从招标文件撰写谈提高图书采购质量   总被引：3，自引：0，他引：3  

陈碧 《图书馆论坛》2006,26(4):156-157,223

根据法律法规的要求，探讨图书馆图书招标文件的撰写，以此为基础，论述了不断提高招标采购图书质量的若干措施。  相似文献   

SciFinder Scholar的检索及其特点   总被引：4，自引：0，他引：4  

任平 《现代图书情报技术》2006,(2):91-95

Sc iF inder Scholar是美国CAS推出的网络版化学文献数据库,也是目前世界上最大的化学化工资料库。本文详细介绍了该数据库平台的概况、检索方法及特点。  相似文献   

复合图书馆的期刊工作探析     

陈晰明 《晋图学刊》2005,(2):58-59,65

在复合图书馆时期,期刊文献是以数字化和纸本形式并存,期刊服务工作呈现多元化和多层次化,这对图书馆员的素质提出了更高的要求。因此,加强馆员自身建设和对用户的培训教育,使期刊管理工作适应信息时代的要求就成为当务之急。  相似文献   

美国新闻与传播教育的认证指标:设定价值取向和教育目标   总被引：2，自引：0，他引：2  

陈昌凤 《国际新闻界》2006,(12)

美国新闻与传播教育的认证标准,经过多年的变迁、发展,逐步趋于规范和完善。其现行的认证指标,基本上设定了目前美国新闻与传播教育的价值取向、教育宗旨、教育的思路及实现的路径。美国的新闻与传播教育,从“二战”开始即提倡通才教育,并确定了核心价值目标,在此基础上设定认证指标。在认证中,业界拥有的50%的投票权,保证了学界与实务界的目标的一致性。新实施的认证指标加强了对学生学习效果的评估,更明确了新闻与传播教育的服务性方向。  相似文献   

组织知识变革管理     

吴鹏  强韶华  苏新宁 《中国图书馆学报》2006,32(2)

组织的环境是动态变化的,因此,组织的知识资产需要不断更新,组织知识管理的战略要不断变化。提出支撑知识变革管理的框架和在组织变革中可操作的流程。图1。参考文献13。  相似文献   

Who's next? Research predicts museum leadership gap     

Joan H. Baldwin  Anne W. Ackerson 《Museum Management and Curatorship》2006,21(4):349-352

A brief commentary from the Museum Association of New York (MANY) on the unprecedented gap posed by baby-boomer retirement. Based, in part, on MANY's white paper, “Who's Next? Questioning the Future of Museum Leadership in New York State,” this essay deals with questions of succession, leadership and general differences in New York's museum community.  相似文献   

Museums at the crossroad: Contributing to dialogue, curiosity and wonder in natural history museums     

Antonio G. Valdecasas  Virginia Correia  Ana M. Correas 《Museum Management and Curatorship》2006,21(1):32-43

The first natural history collections opened to the public were inspired by a sense of curiosity and wonder about the products of nature. They were ‘cabinets of curiosities’ that offered a first-hand interaction between owner and visitors. Nowadays, these two facets of the museum experience—dialogue and wonder—have been lost, in part, due to the information overload coming via the media and the impersonal nature of the museum visit. This paper offers some reflections on the evolution of the museum visit, suggests some ways to rediscover this ‘sense of wonder’ and provides ideas on how to promote two-way communication with museum visitors. Two examples of exhibitions are offered as illustrations of the points discussed.  相似文献   

‘The feeling of exclusion’: Young peoples' perceptions of art galleries     

David D.M. Mason  Conal McCarthy 《Museum Management and Curatorship》2006,21(1):20-31

This article first looks at the relationship between museums and art galleries and their potential audiences and, in particular, the under-represented sector of young visitors. It examines the main findings from the limited research available on young visitors, and goes on to discuss theories delineating the differences between the cultures, identities and values of culture consumers and culture providers. The second part of the article looks at what specific museums have done towards being more inclusive in their appeal, and then reports the findings of a survey of young people in relation to New Zealand's Auckland Art Gallery. The survey found that young people's ideas of what constitutes modern, relevant art do not match standard art criteria, and that most exhibitions and marketing methods do not mesh with their worldview. The article concludes by using data from the survey to suggest ways of engaging more young people with public art galleries.  相似文献   

The terrible gift: Museums and the possibility of hope without consolation     

Roger I. Simon ^{Author Vitae} 《Museum Management and Curatorship》2006,21(3):187-204

Public history is turned toward the future no less than the past. Little discussion exists as to how practices of public history might foster new ways to live with the presence of history. Museum exhibitions are one site where such discussions may take place. Particularly generative in this regard are exhibitions that present artifacts and documentation that reference state-sponsored violence. One such exhibition in development is discussed. While this exhibition presents evidence of past events, it also assembles traces of the past and bequeaths them as a testament, “a terrible gift” that places difficult demands on those to whom it has been given. In discussing the practices of inheritance initiated by such a gift implications are drawn for how museums might initiate a reconsideration of the force of history in social life.  相似文献   

Counterfeit museology     

Michael M. Ames Author Vitae 《Museum Management and Curatorship》2006,21(3):171-186

Museums are not usually seen to be agents of change. If they are to serve as important mechanisms for empowering local communities to define, recognize, and develop their own indigenous heritages, they should first consider a potential contradiction contained within this initiative: museums specialize in the representation of other peoples, while people have the sovereign right to represent themselves. Left unresolved, this contradiction could produce counterfeits of good intentions. The introduction of professionalized cultural management may mitigate the responsibilities of the citizenry to actively participate in the production and preservation of their own heritage.  相似文献