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1.
Rachel Buchanan 《档案与原稿》2018,46(1):18-39
Germaine Greer’s print journalism forms a significant portion of her archive. It needs to be reassessed and recognised as having equal value to her other types of writing. Greer’s journalism powers much of this major archive and it is important to acknowledge that this archive is as much a journalist’s one as it is the archive of a feminist, a performer or a literary scholar. Greer’s own methodical creation and re-creation of her print journalism legacy into a series of records in the Greer Archive is also an implicit argument for the value of her ‘smalls’. As a recordkeeper, she has gathered up ‘the madwoman’s underclothes’, the hundreds of articles published around the world. 相似文献
2.
Lachlan Glanville 《档案与原稿》2018,46(1):45-48
The Germaine Greer Archive was created by Greer in the 1970s to document her career and provide-counter evidence against false claims about her work and personal life. Later attempts to address gaps in the archive in relation to her television career were hampered by the poor record keeping of production companies and film and television archives. The archive documents both an attempt to create a complete record and the deliberate creation of a counter-narrative through arrangement and juxtaposition of records. 相似文献
3.
ABSTRACTWhat happens when a human coder meets a machine one? This article explores this question with reference to the archive of Professor Germaine Greer: Australian-born feminist, performer, scholar, and professional controversialist. It does so by staging two very different data encounters with the 70,000-word finding aid for the print journalism series, a key component of Greer’s archive. The first encounter is archivist’s creation of the finding aid; the second, archivist and literary scholar’s interpretation of this archival metadata using sentiment analysis. Interrogating these activities side-by-side opens up a productive middle ground between humanities scholars and computer technicians, between historians and archivists, between the hand made and the machine made.This article argues that sentiment analysis offers a new and highly productive method of interrogating archival metadata, and that, as a method which privileges emotive understandings of content, it is particularly appropriate to the study of feminist archives like Greer’s. It also argues that these kinds of detailed finding aids are new datasets that reward analysis in their own right, and particularly when considered in dialogue with—rather than simply used as straightforward navigational tools for—the ‘original’ archival content. 相似文献
4.
Sarah Brown 《档案与原稿》2018,46(1):49-58
This paper reflects on the place of books in archival collections and outlines the methodology used to incorporate Germaine Greer’s publications and personal library in the Greer Archive. Identification and inclusion of metadata documenting context, significance to the creator and relationships to other records in the Archive, demonstrate the value that can be added to bibliographic records. 相似文献
5.
Jean Taylor 《档案与原稿》2018,46(1):70-77
With this paper, I first of all acknowledge the Aboriginal and Torres Strait Islander people as the traditional owners of the land in Australia. I go on to mention early radical actions by lesbians and womyn, including setting up the Queen Victoria Women’s Hospital in 1896, and how lesbians and feminists in Victoria joined the worldwide Women’s Liberation Movement (WLM) to fight for womyn’s rights from 1969 onwards. The paper explains why there was a need to set up a WLM Archives in the first place, the herstory of the Victorian Women’s Liberation and Lesbian Feminist Archives (VWLLFA) and the reasons for maintaining and adding to the collection into the new millennium.
The Victorian Women’s Liberation and Lesbian Feminist Archives Inc was established in 1983 with the objective of collecting any and all of the material relating to the WLM in Victoria from 1969 onwards; to store, archive and preserve this material for posterity and make it accessible for research and other purposes.
Now housed at the University of Melbourne Archives, the VWLLFA is a unique record of the enormous amount of political work lesbians and feminists in Victoria have done over the past 50 years. 相似文献
6.
Jennifer Hyland Wang 《Journal of Radio & Audio Media》2019,26(1):63-74
The physical remnants of long-lost radio programs are not the only sounds that broadcast historians must unearth to unravel the mysteries of radio production and reception. In this essay, I examine the audio tapes of a 1980 oral history interview of Isabel Baumann, a Wisconsin farm wife, rural activist, and radio personality who appeared for twenty years on a monthly local radio show called The We Say What We Think Club. I tell the story of how these recordings came to be archived at the State Historical Society of Wisconsin and the unique institutional context that preserved Baumann’s voice for future generations. The tapes of Baumann’s recollections of her farm life and radio career offer us not only one of the few examples of the sound of Baumann’s voice, but gives insight into how the very process of making oral histories helped her (and ultimately, us) understand the power of her radio work. Oral histories offer a space for women, so often marginalized in the industry and in historical narratives, to say what they think. Most importantly, the audio recovered from these academic projects allow historians to record with more fidelity what these women thought. 相似文献
7.
