共查询到20条相似文献，搜索用时 15 毫秒
1.
Richard J. Matthews 《Archival Science》2016,16(3):213-260
Hägglund’s “radical atheism”—innovative thinking within the philosophical current of “speculative materialism”—revitalizes deconstruction and provides an important basis to define parameters for the archivist’s role as activist for social justice. This paper argues postmodern archival theory gets deconstruction wrong by misreading Derrida’s “Archive fever” as a theory of “archontic power”; this misleads archivists on the call for justice. Properly understanding that justice is undecidable, radical atheism explodes the tension between postmodernists’ appreciation of all views and perspectives and their commitment to right unjust relations of power. This paper first advances the negative argument that “Archive fever” is not about power and injustice. It then advances the positive argument that “Archive fever” is Derrida’s effort to look at actual archives to resolve Freud’s problematic theorizing of a “death drive.” In a close and comprehensive reading of “Archive fever,” this paper explores the notion of “archive fever” as a death drive and suggests Derrida’s efforts are inconclusive. Viewed through the lens of radical atheism, the archive’s “traces”—the material of actual archives writ large in the manner of Derrida’s thinking about a universal archive—serve to mark the flow of time. Understanding the structure of the trace reveals the source of internal contradictions, discontinuities, and instabilities in the meaning of all things. It explains why justice is undecidable. In face of the unconditional condition of this undecidability, we as archivists and humans are compelled to make decisions and to act. Deconstruction politicizes our actions and evokes a responsibility that cannot be absolved. 相似文献
2.
数字时代下的古文书学档案思想和档案后保管思想分别代表了两种不同的档案学发展路径,使得当前以“三位一体”为主要内容的档案学基础理论在司法行政和文化社会两种语境下产生一定的错位。本文主要采用比较理论研究方法,引入组织理论,建立了正式、非正式组织—沟通的四维分析框架,将古文书学档案思想和档案后保管思想的实质放置在上述框架下进行阐释、对比并作一致化理解。论文在此基础上探讨档案学基础理论适应性发展问题,从认知理论和方法理论相统一的角度提出一种可能性,认知理论研究从档案管理经验归纳延伸到档案现象认知构建,方法理论研究从归纳档案管理原则标准延伸到关于档案制度正式化的深入思考。 相似文献
3.
This study examines the conceptions and treatment of genre in four sets of modern Anglo-American cataloging rules spanning 171 years. Genre-related rules are first identified through “genre(s),” “form(s),” and “type(s)” keyword searches, and manual examination of the contents, then analyzed by level of treatment genre receives and by user tasks, as defined in the Functional Requirements for Bibliographic Records. While genre is found to be sporadically addressed across the rules, its significance has increased over time. In conclusion, the authors call for a rigorous and functional definition of genre and an integrated approach to genre in cataloging. 相似文献
4.
This paper examines the ways in which two Internet-based civil society groups, Hasiru Usiru and Praja, negotiate online and offline spaces of collective action in Bangalore, India’s “IT City.” Based on ethnographic research, the study extends collective action theory through an examination of communicative interactions and experiences of urban civil society actors in a developing country. The paper highlight factors that impede and support collective actions, including attitudes toward the Internet as a tool for democratic engagement, ideological motivations, and perceptions of identity and membership, among others. Such a line of inquiry is significant in highlighting the possibilities of ICTs for collective action, while simultaneously avoiding the tendency to inflate and overestimate their capacity to produce social change. 相似文献
5.
Jaime A. Teixeira da Silva Judit Dobránszki Panagiotis Tsigaris Aceil Al-Khatib 《The Journal of Academic Librarianship》2019,45(6):102071
The issue of “predatory” publishing continues to affect many scholars around the world who publish. When one reads the fairly vast literature surrounding “predatory” publishing, there is an erroneous tendency to continue pivoting around Jeffrey Beall's blacklists of “predatory” open access (OA) journals and publishers. However, to be “predatory” involves much more than defining a handful of select behaviours, and it is becoming increasingly important to start defining, or curtailing, the lexicon to avoid referring to any journal or publisher that might display one of the following qualities (exploitative, deceptive, excessive, unscrupulous, abusive, advantageous, manipulative, profit-seeking, or others) as synonymously meaning “predatory”. This paper focuses mainly on the oft-interchangeable terms “predatory” and “exploitation”, and explores the morality of predatory and exploitative actions by applying a deontological ethics approach which implies that certain actions are wrong even if they achieve good consequences, with the understanding that because a predatory entity aims to exploit others, these actions would be considered morally wrong from a deontologist's perspective. In articulating our argument, we attempt to expand the conversation around this important topic, with the hope that it might bring additional clarity to the issue of what might constitute a “predatory” journal or publisher. 相似文献
6.
