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Stavroula Golfomitsou 《文物保护研究》2016,61(3):55-60
In recent years Qatar has invested a significant sum of money on exhibitions of contemporary artists and public art. This paper discusses decision-making processes in the conservation of contemporary artworks installed in newly emerging art markets such as Qatar, where there are no established practices. In 2014, Richard Serra's East–West/West–East, an installation of four vertical plates made of weathering (Corten?) steel, which span one kilometre at heights so as to reach the level of the surrounding gypsum plateaus, was installed in the Brouq Nature Reserve near Zekreet desert, two kilometres from the sea in the western part of Qatar. The artwork is already considered by some a landmark for the isolated area. The plates have started to develop protective corrosion layers, although Corten? is not completely corrosion resistant when located near coastal sites. They have also started to bend and are heavily inscribed by visitors. Conservation of public art is complex, as site-specific artworks are linked with the landscape and defined by the relationships they develop with the public. Art installations of this magnitude demand not only conservation measures but also a management plan. The isolated location, the scale of the artwork, the aggressive environment, and the lack of supervision and monitoring of the area challenge current practices but offer an opportunity to develop methods to preserve art of site-specific art in new environments and diverse audiences. Monitoring will allow a better understanding of the interactions of visitors with the artwork and will shed light on the material's behaviour in this specific environment. 相似文献
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The aim of this paper was to discuss the role of food preservation science and technology in the conservation of complex food-based installations. By introducing the principles of food science and food preservation into the decision-making process for the conservation of contemporary art, more insight on conservation and presentation possibilities was created. Considering the installation Piece in Ghent (P.I.G.) by Jason Rhoades, which contains French fries, the principles of food preservation science were evaluated. The preservation of the original foods was discussed against the potential of a reproduction of the foods. The context for conservation was determined by analysing the artist's intention, the production method of the artwork, and the degradation processes of the food materials. From the results obtained, guidelines to preserve the ‘original’ foods were proposed, as well as guidelines to reproduce foods that can last longer. The study demonstrated that food preservation science contributed to the development of effective strategies for the conservation of contemporary food-based art. 相似文献
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西晋荀勖所著《中经新薄》中创立的图书四分法之外是否还分有小类,以及佛经是否归属"近世子家"一类,学术界一直存在争议,近年来,围绕这个问题展开了一场学术争论,从史料发掘、文献解读等方面进一步推进了对该问题的研究,并重新评价了该分类体系将佛经收入目录中的学术地位和价值。 相似文献
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This paper discusses issues surrounding the conservation of contemporary art within the private sector using a real example, a freestanding hinged and lacquered screen. The artwork developed severe damage whilst on display in a private collection when a section of the lacquer cracked and delaminated from the bottom of one of the panels, taking paint with it. This significantly compromised its pristine appearance, and preliminary observations suggested that restoration using traditional consolidation, retouching and varnishing techniques was highly unlikely to be successful. Initial contact with the artist led to negotiation with the original fabricator's studio. This highlighted the challenges involved in reinstating the badly damaged paint and resin using an approach that would still be acceptable within the code of ethics of the conservation profession, and the potential problems of sharing information with experts who are not conservators. Part painting, part sculpture and part furniture, the screen does not fall into the standard divisions of conservation practice. Its eventual treatment demanded collaboration between specialists in paintings, sculpture, lacquer work, and conservation science. The paper addresses three areas of importance to the conservation of contemporary art: the challenges of working as an interdisciplinary team to deal with complex (and sometimes conflicting) ethical approaches and material requirements; the difficulty in balancing the desire to preserve original materials with the need to produce a pristine result, and the importance of the artist's ratification of conservation to the market value of the work. 相似文献
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文章通过宏观与微观相结合的方式,从造像、怫塔、壁画和唐卡四大方面阐述了炳灵寺的藏传佛教艺术,并重点介绍其中的经典之作,从而为探究炳灵寺的藏传佛教艺术理清了脉络. 相似文献
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谢薇薇 《浙江传媒学院学报》2004,11(2):89-91
艺术类学生在大学生群体中是极具鲜明个性的一个部分,如何把握艺术类学生的个性和特点,加强对他们的管理,成为广电行业乃至传媒业的有用之才?本文从艺术类学生的特征入手,结合多年的班主任工作和系办公室工作经验作了一些深入的思考,提出了四个方面的管理对策,希望对艺术类学生管理工作能有所借鉴. 相似文献
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在中国印刷术发明后以及广泛的流传中,文献数量开始增多、生产成本下降、载体形式统一,这些对文献传播的思想与结构、社会科技与文化的发展、人们接受信息的方式等也都产生了很大的作用,影响了社会的变革,推动了世界文明的进步。 相似文献
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ABSTRACTTwo historic house museums, a municipal art gallery, and a provincial archive have had comprehensive risk and option assessments done by the Canadian Conservation Institute. For each institution, an average of 60 options addressing 40 risks was analyzed in terms of risk reduction, cost, and cost-effectiveness. A meta-analysis found that cost-effectiveness follows a strong economy of scale within each institution. By estimating valuation of each collection, cost-effectiveness was converted into benefit–cost ratio of dollar spent per dollar value saved and was found not to follow an economy of scale between small and large institutions. Optimization software was applied to see if precise maximization of risk reduction gave significantly different recommendations than those in the original reports which relied on the Pareto rule of addressing the largest risks first. 相似文献