This paper investigates representations of performance and the role of the archive. Notions of record and archive are critically investigated, raising questions about applying traditional archival definitions to the performing arts. Defining the nature of performances is at the root of all difficulties regarding their representation. Performances are live events, so for many people the idea of recording them for posterity is inappropriate. The challenge of creating and curating representations of an ephemeral art form are explored and performance-specific concepts of record and archive are posited. An open model of archives, encouraging multiple representations and allowing for creative reuse and reinterpretation to keep the spirit of the performance alive, is envisaged as the future of the performing arts archive. 相似文献
8.
In the introduction to a police audio recording of Bristol Palin describing her family’s involvement in an Alaska house party brawl, CNN anchor Carol Costello commented: “This is quite possibly the best minute and a half of audio we’ve ever come across.” The incident, however, involved an alleged assault—an act that mainstream journalism generally reports in a serious manner. Costello’s glib treatment of the event could therefore be seen as potentially breaching the boundaries of professional practice, which brought a widespread media response from both mainstream organizations and right-leaning blogs. Through textual analysis of these items, this study illustrates the challenge of conducting media boundary work—and the role strain that results—when the subject of a story occupies space within both entertainment and news spheres. 相似文献
9.
Kate Newbold 《Media History》2013,19(2):208-223
This essay explores the diverse field of audio records manufactured as tie-ins to popular American radio programs of the postwar period. Little has been written on such products as meaningful artifacts of consumption during any phase in broadcasting history. Yet radio records proved especially meaningful to customers in the 1940s and 1950s, as they offered a highly convenient way to upend rigid transmission schedules and program ephemerality. Here, I focus on spoken word radio albums that promised listeners important broadcast knowledge stored for ‘posterity’ on disk. Phonograph companies like Columbia banked on consumer interest in replay of these programs to sell radio records as technologies of permanence and documents with unparalleled historical and cultural value. I analyze program-to-record case studies like You Are There (1949) and The Quick and the Dead (1951) to illustrate how producers lay claim to historical authenticity via capturing, recording, or releasing transient moments on records. 相似文献
10.
本文从后现代哲学思想与方法的根本特征着手,对档案属性以及后现代主义思想家德里达和福柯的主要观点、方法作了分析性介绍,并对后现代视域下的新型文档关系作了尝试性解读,以期能对我国档案学基础理论研究提供研究视角和方法论上的参考借鉴。 相似文献
11.
知识管理作为新兴的管理模式在商业活动中被广泛应用,将知识管理应用于档案记忆再生产中有利于科学系统地获取、组织、存储、共享档案记忆,挖掘档案记忆的知识价值,为知识创新提供资源的土壤,为档案记忆的传承与发展带来新视角。文章首先从档案、记忆、知识的关系,知识管理理论与档案记忆理论的研究路线的相似性,知识管理理论为档案记忆再生产提供方法论指导三个方面对知识管理理论在档案记忆再生产中应用的适用性进行分析。然后勾勒出基于知识管理的档案记忆再生产架构,提炼出三条应用方式:以档案部门为主体的记忆重构,以公众为客体的记忆生成,档案部门与公众相互作用的记忆升华。 相似文献
12.
Adrienne Shaw 《Critical Studies in Media Communication》2017,34(1):88-94
This essay describes the author’s new project: a digital archive documenting the history of lesbian, gay, bisexual, transgender, and queer (LGBTQ) content in video games. The LGBTQ game archive covers approximately 30 decades of game content at present, and nearly 500 games. This essay describes the project’s origins, the methods used to research the game content, and some initial findings. Finally, some particular surprises from the project are discussed, which point to areas for future LGBTQ games research. 相似文献
13.
本文采用问卷法,调查了苏州市近600名普通公众的档案利用行为现状,并利用方差分析、交叉表等工具,具体分析了个体特征因素对公众档案利用行为的影响。结果表明：个体特征因素对公众档案利用行为具有较大影响,其中,年龄状况影响公众对档案休闲利用、实际利用的选择态度;文化程度影响公众的档案认知水平、接受程度及利用需求;职业特征影响公众的档案意识,进而直接影响公众对档案利用的态度与需求。 相似文献
14.
视音频资料是数字图书馆馆藏文献的重要组成部分,如何科学、有效地进行视音频编目是高校数字图书馆面临的一个重要课题。结合工作实践,文章系统地研究了元数据、流程化与层次化编目、计算机辅助视频编目等技术及其应用,并提出了行之有效的视音频编目方案,以期为高校数字图书馆的视音频编目提供参考。 相似文献
15.
