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11.
"优秀生心理综合症"及运动处方 总被引:1,自引:1,他引:0
成绩优秀的学生往往存在一些特殊的心理问题,预防和消除优秀生的心理问题具有十分重要的意义。在进行体育教学和身体锻炼的同时,适当地运用运动处方,可以治疗优秀学生的心理疾病和消除心理障碍,促进优秀学生健康成长。 相似文献
12.
不同水平十项全能运动员特征差异的因子分析 总被引:1,自引:1,他引:0
以第9届全国大学生田径锦标赛34名十项全能运动员为研究对象,通过因子分析方法,寻求当今高校十项全能运动员的主要构成特征,然后与1993年至2001年间的全国十项全能前60名运动员特征因子进行对比分析,从中找出他们之间的主要差异. 相似文献
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对保龄球运动员而言,影响其训练与竞赛的心理因素包括:运动表象、运动情绪和运动员的注意特征等。对保龄球运动员的心理因素进行了分析,旨在探讨运动员心理因素与运动技能完成过程之间的关系,提出控制、调整运动员心理因素的对策。 相似文献
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Anne W. Graves Russell Gersten Diane Haager 《Learning disabilities research & practice》2004,19(4):262-272
This study examined literacy instruction in 14 first‐grade classrooms of English learners (ELs) in three schools in a large urban school district in southern California over a two‐year period. Pre‐ and posttest measures of oral‐reading fluency for 186 first graders, representing 11 native languages, were the outcome data. Reading‐fluency data were examined in reference to ratings of literacy practices using the English Learners Classroom Observation Instrument (ELCOI). Results indicated a moderately strong correlation (r= 0.65) between ELCOI rating and gain in oral‐reading fluency at the end of first grade. We report patterns of ELs who read below the oral‐reading fluency benchmark thresholds and patterns of students who were ultimately labeled with learning disabilities. Instructional practices of teachers rated “high” and “low” are discussed. Educational implications and recommendations for future research are discussed. 相似文献
17.
对现代篮球运动对抗特点和表现形式的探讨 总被引:13,自引:0,他引:13
张培峰 《成都体育学院学报》2001,27(4):66-68
研究现代篮球运动对抗的激烈性、综合性、随机性等特点和身体对抗、有球无球对抗、内线外线对抗等表现形式,指出全方位多层次的对抗必须遵循篮球运动的自身规律,才能把握和运用对抗特点和表现形式,在抗衡中发展和提高. 相似文献
18.
Methods for studying family visitors in art museums: A cross-disciplinary review of current research
Pat Sterry Author Vitae Ela Beaumont Author Vitae 《Museum Management and Curatorship》2006,21(3):222-239
This paper examines current trends in family studies research, details the methodological and topical perspectives that are emerging, and reflects on how these findings could be integrated to provide a more coherent approach to researching the leisure, learning and recreational aspects of family visitors to art museums. Research findings from disciplines such as sociology, ethnography, education, design and marketing are of interest to the field of visitor studies, and this paper contributes to the wider research agenda by providing an overview of family research methods from a range of other disciplines, as well as those used within visitor studies.Over the last decade, there has been a growth of research in family learning in science museums, leading to an emerging disciplinary matrix, whilst many aspects of family visits to art museums remain relatively unexplored. The paper discusses the problems of gathering meaningful data from adults and children in family groups, and concludes by suggesting that a challenge for art museums is to learn from what is happening in other areas of cultural research into families, and to develop a framework for research which builds on the methodological strengths and practical experience of robust studies. 相似文献
19.
Roger I. Simon Author Vitae 《Museum Management and Curatorship》2006,21(3):187-204
Public history is turned toward the future no less than the past. Little discussion exists as to how practices of public history might foster new ways to live with the presence of history. Museum exhibitions are one site where such discussions may take place. Particularly generative in this regard are exhibitions that present artifacts and documentation that reference state-sponsored violence. One such exhibition in development is discussed. While this exhibition presents evidence of past events, it also assembles traces of the past and bequeaths them as a testament, “a terrible gift” that places difficult demands on those to whom it has been given. In discussing the practices of inheritance initiated by such a gift implications are drawn for how museums might initiate a reconsideration of the force of history in social life. 相似文献
20.
Sherri Irvin Author Vitae 《Museum Management and Curatorship》2006,21(2):143-156
In the museum context, curators and conservators often play a role in shaping the nature of contemporary artworks. Before, during and after the acquisition of an art object, curators and conservators engage in dialogue with the artist about how the object should be exhibited and conserved. As a part of this dialogue, the artist may express specifications for the display and conservation of the object, thereby fixing characteristics of the artwork that were previously left open. This process can make a significant difference to the visual appearance of the work, the nature of the audience's experience, and how the work should be interpreted. I present several case studies in which the nature of the artwork has been shaped by such dialogues, and discuss principles for resolving cases in which there is a conflict between instructions specified by the artist and those adopted by the museum. 相似文献