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1.
《Journalism Practice》2013,7(1):81-95
Despite the central role of the paper in Marxist–Leninist strategy, the Communist Party of Great Britain (CPGB) had little confidence in either professional journalists, including those who were Communists, or journalism practices, even though journalism, like culture, was recognized as “a weapon in the (class) struggle”. While George Allen Hutt (1901–73) was a leading professional party journalist, his career hit a “glass ceiling”, even as he met the three criteria of Communist journalism theory and earned an international reputation as a newspaper designer. In spite of opposition to his role on the executive of the National Union of Journalists (NUJ) because of his party membership, he became the longest-serving editor of the NUJ's periodical, The Journalist. As both a loyal, lifetime Communist and the consummate professional journalist, Hutt's career provides a salient example of the ambiguous position of the middle-class journalist in the proletarian-dominated Communist Party. It was the emphasis on his “technical” ability that appears to have disqualified his candidacy for the Daily Worker's top editorial positions and to have justified support for his editorship of The Journalist. 相似文献
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《Communication monographs》2012,79(4):287-295
Attempts to circumscribe “the Burkean method” of rhetorical criticism can be frustrating. Critics more profitably might use Burke as an example and a prod, appropriating—as was done in this study—whichever of Burke's concepts, methods, and metaphors seem applicable to a given rhetorical event. Burke's “chart‐prayer‐dream” trilogy, together with his understanding of “strategies,” was employed to examine Morley's “Home Rule” speech before the Oxford Union in 1888. Morley's reply to Randolph Churchill abandoned propositional argument in favor of reviv‐alistic‐exhortation early in the speech; his strategies of form, argument, labelling, style, and mimesis are best understood as those of the High Priest seeking a confessional and an act of expiation from his auditors. 相似文献
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Emily A. Ehmer 《Visual Communication Quarterly》2017,24(3):149-161
After a protest against Burma's military government exploded into bloody violence on August 8, 1988, some political dissidents applied for refugee status through the United Nations. Since 1990, nearly 6,000 members of Myanmar's ethnic groups settled in Fort Wayne, Indiana. The project's overarching question asks: How have photojournalists covered the lives of the Burmese? An archive of photographs published from 1992 through 2012 by Fort Wayne's The Journal Gazette was used for this qualitative analysis. Three major themes emerged: refugees as “freedom fighters,” Aung San Suu Kyi as “superhero,” and Burmese as helpless victims lacking agency. With mounting tensions concerning refugees arriving into Europe, this examination is important because media images may play a role in welcoming and integrating refugees into new communities. 相似文献
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Kevin Clair 《Cataloging & classification quarterly》2013,51(4):428-430
This article responds to Jonathan Tuttle's article “The Aphasia of Modern Subject Access” in which Roman Jakobson's semiology of “shared codes” consisting of preexisting signs is offered as the explanation for two redundant linguistic tools associated with cataloging: LCSH and LCC. The article criticizes Tuttle's terminology, his semiology, and his argument that selection and combination are both necessary for the operation of language but each are associated with only one of these tools. “The Aphasia of Modern Subject Access” by Jonathan Tuttle appears in Cataloging &; Classification Quarterly, Vol. 50, Issue 4, 2012, pp. 263—275. doi: 10.1080/01639374.2011.641199. Jonathan Tuttle's “Jakobsonian Library Science? A Response to David Bade” appears in Cataloging &; Classification Quarterly, Vol. 51, Issue 4, 2013, pp. 439—440. doi: 10.1080/01639374.2013.763321. 相似文献
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Malachi C. Topping 《广播与电子媒介杂志》2013,57(2):155-159
That intangible attribute of a broadcast station commonly called its “image” isn't quite as hard to measure as that other intangible asset, “good will.” Nevertheless, measurement isn't simple, and the standards for measurement are not yet agreed upon. In the following article, a new technique of indexing a station's image without special training and supervision of the respondents is illustrated. Malachi C. Topping, author of “The Cultural Orientation of Certain ‘Western’ Characters on Television” in the Fall, 1965 issue of the Journal, earned his Ph.D. at Ohio State University and is Assistant Professor of Radio and Television at Oklahoma State University. 相似文献
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The current study examines how a politician's “active” or “passive” nonverbal behavior can influence recipients' perception of his/her image in TV talk shows. In addition, the effects of different host and studio audience reaction shots towards the politician were analyzed. To do so, an experiment with a 2 × 3 × 3 factorial design was conducted (n = 356). The stimulus material was produced in a TV studio. The results indicate a clear influence of a politician's nonverbal behavior style and the TV host's nonverbal reactions on the recipients' image-perception. 相似文献
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Marvin R. Bensman 《广播与电子媒介杂志》2013,57(4):423-440
The straw that broke the camel's back of the Radio Act of 1912 with respect to broadcasting was the Zenith‐WJAZ case and the “chaos” that followed the overturning of the regulatory agency's authority by the court. This chaos, in the form of interference from stations frantically searching for a clear frequency, led to the greatly strengthened Radio Act of 1927 and to the present Communications Act of 1934. Marvin R. Bensman is assistant professor in the Department of Speech and Drama of Memphis State University, and earned his Ph.D. in 1969 from the University of Wisconsin. 相似文献
10.
