with academic library R&D. Finally, by tackling the concept of exploratory activities at the organization, team, and individual levels, the article presents actionable techniques for fully supporting, and adequately nurturing creative professionals whose job is to redefine 21st century librarianship. 相似文献
19.
Historic parchment is a complex biological material, and due to various methods of production or inks used, unknown environmental histories of objects and heterogeneous nature of animal skin, it represents a particular analytical challenge. Due to the number of variables it is likely that patterns in degradation of these historic objects can only be revealed by surveying the material properties of a significant number of real objects. In this work, a sacrificial collection of ca. 100 historic parchments (fifteenth to twentieth century) was characterized using a range of techniques available to conservation practitioners that can usefully be used to reliably and rapidly characterize parchment. We focused on micro-destructive methods, such as shrinkage temperature (Ts), as the most widely used indicator of parchment degradation. Lipid content, roughness, and ink pH were additionally measured, while a limited number of samples containing iron gall ink were also examined using scanning electron microscopy (SEM) and SEM-EDX, to explore the distribution of ink components. Even in the absence of detailed environmental histories, it is possible to acknowledge the significance of the effect of iron gall ink and its acidity, and of lipids on parchment degradation, as measured using Ts. This research reports valuable reference data, while the collection remains accessible for further research. 相似文献
20.
《文物保护研究》2013,58(3):196-210
AbstractFeasibility studies on applying laser radiation for the removal of superficial deposits from historic glass are being carried out within a three-year interdisciplinary project in Germany. Previous investigations revealed that there is insufficient knowledge about interaction processes between UV-laser radiation and individual surface layers of encrusted historic glass. Therefore, detailed studies were first carried out on special model glass samples to simulate different stages in the corrosion of historic glass. The potential of UV-lasers for removing crusts and biolayers, as well as layers of various conservation materials (due to previous conservation work) is examined. It is of great importance to avoid damage to materials such as gel layers, paint layers or the glass itself. A KrF-excimer laser operating at λ = 248nm is used for the experiments. A mask projection technique is applied for irradiation. A modified optical set-up has been designed, using cylindrical lenses for large-area removal by 'line scanning'. Removal rates and thresholds for the materials mentioned above are monitored. The collected data enable comparison and evaluation of the feasibility of removing superficial layers from historic glass artifacts. The results indicate that in some cases a closed loop process control will be necessary to avoid over-cleaning. 相似文献