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1.
Previous studies investigated the content of rap music within the context of traditional media and found that rap often contains antisocial themes associated with negative effects. The current content analysis investigates whether rap’s lyrical themes consumed and shared online are more diverse and less anti-social than rap aired on traditional outlets. The analysis revealed that songs shared on Facebook were less antisocial and more prosocial than the songs that made the Billboard charts. Additionally, online lyrical themes were more diverse than traditionally distributed lyrics. Rap consumption and sharing behaviors will be discussed in light of the theory of selective exposure 相似文献
2.
The present study examined the effects of sexual objectification of female artists in music videos on male undergraduates' sexual beliefs. Findings showed that participants who viewed music videos of highly objectified female artists reported more adversarial sexual beliefs, more acceptance of interpersonal violence, and, at a level of marginal significance, more negative attitudes about sexual harassment than participants assigned to low-sexual objectifying music videos by the same female artists. Path models indicated that adversarial sexual beliefs mediated the relationship between condition, and (1) acceptance of interpersonal violence and (2) negative attitudes regarding sexual harassment. 相似文献
3.
The purpose of this study was to examine the relationship between exposure to sexual music videos and young people's sexual attitudes (i.e., premarital sexual permissiveness and endorsement of the sexual double standard). Items gauging exposure to 75 music videos ranging in sexual explicitness were used to measure sexual video viewing among a sample of 266 undergraduate students. As expected, exposure to more sexually explicit music videos was associated with more permissive attitudes toward premarital sex and stronger endorsement of the sexual double standard, regardless of gender, overall television viewing, and previous sexual experience. Implications of these findings and suggestions for future research are discussed. 相似文献
4.
This study explores the culture of sexualizing the (female) body in music entertainment television. A quantitative content analysis was conducted, analyzing 9,369 scenes from 1,393 music videos and 180 programs, broadcast on Belgian music entertainment channels. Results indicated that 39.3% of the coded scenes contained sexualizing messages. These sexualizing messages were predominantly messages equating (female) Western body ideals to being sexually attractive. Music videos were shown to be a more sexualizing genre than nonfictional programs and fictional programs. Findings are discussed in light of objectification theory. 相似文献
5.
Jennifer Stevens Aubrey 《Mass Communication and Society》2013,16(4):475-501
Although sexual objectification is commonplace in media culture, music videos provide the most potent examples of it. In the current study, we developed a coding system to measure sexual objectification and its correlates in music videos. Our analysis compared sexual objectification across artists' gender and musical genres (R&B/hip-hop, pop, and country). Compared to male artists, female artists were more sexually objectified, held to stricter appearance standards, and more likely to demonstrate sexually alluring behavior. In addition, sexual objectification was more prominent in R&B/hip-hop and pop videos than in country videos. The results are discussed in light of objectification theory and sexual agency. 相似文献
6.
Mickey Hess 《Critical Studies in Media Communication》2013,30(5):372-389
Hip-hop's imperatives of authenticity are tied to its representations of African-American identity, and white rap artists negotiate their place within hip-hop culture by responding to this African-American model of the authentic. This article examines the strategies used by white artists such as Vanilla Ice, Eminem, and the Beastie Boys to establish their hip-hop legitimacy and to confront rap music's representations of whites as socially privileged and therefore not credible within a music form where credibility is often negotiated through an artist's experiences of social struggle. The authenticating strategies of white artists involve cultural immersion, imitation, and inversion of the rags-to-riches success stories of black rap stars. 相似文献
7.
《资料收集管理》2013,38(3):75-85
Abstract Women musicians were virtually ignored in the literature of Western music until their recent inclusion in standard reference sources and other publications. However, making these works available to the researcher becomes a challenge for library collection development departments, especially for small libraries unaffiliated with music schools that have only a modest music collection and budget. This paper offers guidance in developing a small collection of books on women in music that will complement the current collection and provide a more accuratehistory of Western music. Justification for building a collection on women musicians and an annotated list of recommended books are included. 相似文献
8.
The language people use to talk about something can constrain as well as facilitate understanding. This essay explores the lessons learned through a study of how people talked about music to examine what it can mean for museums and museum experiences. The study itself had people talk about their interest, background, and ways of engaging with music, then listen to random cuts of preselected music to talk about what they were hearing. Several themes emerged from the study, suggesting there are clusters to ways in which people frame their experiences of music, which extend to how people might understand the museum experience and what museums might do to make that experience more relevant. 相似文献
9.