Robert Payne 《传播与批判/文化研究》2013,10(2):85-102
This article analyses the recent Facebook innovation of “frictionless sharing”, a term which describes a smoother and wider distribution of content by individual users and a less overtly acknowledged but more efficient instrumentalization of users' immaterial labour within a structure of corporate monetization. It builds on my recent work on “the sharing subject” of contemporary digital media, in which I argue that current online social networking practices, in their emphasis on “sharing” content with networks of contacts, construct and validate the networked subject according to a version of neoliberal individualism. Moreover, the construction of this subject position implicitly recalls the heteronormativity of AIDS panic, through an unlikely rebranding of promiscuity as a desirable and successful mode of interactivity. If the new rhetoric of “sharing” erases the riskiness of circulation previously encoded in dominant images of virality, notably behaviours associated with HIV, then what is the relationship of the projected potential of “frictionless sharing” to existing normative frames of ethics and morality? In approaching this question, I revisit significant queer interventions into concepts of community and risk that emerged in the post-AIDS context, notably Tim Dean's recent examination of the barebacking subculture to which mediations of an idealized frictionlessness are also central. 相似文献
11.
《Communication monographs》2012,79(5):315-322
It is difficult to know just when and how Jefferson's interest in parliamentary practice was first aroused, but he himself indicates that at an early period of his life he read “a good deal” and took copious notes on the subject. These notes were his “pillar” until he had compiled his own Manual, published first in 1801. During his experience in legislative bodies he had of necessity both to learn and to use the rules and procedures governing such assemblies. This article attempts to give a brief account of his early interest, and to give appropriate credit to those whom Jefferson himself acknowledged as having contributed most substantially to his own understanding of parliamentary practice. 相似文献
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George E. Hein 《Curator: The Museum Journal》2006,49(2):181-203
Abstract John Dewey's lifework was to create a philosophy that encompassed both life‐experience and thought. He attempted to construct a philosophical system that incorporated life as it is lived, not in some ideal form. He rejected all dualisms, such as those between thought and action, fine and applied arts, or stimulus and response. An analysis of “experience” (defined as almost synonymous with “culture”) is central to Dewey's writing and leads him to emphasize process, continuity, and development, rather than static, absolute concepts. This paper examines the significance of Dewey's educational views for museum exhibitions and education programs, and his complex definitions of relevant concepts, with special emphasis on his interpretation of “experience.” Dewey's faith in democracy and his moral philosophy require that the value of any educational activity depends on its social consequences as well as its intellectual content, a proposition that is discussed and applied to museums. This argument suggests that exhibitions and programs can strengthen democracy by promoting skills that improve visitors' ability to become critical thinkers and by directly addressing controversial issues, taking the side of social justice and democracy. 相似文献
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Todd Cesaratto 《传播与批判/文化研究》2013,10(4):307-328
“The Good Will Hunting Technique” analyzes and enacts rhetorical paradigms present in popular culture. The main objects of examination are Gus van Sant's film, Good Will Hunting, and Eminem's music video “Mosh.” The author extracts positive aspects of popular culture to feature a rational-affective approach to rhetoric. The notion of mind–body rhetorical collaboration, which stems from Behavioral Doctrine developed during Germany's Weimar era, combines an emphasis on exteriority with traditional notions of rhetoric to establish a method for progressive action in lived reality. 相似文献
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Kyle McDaniel 《Visual Communication Quarterly》2016,23(1):14-25
