Museums and the shaping of contemporary artworks     

Sherri Irvin Author Vitae 《Museum Management and Curatorship》2006,21(2):143-156

In the museum context, curators and conservators often play a role in shaping the nature of contemporary artworks. Before, during and after the acquisition of an art object, curators and conservators engage in dialogue with the artist about how the object should be exhibited and conserved. As a part of this dialogue, the artist may express specifications for the display and conservation of the object, thereby fixing characteristics of the artwork that were previously left open. This process can make a significant difference to the visual appearance of the work, the nature of the audience's experience, and how the work should be interpreted. I present several case studies in which the nature of the artwork has been shaped by such dialogues, and discuss principles for resolving cases in which there is a conflict between instructions specified by the artist and those adopted by the museum.  相似文献   

The Concept of Record in Interactive, Experiential and Dynamic Environments: the View of InterPARES*     

Luciana Duranti  Kenneth Thibodeau 《Archival Science》2006,6(1):13-68

This article presents the concept of electronic record as articulated by the first phase of the InterPARES (International research on Permanent Authentic Records in Electronic Systems) Project (1999–2001) and discusses it in light of the findings of the second phase of the Project (2002–2006). While InterPARES 1 focused on records produced and/or maintained in databases and document management systems, InterPARES 2 examined records produced and/or maintained in interactive, experiential and dynamic environments. The authors describe the characteristics of these environments and of the entities found in them in the course of case studies conducted on systems used for carrying out artistic, scientific and e-government activities, and propose the new concept of record that InterPARES 2 is eleborating, which expands on that formulated by InterPARES 1.The authors would like to thank InterPARES 2 research assistant Randy Preston for his careful editing and constructive criticisms. Some of his suggestions have been incorporated in the text of this article.  相似文献   

科技期刊版式设计中的几个基本要素   总被引：6，自引：3，他引：6  

张凯英  刘永新 《编辑学报》2004,16(1):38-39

简述版式设计在科技期刊编辑出版中的作用,并根据科技期刊的特点,认为科技期刊版式设计中应该抓住比例协调、对称和非对称、静与动、和谐统一、增强与减弱这样一些基本要素.  相似文献   

谈声乐教学中声音技巧与情感表达的关系     

祝卫红 《浙江传媒学院学报》2004,11(2):29-30

声乐技巧与情感表达是声乐教学中不可缺少的两个因素,二者要有机结合起来,这也是唱好一首歌的关键所在.因此,学习声乐的目的是用正确的发声技巧和有情感的内涵来表达声乐作品.  相似文献   

重庆五校土木类专业艺术教育现状调查研究     

刘朝霞  边靓 《高等工程教育研究》2018,(6):78-81

土木类专业实施艺术教育具有非常重要的意义。为了对土木类专业的艺术教育现状进行深入的分析和研究,进一步推进艺术教育的发展,采用问卷调查、访谈等方法,选取重庆市5所设有土木类专业的院校进行调查研究。结果显示,重庆市高校土木类专业的艺术教育在课程设置、艺术活动的开展、师资力量等方面都存在问题,限制了艺术教育的健康发展,最后提出了加强土木类专业艺术教育的对策与建议。  相似文献   

国际工程技术专业人才认证及启示     

王秋惠  冯志友  王家庭 《高等工程教育研究》2018,(1):111-117,130

目前,工程技术人才国际化认证已成为很多国家人才战略规划的重要组成部分。如何根据国情选择性实施工程技术人才的国际认证体系,对于推进我国工程强国战略有重要的意义。课题研究对工程技术人才国际认证体系及英美德日四个工程强国认证状况进行了系统梳理,深入分析国际工程联盟IEA旗下的国际工程师认证IPEA、国际工程技师认证IETA、亚太工程师认证APEC、国际工程技术认证AIET四大工程技术专业人才认证体系及欧洲工程师认证体系EUR-ING的建立背景、认证程序及认证规范。同时,对美国、欧洲、英国、德国、日本及俄罗斯工程技术专业人才国际认证状况进行了深入调查。从比较的视角,对我国工程专业技术人才国际化认证中面对的挑战和机遇进行剖析,提出我国工程技术专业人才国际认证分步实施的思路及发展蓝图:在执行高等工程教育国际认证华盛顿协议、悉尼协议及都柏林协议的基础上,开展IEA旗下IPEA、IETA和AIET三个工程技术人才的国际化认证。首先从世界一流目标高校及国有大中型企业开始进行国际认证,其次,进一步开启我国地方特色院校及特色产业国际工程技术人才认证。  相似文献   