《Journalism Practice》2013,7(3):314-328
This paper proposes a new theoretical method to analyse patterns of photographic practice of editorial photography—using an “action genre” approach. That is, rather than taking final photographic forms as being definitive of genre, this new method identifies patterns of “activity types” involved in the production of editorial photography to be identified. While there has been much written on editorial photography, there is no organised body of scholarship that distinguishes between different modes of presenting patterns of photographic practice. Claims about the degree of influence of visual images and their ability to drive public opinion have not sufficiently considered the full impact of photographic production processes. Although patterns of activity in the image-making process are not directly evident in the published photograph, the process does impact upon the resulting meanings made. 相似文献
7.
8.
《Communication monographs》2012,79(4):464-491
A close examination of peer interactions of children between the ages of 5;0 and 7;0 reveal occurrences where children composed and sequenced their communicative acts in intricate ways that were functional as solutions to a suddenly emergent social dilemma. Their acts and act sequences functioned to place constraints on what followed in the interaction, such that they opposed the other's unwanted actions by making the other's cessation of the unwanted actions relevant, and interpretable in a socially positive way. These same acts and act sequences simultaneously steered the interaction away from conflict by not making a conflictful response relevant. Besides their dual functionality, these communicative acts were so tailored to the immediate context and situational dilemma that they have an inventive aspect. These data raise the theoretical question of what basis the children had for composing and sequencing communicative acts in situ that anticipate their interactional consequences and promote desired ones. A proposal is made in the concluding discussion that the basis for this capability is acquisition of “knowledge” of a set of Principles of Relevance in interactions and discourse. 相似文献
9.
Louise Grayson 《Journalism Practice》2015,9(4):568-579
In recent years there has been an explosion of citizen-produced content appearing in mainstream media outlets. Terms such as convergent journalism, citizen journalism and user-generated journalism are all widely used in an attempt to define this growing phenomenon. This paper explores the specific genre of citizen photojournalism (CPJ). It is argued this is a definitive genre of its own and has important implications for audience perceptions due to the narrative or “storytelling” role of the visual mage. An “action genre” approach is used to examine how this new photographic genre has been enabled within current technological, cultural, political and economic environments That is to say, that photographic production processes, undertaken by amateur photographers are examined to identify patterns of activity that comprise the genre of CPJ. Through a review of existing literature on how citizens work in the field, and the way the resulting photographs are used in mainstream media, I offer a conceptual structure to delineate recognisable patterns of activity that comprise the genre of CPJ. The strength of this approach is that it allows me to describe CPJ in a way that reveals how external factors and the practice of citizens taking photojournalistic images impact upon the final product published in influential publications including popular press, books, magazines and internet publications. 相似文献
10.
Chaim Noy 《Critical Studies in Media Communication》2016,33(4):308-323
The move from “old” to “new” media centrally involves a shift in participatory possibilities, through which individuals and communities differentially access and populate the public sphere, assume voice, and partake in open discussion and debate. This paper offers a rich ethnographic case study of new participatory media in the shape of commenting systems in museums. By portraying the similarities and the differences in communicative affordances between two museum media—traditional visitor books, on the one hand, and a digital and immersive interface, on the other hand—light is shed on how media invite and intervene in possibilities for public participation. Furthermore, with their emphasis on visual design and display, studying participatory public media in museums helps highlight the semiotic construction of the public sphere as such, and how the notion of the public and laypersons’ contributions are materially displayed. Analysis of communicative affordances reveals the politics of remediation, and supports recent hesitations with regard to the promise of newer and “smarter” media: digital media affords more interaction than their analogue predecessors, but participatory content-production via analogue media is found to be discursively richer on a number of grounds. 相似文献
11.
Donald E. Hargis 《Communication Studies》2013,64(3):168-173
Oral interpretation is a communicative configuration in which no single element can be over‐stressed nor any one neglected. Presently, the emphasis in the theory of oral interpretation appears to center on a scheme of analysis based on the “new”; criticism. In this concern with analysis, we must not overlook the place and function of the vocal‐physical elements in the total process of interpretation as oral communication. 相似文献
12.
运用“遥读”和“细读”相结合的方法,对2021年《档案学研究》和《档案学通讯》所刊发的220篇学术论文进行研究力量布局与研究主题分布分析,发现高等院校仍是档案学研究的主体力量,但国家档案局的研究力量突显。2021年中国档案学研究主要关注“档案治理”“档案学基础理论”“电子文件管理”“中国古文书学”“档案与数字人文”“档案资源服务”“档案教育”等主题,并呈现出较强的本土性和跨学科性。未来中国档案学研究仍应加强本土化研究,构建具有中国特色的档案学理论体系;要关注“人”的需求,体现档案学研究的人文主义;需关注跨学科问题,实现档案学与其他学科之间理论与方法的双向互动。 相似文献
13.