Beverley Butler 《Archival Science》2009,9(1-2):57-69
This paper seeks to address, from the critical perspectives of cultural heritage discourse, the issues at stake in critically apprehending the archive as both a technology of disinheritance and one of potential inclusion and re-inheritance. The first section draws on the work of Jacques Derrida, Edward Said and other critics whose work has sought to address the marginalizing capacity of dominant European/North American archival and cultural–museological institutions. The remainder of the paper grounds these conceptual–ethical issues in the context of Palestinian cultural politics and memory-work. This critical framework is used not only to draw out the absences and silences in archives and cultural institutions, and the epistemological and ‘real’ violences at play in what Derrida characterises as ‘archive trauma’, but responds to Said’s call to ‘re-read’ the colonial archive ‘contrapuntally’ in order to create an ‘othering’ of dominant archival discourse. What is needed to provoke such an ‘othering’ is a commitment to rethink the archive in terms of alternative understandings of ‘hospitality’, ‘memory-work’ and what Derrida has referred to as ‘heritage dignity’. This strategy is capable of apprehending in greater depth the moral-ethical ‘debts’ and ‘duties’ and the operational ‘responses’ and ‘responsibilities’ towards ‘inclusion’ and towards full recognition of those constituencies which have been disenfranchised or exiled outside the realms of dominant cultural–institutional discourse. 相似文献
16.
Richard J. Matthews 《Archival Science》2016,16(3):213-260
Hägglund’s “radical atheism”—innovative thinking within the philosophical current of “speculative materialism”—revitalizes deconstruction and provides an important basis to define parameters for the archivist’s role as activist for social justice. This paper argues postmodern archival theory gets deconstruction wrong by misreading Derrida’s “Archive fever” as a theory of “archontic power”; this misleads archivists on the call for justice. Properly understanding that justice is undecidable, radical atheism explodes the tension between postmodernists’ appreciation of all views and perspectives and their commitment to right unjust relations of power. This paper first advances the negative argument that “Archive fever” is not about power and injustice. It then advances the positive argument that “Archive fever” is Derrida’s effort to look at actual archives to resolve Freud’s problematic theorizing of a “death drive.” In a close and comprehensive reading of “Archive fever,” this paper explores the notion of “archive fever” as a death drive and suggests Derrida’s efforts are inconclusive. Viewed through the lens of radical atheism, the archive’s “traces”—the material of actual archives writ large in the manner of Derrida’s thinking about a universal archive—serve to mark the flow of time. Understanding the structure of the trace reveals the source of internal contradictions, discontinuities, and instabilities in the meaning of all things. It explains why justice is undecidable. In face of the unconditional condition of this undecidability, we as archivists and humans are compelled to make decisions and to act. Deconstruction politicizes our actions and evokes a responsibility that cannot be absolved. 相似文献
17.
18.
Alison Wishart 《档案与原稿》2013,41(2):260-269
To commemorate its centenary, the NSW Division of the Australian Red Cross decided to donate its archive to the State Library of New South Wales in 2014. The State Library is honoured to be the recipient of these significant and extensive archives. In this article, the authors outline the process the librarians and archivists used to manage the donation and the importance of communication, both internally within the Library, and externally with the volunteers at the Red Cross who had arranged, compiled and cared for the archive. They describe the extent and organisation of the collection, the variety of formats and subjects, its historical significance and how it has been promoted to the State Library’s audiences. The authors reflect on how the archive charts the evolution and growth of Australia’s longest-running humanitarian organisation and how it contains the records of people who made history, but did not write the history books. 相似文献
19.
Margaret Henderson 《档案与原稿》2013,41(2):91-104
Over the last couple of decades, the modern Australian women’s movement has been the subject of history, which includes the creation of feminist archives in various locations This essay analyses one particular collection – the personal papers of the feminist activist, Merle Thornton – as an account of the making and meaning of a feminist archive. I wish to explore the ways in which the feminist subject impacts on the archive. Accordingly, I analyse the archival process, as well as the contents of Thornton’s personal papers. What emerge are the difficulties of negotiating the public–private divide for this feminist activist. 相似文献
20.
Fanny A. Ramirez 《Journal of Applied Communication Research》2013,41(5):621-640
As more police departments adopt body cameras (BCs), there is a hope that the devices will help usher in a new era of police accountability. Turning to the first online archive of BC footage, this article examines the emergent possibilities and problems that arise when human actors interact with technical designs in applied contexts. Communication affordance theory is used as a framework to situate the archive within discussions about police use of social media, visibility, transparency, and police–community relations. A web application using YouTube’s public API was used to analyze the usage and interaction statistics of the archive. Then, a focus group was conducted to discuss the usability of the archive and its benefits and drawbacks for police–community relations. Findings show that despite the visibility of social media, the videos have low view counts, little interaction, are not easily searchable, and raise more questions about police–community relations than they answer. 相似文献