While scholars have reviewed characterizations of photographers in feature films, they have neglected the image of real-world photographers in the documentary genre. This study incorporates visual representation theory to engage with several of the ways in which documentary filmmakers use the visual aspects of motion pictures to glamorize the lives and careers of photographers. As witnessed in four case study films, the analysis of this research highlights film's ability to generate representative character types. Specific aesthetic conventions of filmmaking are found to affect the on-screen projections of the photographer-subjects. The mostly positive depictions of “celebrity” or noteworthy real-world photographers also suggest that the documentaries under study primarily exist as marketing or publicity materials for the professional and his or her body of work. 相似文献
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Charles Kauffman 《Communication Studies》2013,64(2):353-366
This essay examines Plato's theory of rhetoric to discover the values implicit in that theory. Plato's assumptions about rhetoric and his uses of it initiate a different tradition of thought in Western rhetoric, a tradition which embraces lies, censorship, and deception to inculcate “correct” thought and action in audiences. 相似文献
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Frank E.X. Dance 《Communication Studies》2013,64(1):42-51
This study found that the auditors with initially extreme attitudes were affected differently by a speaker's evidence than were those with initially neutral attitudes and suggests that the role which evidence plays in persuasion may be related to the particular “game” a communicator plays with his audience. 相似文献
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While there is a large literature that explains the rhetorical strategies Ronald Reagan used to generate support, there has not been significant analysis of the strategies he used to avoid losing that support in the various crises that threatened his administration. This case study of Reagan's handling of the Superfund controversy reveals that Reagan relied on what Murray Edelman characterizes as the “passive style.” In the passive style, politicians reaffirm personal values, displace blame on subordinates, and use symbolic action to avoid all responsibility. Reagan's successful reliance on the passive style in the Superfund controversy suggests implications for understanding his failure to deal with the Iran‐Contra affair adequately. 相似文献
19.
Eric King Watts 《Critical Studies in Media Communication》2013,30(3):187-206
This essay argues that the semi-biographical film 8 Mile represents Eminem as being both racially distinctive and as possessing universal commercial appeal. 8 Mile accomplishes this paradoxical construction by portraying “Rabbit” as “white trash,” a discursively “dark” (white) object, and as an American mythological white subject. The film makes whiteness hyper-visible by subjecting it to raced and gendered struggles. Through real and symbolic violence, Rabbit battles “dark” villains and grapples with “dark” women, initiating a rite of passage. The film grounds Eminem's hip hop authenticity in Rabbit's discursive darkness, but attaches to this image the marketable allure of mythic whiteness. I conclude by contemplating how the film's conservatism reifies “blackness.” 相似文献
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《Journalism Practice》2013,7(5):555-571
American sports writers' use of social media as a newsgathering tool has influenced journalism practice, further complicating the industry's abstract definition of “professionalism.” This study builds on a pilot study published in the fall 2011 issue of Journal of Sports Media, which assessed print sports journalists' use of social media. In the current study, a survey was administered to 77 full-time print sports journalists who cover professional sports. This paper seeks to extend the pilot study and previous professional research in two ways: firstly, to assess how this specific subgroup of sports writers use Facebook and Twitter to gather information; and secondly, to analyze how these sports writers define “professionalism” and what industry factors correlate with chosen definitions, such as newspaper circulation and work superiors' attitudes toward social media. Cross-tabulations and chi-square tests were used to test hypotheses. Cramer's V or Phi, depending upon the cross-tabulation, were used to measure relationship strength. Results suggest this subset of sports writers more often uses Twitter for newsgathering purposing than Facebook. There is also a strong relationship between the frequency of Twitter usage and the definition of professionalism chosen; circulation size and instances of directly quoting from athletes' social media accounts; and age and Twitter usage. 相似文献