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71.
把女性文学研究的经验和成果运用到大学语文教育中,使大学语文在课程目标、教材编写、教学内容、教学方法等方面都增加一个女性主义视角。把培养大学生先进的社会性别意识作为课程目标之一,用女性主义视角审视教材编写,改变无性别色彩的教学内容。尝试运用女性主义教学法进行颠覆性文本阅读,通过增加性别视角实现多元化、多维度文本解读。  相似文献   
72.
鲁迅的译作在中国历史上产生了深刻的影响。女性问题一直也是他所关注的一大焦点,贯穿于他的创作和翻译生涯,尤其是他翻译文本里所塑造的女性形象及女性标准与当时的社会道德规范大相径庭。在特定时期,鲁迅文学译作中的女性的生存困境,为女性争取话语权带来了契机和希望。  相似文献   
73.
二战催生了好莱坞西部片、歌舞片之后的第三大类型片——战争片。其间,珍珠港无比重要,它将经典的“复仇”叙事推送到国家级别,由此确立了好莱坞战争片的核心价值。战后好莱坞二战影像以“历史叙事”和“个体叙事”的不同方式先后展开,“美国大兵”形象分别承担了“王朝喜剧”和“个体悲剧”的审美功能。由于强大的影像冲击力,“美国大兵”逐渐成为“泛影像”娱乐产业重要的“资源库”之一,获得了影像中的神话地位。  相似文献   
74.
理查德.赖特的代表作《土生子》被誉为美国黑人文学史上的里程碑式作品、"抗议小说"的扛鼎之作,因此学界针对《土生子》的研究多集中于黑白二元对立上,着重探讨的是美国社会制度和种族歧视对美国黑人心灵的戕害及其灾难性后果。在此基础上,本文尝试采用新的视角,以跨种族性关系为切入点,重新审视小说主人公别格的悲剧成因,并且通过分析书中白人如何利用虚假的黑人"性神话"构建黑人的他者身份,揭示别格杀害白人姑娘玛丽的讽刺性寓意,彰显"抗议小说之父"赖特解构黑人"性神话"的创作智慧。  相似文献   
75.
人们在辨认、理解和认同一些社会现象时,往往会受到长期以来形成的认识传统的影响。而在当今社会,人们的思维和认识传统的形成又和杂志、互联网、广播、影视等大众传播媒介的影响密不可分。本文通过对媒体中的性别角色定型现象的分析和对一份大学生调查问卷的研究,分析了大众传播媒介中的性别歧视现象,考察了年轻人对待传媒的性别角色定型现象的态度以及他们对这种现象的敏感性,进而阐述了媒介研究的重要性。  相似文献   
76.
This case study attempts to capture the way gender is constructed and experienced in the social world of the nursery school. It presents findings from a staff survey, structured and unstructured observations of one male’s and one female’s professional practice and one-to-one interviews with children aged three to four years. Despite practitioners’ reported intentions to challenge traditional notions of gender, construction of traditional gender distinctions was not problematised by staff and was upheld by comments of children. Children appeared to construct themselves in terms of gender stereotypes and were offered only limited alternative gender positions by the male and female practitioners.  相似文献   
77.
Purpose: A relationship exists between attitudes toward physical education and future physical activity. The purpose of this study was to examine changes in attitude toward physical education as students progressed from upper elementary school (Grade 4) through middle school (Grade 8). Method: Three cohorts of students (Cohort 1, Grades 4–6, = 96; Cohort 2, Grades 5–7, = 71; and Cohort 3, Grades 6–8, = 73) were each followed for 3 years to examine changes in attitudes toward physical education. Results: After an initial increase from Grade 4 to Grade 5, a significant decrease was observed from Grades 5 to 8 in students’ positive attitudes toward physical education, with a faster rate of change for girls than boys. Conclusion: This longitudinal study provides further insights regarding the attitudes of students as they progress from Grade 4 to Grade 8 and expands on previous findings identifying decreasing positive attitudes toward physical education as students age, particularly for girls. The results provide evidence to support targeted interventions.  相似文献   
78.
Abstract

The gender sexual politics of Liu Yu‐hsiu has been pivotal in the hegemonic ascendancy of Taiwan state feminism in recent years. Through an examination of Liu’s psychoanalytically mediated essays of cultural criticism, this article traces the contour of Liu’s sexual imaginary within the context of 1990s feminist and queer politics. Liu’s modernising project of gender equality, I argue, upholds heterosexual monogamy as a feminist ideal that seeks to purge all the masculine ills, including perversion and promiscuity. Meanwhile, queers and prostitutes come to be figured as the very negativity that must be repressed. Yet, like the Lacanian Real, they impinge on the symbolic order that Liu ordains as they thwart her desire to civilise sex.  相似文献   
79.
Abstract

This paper is a personal account of the author’s interest in the field of sports history and its emergence in Argentina. It explores several prejudices and misunderstandings that have contributed to a limited and partial vision of this scholarly discipline.  相似文献   
80.
ABSTRACT

This article proposes a triple legacy of the expressive culture of the 1960s and 70s. Late twentieth century feminism, discourses of gender equality and the advent of modern confessional culture liberated women’s women’s voices, producing self-realising narratives and a shift in women’s facility to produce authentic ‘reflexive projects of the self’. Drawing on oral history interviews with women born in the 1940s in the United Kingdom, Australia and North America, a new concept for a distinct genre of women’s oral history narrative is advanced– the feminography – in which we hear women owning their voices and the stories those voices tell.  相似文献   
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