哈佛大学工学院发展战略及其对新工科建设的启示     

原帅  贺飞 《高等工程教育研究》2018,(2):67-70,89

哈佛大学自2007年重建工程与应用科学学院以来,采取了与传统工程学科大相径庭的发展路径,以解决人类面临重大挑战的前沿科学为重点发展方向,以机制保障为学科交叉融合提供土壤,以空间优化调整助力研究、孵化、成果转化一体化发展,取得了显著成绩。哈佛大学工学院发展路径正体现了新工科建设思路,对我国高校加快建设发展新工科,推动学科深度交叉融合,优化调整空间布局,服务科研创新、成果转化等具有重要启示。  相似文献   

Manufacture and Date of a Goryeo dynasty Sutra Box with Mother-of-pearl Inlaid Decoration at the Rijksmuseum,Amsterdam     

Nanhee Lee 《文物保护研究》2018,63(3):163-170

Currently, about ten Goryeo dynasty (918–1392 CE) sutra boxes are preserved in museums in Korea, Japan, the United States, the Netherlands, and the United Kingdom. This article is the result of an examination of a sutra box in the collection of the Rijksmuseum, Amsterdam (hereafter ‘Rijksmuseum sutra box’), which was first introduced to a European audience in the Transactions and Proceedings of the Japanese Society, in 1913–1914. The Rijksmuseum sutra box differs from other Goryeo sutra boxes. With its altered structure and modified motifs, this box bears significant value, not only for the research of thirteenth-century Goryeo mother-of-pearl art, but also for the study of cross-cultural adaptations in East Asian lacquer art. This article investigates the date of manufacture of the sutra box by analysing the manufacturing techniques and its various original and modified parts. For this, an X-ray radiograph was carried out for the first time. As a result, discoveries have been made regarding the structure and decoration of the lower part, which has been modified and is different from Goryeo mother-of-pearl sutra boxes. Finally, this paper reconsiders conservation and repair of Goryeo sutra boxes, as illuminated by an understanding of the original and repaired parts of this box.  相似文献   

The Ephemeral,the Essential and the Material in the Conservation of Contemporary Art: Decision-Making for the Conservation of a Work of Art Made with Butterfly Wings     

Rosario Llamas-Pacheco 《文物保护研究》2018,63(8):441-449

This article presents the intervention process carried out on a work of art created by artist Yolanda Gutiérrez Acosta, using a series of ephemeral materials such as butterfly wings and agave thorns. The work, an installation from 2002, is entitled ‘Efímeras’ (‘Ephemera’) and consists of 12 flowers mounted on acetate sheets and attached to the same with vinyl acetate copolymers and acrylic acid esters (Mowilith®). These flowers are installed on the floor in a bed of dried flowers. The conservation of contemporary art can lead to some previously unimaginable problems for restorers. Current works of art are somewhat material in nature, but they also have a conceptual dimension that is essential for their artistic interpretation. The artist’s participation in the decision-making process prior to the restoration was quite useful. The passage of time, its effect on the work, and the need to understand the possibility of the demise and destruction of the work were implicit as of the onset of its creation, such that, according to the artist, we are forced to reflect upon the possibilities of its future state.  相似文献   

The Effect of Web Search Result Display on Users’ Perceptual Experience and Information Seeking Performance     

Hosam Al-Samarraie  Ahmed Isam Al-Hatem 《The Reference Librarian》2018,59(1):10-18

ABSTRACT

Adding multiple sources of information in the display of Web search results may negatively affect users’ perceptual experience and information-seeking behavior. This claim was established by investigating the impact of different Web search compositions on users’ ability to extract specific information. In this article, we assumed that the quantity and order of different compositions (areas) in the Web search results page may contribute to individual’s ability to find information relevant to their search queries. An eye-tracking device was used to observe and compare the perceptual behavior of 14 users in an information-seeking task. The results showed that the use of different compositions in the display of Web results page significantly influenced users’ perceptual experience by reducing their attention to the organic results area. The quantity of these compositions was found to greatly increase the cognitive load of users when attempting to retrieve information from the organic area, which negatively affects their information-seeking performance. Our finding provides a rationale for further studies to consider the impact of quantity and order of Web page compositions on individuals’ perceptual attention and cognitive load in information-seeking task settings.  相似文献