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While working together on tradition-based and contemporary works at the Smithsonian's National Museum of African Art (NMAfA) and in private practice, the authors found that their expertise in ethnographic conservation can be applied to the conservation of contemporary works. The treatment approach to ethnographic works has evolved over decades, shifting from alteration of original surfaces and heavy restoration to an emphasis on preserving the original integrity of the artwork through minimal intervention. This paper describes the evolution of ethnographic object conservation regarding surface alteration, while specifically focusing on African objects, and discusses applications of this approach to the conservation of contemporary art. The historical change in treatment attitudes is presented using examples from NMAfA's collections to underscore why the profession developed a minimal intervention approach and to argue for the relevance of this approach to related contemporary media. 相似文献
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Lukáš Babka 《Slavic & East European Information Resources》2017,18(3-4):165-184
This study focuses on the visual collections in the holdings of the Slavonic Library (a section of the National Library of the Czech Republic). The library holdings also include unique collections relevant to the topic of Russian and Ukrainian emigration: collections of visual art, ex libris, posters and flyers by Ukrainian émigrés (1918–1945), and a collection of invitations and flyers by Russian émigrés (1918–1945). Rudolf H?lka’s collection of photographs, dating back to the 1920s, captures a series of ethnographic, folkloric, and architectonic phenomena which no longer exist. Moreover, Russian posters from the period of WWI, from the revolutionary year of 1917, and the subsequent civil war are equally fascinating as are banknotes from the same period and region. 相似文献
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敦煌石窟壁画艺术包罗万象，是一部形象的历史。文章从较为宏观的视角，就敦煌壁画艺术中的尊像画、经变画、故事画、供养人画像、出行图、装饰图案、音乐舞蹈、飞天、生产生活画、交通资料、建筑画、服饰画、动物画等几个方面进行了介绍，使我们对敦煌壁画艺术宝库的了解有一个较为清晰的线索。 相似文献
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Caitlin McGurk 《New Review of Academic Librarianship》2016,22(2-3):192-202
ABSTRACTThis article is an exploration of the varying applications of comics and cartoon art as primary resources and pedagogical tools within the university setting. Following some background information on cartoon art forms including early American newspaper comics, nineteenth century humor serials, political cartoons and manga, the article explores how the perception of comics has changed and suggests ways librarians can work with academics to better utilize comics and cartoon art as educational resources. Drawing on the literature and the author's experience of working with Faculty and students at The Ohio State University, this article highlights ways to embed comics and cartoon art into the curriculum in disciplines ranging from Women's Studies to Psychology, ESL, History, Fashion, and more. The article aims to serve as a springboard for “thinking outside of the box” to maximize the value and use of library collections. 相似文献
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ABSTRACTThis study identified and interpreted an adhesive used in the making of a tiara of the mid-Qing Dynasty (1776–1839 CE), in the collection of the Tang Clan Folk Museum. By performance of mass spectrometry-based proteomics, a sample of adhesive residue was identified as bovine collagen proteins at the molecular level with high confidence. The result highlights the first example of accurate determination of the origin of the adhesive adopted in the tian-tsui craft, providing novel information and contributing to study of the significance, development, and exchange of tian-tsui craftsmanship. 相似文献
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Martin A. Koschat 《Journal of Media Economics》2013,26(1):35-53
For experience goods, such as motion pictures, consumers rely on third-party endorsements as quality signals. Often, other media are used to disseminate such endorsements. As a result, their impact on a consumer is likely to depend on the consumer's type and frequency of media choices—that is, his or her media portfolio. This article argues that viewers who prefer literary genre motion pictures have distinct media portfolios that make them more responsive to professional reviews. The article demonstrates this effect through an analysis of the impact of professional reviews on box office receipts for the 750 leading titles released in the United States between 2004 and 2008. 相似文献
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和婷 《大学图书情报学刊》2013,31(4):82-85
文章通过对浙江省四所艺术类院校师生文献信息服务进行实证调研,从获得数据中分析艺术院校文献信息服务现状,并结合数据特点提出如何构建以知识管理为核心的文献信息服务新模式,以提升图书馆信息服务能力. 相似文献
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Kelly E. Miller 《Slavic & East European Information Resources》2013,14(1):43-52
ABSTRACT. This article offers a brief discussion of two projects—the creation of a set of digital images of Russian art and an exhibit of modern Russian children's books—developed in collaborative partnership between a Slavist and librarians at the University of Virginia. Both of these projects were designed to create shareable, flexible, and sustainable resources for research and educational use. The challenges and benefits of collaborative partnerships between scholars and librarians are discussed, and models for conceptualizing the relationships are also proposed. 相似文献
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In this article the authors present a study of the use of documents by a small group of art conservators in the Philippines. Documents are important for these conservators, but not just, or even primarily, for their role as memory devices. Also important are the functions they play in creating a sense of professional identity, for mediating the tensions created by a bureaucratically structured workplace and an occupation traditionally organised around notions of craftsmanship, and as creators of persuasive evidence for clients. 相似文献