Lindsay Hahn Ron Tamborini Brian Klebig Eric Novotny Clare Grall Matthias Hofer 《Communication Studies》2019,70(1):59-78
Content analyses examining the values expressed in popular music have been predominantly ad hoc, limited to antisocial themes, and lacking a comprehensive theoretical coding scheme. We applied a content analytic scheme based in the model of intuitive morality and exemplars (MIME) to examine altruistic and egoistic values in popular music over 60 years. Findings show (a) more frequent representation of egoistic than altruistic motivations, and (b) the profusion of egoistic motivations focused mostly on romantic (in adult-targeted music) but also platonic (in child-targeted music) relationships. 相似文献
10.
《Journal of Radio & Audio Media》2013,20(1):18-32
The author examines radio programs produced by women in the U.S. that feature music by women. Women's music programming offers a variety of music genres and presentation styles. Criteria of music selection also vary, with some programs concentrating solely on women's contributions and musical works, and others that play music by mixed-sex groups and even featuring a male vocal. However, the commonality of all these programs lies in their dedication to highlighting women artists and giving voice to those who would otherwise not be heard. As media artifacts, women's music radio programs offer multiple layers of feminist inquiry. 相似文献
11.
S. Craig Watkins 《The Communication Review》2013,16(3):373-398
This articles explores the political dimensions of black popular and cultural production. A main goal of the article is to consider the legacy of 1960s black nationalism and its relationship to the transformation and com‐modification of black youth expressive culture. The first part of the article examines how the changing state of black popular music in the 1960s and 1970s established some of the key tensions and contradictions that continue to influence the production of black popular music. The next part of the essay considers how the hyperpoliticization of rap music was driven by social, economic, and technological change. The final part of the article considers how a new generation of cultural producers seek to connect sixties‐styled black nationalism to the burgeoning field of digital technology and the online music industry. 相似文献
12.
Lilach Nir 《广播与电子媒介杂志》2013,57(4):578-596
The recent proliferation of online videos captured at the scene of news events begs the question: Do news videos have a meaningful impact on citizens’ political opinions and behaviors that is different than that of news articles? This was examined in an experiment using carefully matched videos and articles about the European refugee crisis. Findings show that articles generated stronger intentions to help refugees than videos, and this was mediated by the depth with which the news story was processed. Despite their increasing prominence and intuitively impactful qualities, news videos do not deliver more powerful effects than news articles. 相似文献
13.
Abstract The music business is facing hard times with declining CD sales and increasing piracy. Whereas the economic downturn is one reason for lower sales, the industry has decided to target the second factor, the fast diffusion of technologies such as CD burners and peer‐to‐peer networks like KaZaA allowing massive illegal distribution of music. Some labels focused on an offensive strategy to promote their artists. New services are being added to so called Enhanced CDs that create a new user experience. These CDs offer bonus content (i.e. videos, additional songs, pictures, or lyrics) stored directly on the CD that can be accessed on the PC. Other CDs offer (additionally) online access to actual bonus content or services (i.e. tour dates or news) if the CD is entered in the FC. The impact of these services on consumer experience has not yet been researched in depth and it remains unclear if consumers actually use the offered services on Enhanced CDs. The music label Arista has introduced several new albums on Enhanced CDs to the market providing more value to the user instead of reducing the utility by focusing only on copy protection. This article analyzes the usage of such services provided by Arista and focuses on Santana's new album “Shaman”;. Using a unique data set provided byfavakitty Media (Bandlirik) and Arista, we show for the first time what services are actually used by Santana fans and compare the results to albums of other artists such as TIC or Toni Braxton. Our results indicate that Enhanced CDs are used frequently by a relatively small group of fans, providing more value to the customer and creating a stronger relation between fans and artists. 相似文献
14.
新型冠状病毒暴发后,很多艺术类高校的学生积极以"艺"抗"疫",用艺术的视角,聚焦当前疫情环境下的民生问题,表现出极高的媒介素养。本文以南京艺术学院为例,探讨融媒体时代艺术专业媒介素养的教学与实践,分别从图片、影像、音乐、社交平台、产品设计以及装置等抗击疫情的艺术作品来分析媒介素养教学的成果。 相似文献
15.
《Qualitative Research Reports in Communication》2013,14(1):9-14
Media exert a pervasive influence on personal and national identity. Kazakh independence in 1991 necessitated forming national identity where only limited common identity existed previously. This paper examines the socio-political context of Kazakhstan, explores how images in Kazakh music videos assist in conveying national identity, and addresses ongoing challenges that shape how Kazakh identity continues to develop. 相似文献
16.
