从Ei Village 2看我国二次文献数据库的发展趋向   总被引：3，自引：0，他引：3  

罗金增 《数字图书馆论坛》2006,(5):53-57

本文对Ei Village 2的发展历程及成功经验进行了剖析,并对我国二次文献数据库的发展方向提出了建议.  相似文献   

大学城图书馆实现资源共建共享的对策   总被引：18，自引：1，他引：18  

罗玉英 《图书馆杂志》2006,25(10):50-51

本文针对大学城图书馆实现资源共建共享中存在的问题，提出了必须转变办馆理念，在大学园区强化资源共建共享观念和大服务意识，加强协调管理和建立合理运行机制等有关对策，走资源共建共享之路，走可持续发展之路。  相似文献   

藏文词汇通用度统计研究   总被引：1，自引：0，他引：1  

卢亚军  罗广 《图书与情报》2006,(3):74-77

文章介绍和论述了基于1．3亿字节藏文语料库，对藏文词汇频度与通用度进行统计研究及其具体实现的方法与过程。其研究成果有助于藏族基础教育、扫盲教育的语言文字教学，对藏语语言学研究和藏文信息处理具有重要的研究与煦用价值。  相似文献   

图书馆生态学分析视角   总被引：5，自引：0，他引：5  

骆柳宁 《图书馆学研究》2006,(1):7-11

方兴未艾的生态哲学与图书馆生态学的诞生，为人们研究和探讨图书馆问题提供了有效的、新的方法论和研究视角。本文不是要对图书馆活动和现象作具体分析，而旨在探讨用生态学来透视图书馆活动和现象的范式或图式是什么？研究认为，这些范式或图式应该是：主体与环境，遗传与变异，均衡与失调，共生与竞争。认识和理解这些范畴的含义对深入探讨图书馆生态系统的演化具有重要的理论与实践意义。  相似文献   

垂直搜索引擎发展概述     

罗丽姗 《图书馆学研究》2006,(12):68-70,55

本文分析了垂直搜索引擎的产生，与水平搜索引擎的区别所在，数据来源，盈利模式以及发展方向。  相似文献   

Methods for studying family visitors in art museums: A cross-disciplinary review of current research     

Pat Sterry ^{Author Vitae}  Ela Beaumont Author Vitae 《Museum Management and Curatorship》2006,21(3):222-239

This paper examines current trends in family studies research, details the methodological and topical perspectives that are emerging, and reflects on how these findings could be integrated to provide a more coherent approach to researching the leisure, learning and recreational aspects of family visitors to art museums. Research findings from disciplines such as sociology, ethnography, education, design and marketing are of interest to the field of visitor studies, and this paper contributes to the wider research agenda by providing an overview of family research methods from a range of other disciplines, as well as those used within visitor studies.Over the last decade, there has been a growth of research in family learning in science museums, leading to an emerging disciplinary matrix, whilst many aspects of family visits to art museums remain relatively unexplored. The paper discusses the problems of gathering meaningful data from adults and children in family groups, and concludes by suggesting that a challenge for art museums is to learn from what is happening in other areas of cultural research into families, and to develop a framework for research which builds on the methodological strengths and practical experience of robust studies.  相似文献   

The terrible gift: Museums and the possibility of hope without consolation     

Roger I. Simon ^{Author Vitae} 《Museum Management and Curatorship》2006,21(3):187-204

Public history is turned toward the future no less than the past. Little discussion exists as to how practices of public history might foster new ways to live with the presence of history. Museum exhibitions are one site where such discussions may take place. Particularly generative in this regard are exhibitions that present artifacts and documentation that reference state-sponsored violence. One such exhibition in development is discussed. While this exhibition presents evidence of past events, it also assembles traces of the past and bequeaths them as a testament, “a terrible gift” that places difficult demands on those to whom it has been given. In discussing the practices of inheritance initiated by such a gift implications are drawn for how museums might initiate a reconsideration of the force of history in social life.  相似文献   

Museums and the shaping of contemporary artworks     

Sherri Irvin Author Vitae 《Museum Management and Curatorship》2006,21(2):143-156

In the museum context, curators and conservators often play a role in shaping the nature of contemporary artworks. Before, during and after the acquisition of an art object, curators and conservators engage in dialogue with the artist about how the object should be exhibited and conserved. As a part of this dialogue, the artist may express specifications for the display and conservation of the object, thereby fixing characteristics of the artwork that were previously left open. This process can make a significant difference to the visual appearance of the work, the nature of the audience's experience, and how the work should be interpreted. I present several case studies in which the nature of the artwork has been shaped by such dialogues, and discuss principles for resolving cases in which there is a conflict between instructions specified by the artist and those adopted by the museum.  相似文献   

Essentialism, adaptation and justice: Towards a new epistemology of museums     

Mark O'Neill ^{Author Vitae} 《Museum Management and Curatorship》2006,21(2):95-116

This article treats the prevalent confused mixture of utilitarian, art-and-knowledge-for-their-own-sake and ideological interpretations of the purpose of museums as a problem of epistemology, arguing that that key dimensions of museum knowledge (of objects, visitors, museums themselves, and of society) need to be integrated to achieve coherence. A new object-based, visitor-centred, storytelling epistemology is proposed. This would take an interdisciplinary approach and aim to unleash, rather than mute the real power of objects. It would address human destructiveness, as well as celebrating human creativity and the wonders of nature. It would respect the meaning-making practices of real, as opposed to idealized, imaginary visitors, and promote staff self-awareness in managing bureaucratic drift into introversion and avoidance of difficult issues. Incorporating a theory of justice, it would erode boundaries created by presentation traditions which, though marginal to object experiences, discriminate in favour of specific social groups—often groups with whom staff identify. Providing a museum service on a visibly fair basis is essential for museums to achieve intellectual coherence as well as societal support.  相似文献   

Counterfeit museology     

Michael M. Ames Author Vitae 《Museum Management and Curatorship》2006,21(3):171-186

Museums are not usually seen to be agents of change. If they are to serve as important mechanisms for empowering local communities to define, recognize, and develop their own indigenous heritages, they should first consider a potential contradiction contained within this initiative: museums specialize in the representation of other peoples, while people have the sovereign right to represent themselves. Left unresolved, this contradiction could produce counterfeits of good intentions. The introduction of professionalized cultural management may mitigate the responsibilities of the citizenry to actively participate in the production and preservation of their own heritage.  相似文献