This investigation involves the examination of college students' condom self‐efficacy (knowledge and skills regarding condom use) and coping strategies in sexual situations. Results indicate that although students report high condom efficacy, efficacy is weakly correlated with actual condom use. Overall, efficacy is weakly correlated with coping styles in sexual situations. In general, students are opting for non‐communicative ways of coping (e.g., avoidance) in sexual situations as opposed to communicative ways (e.g., discussion with partner) of coping. However, those who report “always” using a condom use communicative coping strategies more frequently than non‐communicative coping strategies. Efficacy is positively related to communicative coping styles versus non‐communicative coping styles. Marital partners differ from unmarried couples in that they use more “planning ahead” coping strategies. Discussion and implications follow. 相似文献
14.
Individuals frequently engage in self-presentation via social media and can subsequently receive various simple communicative cues (paralinguistic digital affordances; PDAs) from which they may determine the success of their self-presentation, including Likes and Upvotes. Previous research has found these communicatively abstract one-click cues are interpreted idiosyncratically when received, but the quantity received matters to users in determining whether a post is “successful.” The present work probes explanatory mechanisms behind the use of PDA responses as a metric of self-presentational success, deriving hypotheses from social comparison theory, social penetration theory, and expectancy violations theory. Results from a survey (N = 255) reveal that social comparison and communicative reciprocity provide explanatory power regarding the threshold of Likes and Reactions to a Facebook post needed to consider a post successful. 相似文献
15.
Lemi Baruh Ph.D. 《广播与电子媒介杂志》2013,57(2):190-210
Given that reality television is not a cohesive genre, a better understanding of the frequently noted voyeuristic appeal of reality programs would require an analysis of content features that may contribute to their voyeuristic appeal. A survey administered to television viewers and a content analysis of reality programs support hypotheses regarding the voyeuristic appeal of reality programs in general, and suggest that scenes which adopt a “fly on the wall perspective,” take place in private settings, contain nudity, and/or include gossip, contribute to the voyeuristic appeal of reality programs. 相似文献
16.
Marouf Hasian Jr. 《Communication Studies》2013,64(3-4):299-319
This essay provides a close textual examination of the historic debates that took place in the mid‐1980s between former Attorney General Edwin Meese and former Supreme Court Justice William Brennan. These debates offered listeners contrasting positions on such politically and socially divisive issues as affirmative action, habeas corpus review, abortion, and reproductive rights. This essay utilizes some of the tools of genre criticism to explicate and defend the claim that the constitutional arguments advanced in the speeches of Meese and Brennan were presented in the form of “jeremiads” that had the potential to restrict or expand the range of policy alternatives available in coping with complex jurisprudence problems. The overarching goal of this essay is to improve our understanding of legal rhetoric in general and the judicial jeremiad in particular. 相似文献
17.
《Communication monographs》2012,79(2):234-260
This paper presents a qualitative study that investigated the role of case presentations in the socialization of medical and optometry students. Using the debate from classical rhetoric around the term techne (art or science), we observed that genre theory helps explain the way case presentations mediate the development of professional identity through the interaction of certain knowledge (techne 1), “savvy” knowledge (techne 2), and ethical reflection (phronesis). We noted that these mediated scenes of learning are necessary but problematic because they can lead students to yearn for certainty and to exclude outsiders (other healthcare providers, patients). Finally, our research challenges the binary opposition that exists between art and science especially for professions that bring their disciplinary knowledge into practice. 相似文献
18.
Anna Feigenbaum 《传播与批判/文化研究》2014,11(1):15-24
From tents to tear gas, objects and architectures of resistance speak to us across the transnational Occupy Movement. More than background scenery or mere props for action, these objects have their own stories to tell about how they mediate and communicate political struggle. Informed by the revitalisation of materialism and object-oriented analyses, this paper draws together affect theory, “post-ANT” scholarship and social movement studies to explore particular nonhuman elements of resistance as “other media.” Beyond those practices already seen to be part of the communications ecology of protest (alternative media, demonstrations, speeches, performative actions), I argue that other technological infrastructures and interfaces make and mediate political communication at sites of resistance in ways that are significant but often overlooked in existing scholarship. 相似文献
19.
Jennifer Meehan 《Archival Science》2009,9(3-4):157-164
This article traces an alternative to the evidence/memory dichotomy in archival discourse by highlighting the nexus between archival ideas about the nature, value, and use of records as viewed and imagined through the lens of an archival concept of evidence as a relation between record and event. This article then explores how “the archival nexus” provides a different framework for understanding the various meaning-making processes surrounding archives both within and outside the archival repository, and for rethinking the role of the archivist and the position of the archival discipline with regard to other disciplines that explicitly address and engage with the archive. 相似文献
20.
L. A. Mosunova 《Scientific and Technical Information Processing》2017,44(3):175-183
This paper sets the problem of development of information culture and advances the hypothesis about understanding of the meaning of information as its basis. Five ideas related to the problems of the paper are distinguished in the theory of understanding. The paper describes the concept of adequate and inadequate understanding the meaning of information and develops the criteria of understanding the meaning of information. The concept of the “understanding of the meaning of information” is defined. 相似文献