《Journal of Web Librarianship》2013,7(1):5-31
With the emergence of social networking and Web 2.0 applications, libraries have the means to reach users through interactive Web-based tools patrons already use in their personal lives, such as Facebook and YouTube. In this study the authors aim to understand the ways that libraries are using YouTube for outreach purposes. Using a methodology adapted from studies in medical literature, the authors identified and analyzed library promotional videos on YouTube, both in relation to other works depicting libraries and librarians and as a unique category of content. In order to analyze the viewership of library promotional videos and its growth over time, view counts were compared at three points in time over a period of sixteen months. Using data made available by YouTube, the authors analyzed the top five referring Web sites to each video, thus allowing a basic understanding of the viewership of library promotional videos and their abilities to reach intended audiences. The authors also analyzed the many interactive features supported by YouTube to gain insight into the ways viewers were responding to and interacting with videos, including comments and the ability to mark videos as favorites. Finally, three examples of promotional videos created by libraries were selected as case studies. The creators of each video were interviewed about the creation processes and their insights into the effectiveness of their videos. A key finding was that while library professionals comprise a significant portion of viewers for library promotional videos, creators can increase viewership by the intended audience if they frequently and strategically feature online video content in Web sites, local or campus communication vehicles, and social media environments. The quantitative and qualitative measures developed for this study are offered as possible metrics for the assessment and evaluation of online library video content, and for libraries’ use of social media forms. Based on these measures, and following the review of hundreds of videos with library-based content, the authors have derived a set of evidence-based best practices for the use of online video as a promotional tool by libraries. 相似文献
17.
[目的/意义] 大数据时代的来临改变了科技情报的数据来源与应用架构，循证决策成为科技数据资源建设与应用的理论基础之一。通过分析SciREX计划，为支撑循证决策的科技情报数据资源建设与应用提供借鉴。[方法/过程] 介绍SciREX计划的基本情况、数据资源建设过程和支撑决策过程。[结果/结论] SciREX计划的特点包括以服务国家政策制定为导向、数据来源多元广泛且加工处理细致和重视数据资源之间的协同关联分析。SciREX计划数据资源建设与应用带来的启示为：政策目标导向和循证决策理念是数据资源建设的理论基础、数据搜集能力和共享机制是其建设保障，大规模数据集成分析是其未来应用方向。 相似文献
18.
[目的/意义] 作为政府与青年群体沟通的重要平台，政务Bilibili账号的信息传播效果直接决定其沟通效率和效果。对政务Bilibili账号信息传播效果影响因素的研究有利于沟通效果的提升。[方法/过程] 本研究基于共青团中央Bilibili账号的471个样本，采用内容分析和回归分析等系统考察内容主题、视频类别、封面图类型、屏幕形式、字幕、组织形式、剪辑率和视频时长等因素对政务Bilibili账号信息传播效果的影响。[结果/结论] 结果表明，科技类、音乐类和时尚类主题的视频能够提升整体传播效果，科技类视频的贡献度最高；情景剧、实拍视频和监控视频都正向显著影响整体传播效果，实拍视频的贡献度最高。视频剪辑率、竖屏视频、字幕添加、合作创作等均能显著提高整体传播效果，竖屏在整体传播效果模型中的贡献度最大。视频时长和封面图的作用不显著。政务Bilibili账号运营应充分释放青年的爱国势能、创新视频形式、优化视频制作流程、创新组织形式。 相似文献
19.
Mark Glantz 《Journal of Radio & Audio Media》2016,23(1):36-49
In an effort to explore the tensions between old and new media, this article examines promotional Web sites for 12 streaming music companies. The goal of the project is to better understand how streaming music services create and embrace opportunities to fit themselves into the lives of music fans. Qualitative data collection revealed 7 interrelated themes. The promotional efforts analyzed here emphasized: (a) an anchor in radio, (b) personalizability, (c) music discovery, (d) music for any occasion, (e) sharing, (f) love, and (g) mobility. 相似文献
20.
Margaret K. Merga 《Library & information science research》2021,43(2):101091
Libraries provide readers' advisory services to young people to foster reading for pleasure. The Booktok community on TikTok is a resource that can be drawn upon to support promotion of books with this demographic. A hybrid content analysis of 116 TikTok videos explores presence of hashtags, authors and books, and recurring themes promoted in Booktok videos. Popular hashtags build community and promoted authors and books are a small and select group. Young people use Booktok to provide recommendations, explore reader experience and emotional response, generate reader community and identity, discuss fictional characters and places, develop and promote writing, and discuss personal library management and being a reader in the family. Libraries' reader advisory services for young people can use these findings to employ language of the discourse community for insider signposting of the library's physical space and give greater primacy to the emotional response evoked by books and reading. 相似文献