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91.
Alan Hansen Trudy Milburn 《Journal of International and Intercultural Communication》2015,8(3):224-236
As they conduct the practical work of collaborating during meetings, nonprofit stakeholders construct, negotiate, and manage identities. In this article we use membership categorization analysis to explore how meeting participants avow and ascribe cultural identities during collaborative meetings in two nonprofit organizations. Examination of identification practices, including employing labels for ethnic categories and implicating cultural identities through category-relevant predicates—which are part of the practical work of collaborating in nonprofit organizations—can serve as an aid to understanding how stakeholders negotiate interorganizational collaboration in social interaction. 相似文献
92.
The cultural and creative industries (CCIs) have been hailed as offering great potential to create jobs and to be socially inclusive. Since artistic success is defined by individual talent, or merit, the CCIs should be one sector that is especially open to, and appreciative of, social diversity in terms of race, class, cultural group and gender. However, as expected, recent studies in both the UK and the US have revealed that employment in the CCIs is heavily dominated by the middle classes, and is not as diverse in terms of other characteristics. Since the advent of democracy in South Africa in 1994, transformation of firm ownership, previously dominated by white people, to include more black, coloured and Indian/Asian-origin South Africans, has been an important part of achieving greater economic equality and social cohesion, as well as being more representative of the cultures of the majority of the population. Using data from a survey of 2400 CCIs firms in South Africa, this paper examines the extent to which the CCIs in South Africa have transformed in terms of ownership and employment. Comparisons are also made across the six UNESCO [(2009). Framework for cultural statistics. UNESCO Institute for Statistics. Retrieved from http://www.uis.unesco.org/culture/Pages/framework-cultural-statistics.aspx] “Cultural Domains” in terms of ownership, average monthly turnover and the number of full-time, part-time and contract employees. Results show some diversity in the industry, but significant differences between the Domains. Statistical analysis demonstrates that CCI funding policy in South Africa is sensitive to advancing the transformation agenda in that more transformed firms were shown to be more likely to have received some form of government grant as part of their income. 相似文献
93.
This study examined the work of a collaborative group of six new United States-based social studies teachers from the same social justice-oriented teacher education program (SJOTEP). Shared practices and concepts introduced previously in the SJOTEP were developed and appropriated to their classrooms and schools in consideration of the local context, through the collaborative problem-solving process of the group. It is argued that SJOTEPs and TEPs committed to issues of diversity, democracy, inclusion, and/or equity should be collaboration-based, teach a coherent and consistent social justice-focused curriculum, and provide post-graduation collaborative support and research it. 相似文献
94.
李望华 《温州职业技术学院学报》2011,11(1):65-67
中国唐代诗人寒山在美国文化中被接受的原因在于,译者施奈德为了迎合垮掉派亚文化运动的意识形态建构,对寒山的文化身份进行了限定和重塑,使寒山具有了杂合的文化身份,从而使其成为美国垮掉派的精神领袖,在改变美国道德和文化方面发挥了意想不到的作用。 相似文献
95.
《Journal of Intercultural Communication Research》2013,42(2):91-116
This paper explores the exercise of politeness by Malays in business negotiations with Japanese. The study looks at how disagreement is realized linguistically. Its linguistic configurations in the form of speech acts and discourse strategies and their underlying politeness strategies are identified and described. The study also reports on how Malay cultural values are reflected in the language use. The implications of the study for negotiation in general and the expression of disagreement in particular are then discussed. The findings are significant for an understanding of disagreement by Malays, particularly when interacting in English. Additionally it provides insights into how Malay cultural values impinge on Malay interaction styles vis-à-vis styles of disagreement. The findings work towards an understanding of how Malay values are manifested in the discourse of disagreement in oral communication. 相似文献
96.
Redefining Hijab: American Muslim Women's Standpoints on Veiling 总被引:1,自引:0,他引:1
《Journal of Applied Communication Research》2007,35(3):294-319
Feminist standpoint theory suggests that, although powerful discourses attempt to define women on the “margins” of society, women's cultural positions provide them with heightened understandings of the contradictions between their experiences and the ways the dominant group defines them. Thus, while many Americans believe hijab—also called a “veil” or “headscarf”—functions to oppress women, veiled women probably possess alternative understandings. In this study, 13 veiled American Muslim women share their experiences, and under the lens of standpoint theory, the participants' definition of hijab emerges. Specifically, the women inscribe hijab with meanings shaped by their unique cultural standpoints. Hijab functions to define Muslim identity, perform a behavior check, resist sexual objectification, afford more respect, preserve intimate relationships, and provide freedom. 相似文献
97.
图书馆事业发展的学科理念和文化机制 总被引:5,自引:0,他引:5
“公共文献信息”也许是图书馆学研究对象的较为准确的描述。对公共文献信息的关注决定了图书馆学的基本走向。图书馆学发展的基础和最终方向是信息技术与科学知识系统的协调以及与社会文化运行机制的配合。参考文献 11。 相似文献
98.
试析"人文奥运"与中国新文化建设 总被引:14,自引:1,他引:13
本文通过对奥林匹克运动思想层面、组织制度层面、活动内容层面等的分析,把奥林匹克人文精神的内涵结合到中国传统的人文思想中,从“人文奥运”的立足点出发,确定中国新文化建设的目标,并寻求中国新文化建设的途径--以奥林匹克特有的精神价值、文化形式、更快、更高、更强的格言,教育人、吸引人、激励人,进而以合理的价值取向、权力和义务、道德修养,引导、教育人,从而全面提高全民族的人文素养。 相似文献
99.
岳德虎 《柳州职业技术学院学报》2010,10(3):34-38
阐述广西文化创意产业发展在政策、地域、民族传统以及品牌等方面的独特优势,分析了广西高职教育在文化创意产业方面的缺失。在此基础上,探讨了人才培养体系的构建。 相似文献
100.
Determining heterogeneous behavior for theater attendance 总被引:2,自引:1,他引:1
Victoria Ateca-Amestoy 《Journal of Cultural Economics》2008,32(2):127-151
In this paper we propose and estimate a model of theater participation using the data contained in the 2002 Survey of Public Participation in the Arts from the USA, a dataset widely used to study the determinants of cultural participation. Our contribution relies on the use
of an estimation technique that respects the count data nature of the attendance variable (number of theater performances
that an individual attended) and allows for heterogeneous behavior. By using a Zero Inflated Negative Binomial Model, we can
characterize two distinct behaviors for the observable attendance: a group of never-goers (who never participate) and a subpopulation
that has a positive probability of attending. For this latter group, we can estimate the effect of certain personal variables
on the probability of highest frequency. The results suggest that the proposed model is appropriate for estimating cultural
participation.
相似文献
Victoria Ateca-AmestoyEmail: |