When Herbert met Ken: understanding the 100 languages of creativity     

Nick Owen 《English in Education》2007,41(2):27-43

The paper proposes a thought experiment written in the spirit of Tom Stoppard's Travesties in which some major contemporary thinkers on and actors of creativity and culture are brought together in the same imagined space through the conceit of a (faulty) memory play. ‘Actors’ are drawn from the National Advisory Committee on Creative and Cultural Education (NACCCE, 19991, the Gulbenkian Committee (1981) and the Joint Council for Education through Art (1957). The paper suggests a series of hypothetical conversations between educationalists from the 1950s to the 2000s who have been engaged with developing arts and cultural education and creativity in our schools. It aims to establish what we have learnt about the discourses of creativity ‐ and what impact this may have had in our classrooms. It concludes with a speculative trial between a Professor Ken Robinson of 1999, adjudged by a Sir Herbert Read of 1957. Nick Owen is a Liverpool‐based film maker and researcher who has recently completed a PhD scholarship at the University of Hull. The scholarship, funded by Creative Partnerships, focused on developing pedagogies for creativity in contexts in which artists and educators work together.  相似文献   

英国高校科研经费“双重资助体系”研究及思考     

王敏  张国兵 《科技管理研究》2015,(24)

英国政府对高校的科研资助在长期实践中形成了以"高等教育拨款委员会拨款"及"研究委员会拨款"为主体的双重资助体系,形成了以决策分权化、完全经济成本补偿、创新科研评估制度为特征的政府资助高校科研管理体制。论文从比较研究的视角,对我国高校科研经费管理的实践进行相应的反思。  相似文献   

海峡两岸现代竞技武术的比较研究   总被引：1，自引：0，他引：1  

刘成  高楚兰 《Journal of Zhangzhou Technical Institute》2011,13(1):61-67

采用文献资料法、专家访谈法、比较分析法、逻辑分析法等对海峡两岸竞技武术的发展史、管理机制与运行机制以及人才培养等方面进行比较研究,分析出两岸在上述方面的差异与共同之处,并客观的剖析出双方各自的优势与不足之处,去芜存菁,力求对海峡两岸的竞技武术交流成效的提升梳理出思路,也为竞技武术的国际性发展提供借鉴和参考。  相似文献   

武术与民族传统体育专业招生考试改革中礼仪文化教育研究     

任哲  次春雷 《广州体育学院学报》2021,(1)

随着国家教育强国战略的深化,优质生源的选拔已成为普通高校人才培养的关键,但在此过程中人们往往聚焦于人才选拔的质量,而忽视其考试教育与导向作用,致使形成了“重选材、轻育人”的招生考试模式。因此,在体育招生考试改革中实现考试育人的突破显得尤为重要,既能为前置教育发挥导向作用,又能为入学后的思想政治教育奠定基础,从而发挥出招生考试环节的育人作用与功能,实现全方位育人。虽然近年来武术与民族传统体育专业招生考试改革工作取得了一定的成效,但在改革过程中仍然存在着一些不足和尚未完善的方面。因此,在新时代背景下深化体育专业招生考试改革工作,积极拓宽改革思路与教育路径,已然成为该领域亟待研究和解决的重要课题。  相似文献   

游戏化教学软件视觉审美     

许岩岩  李振亭  王晓乐  张秀丽 《人天科学研究》2014,(9):26-27

结合心理学相关理论,从界面布局、色调、情景、音效4个方面分析影响游戏化教学软件视觉审美因素,探讨视觉审美艺术游戏化教学软件设计中的运用。  相似文献   

民国时期“中央国术馆”成立历史背景探析     

刘旭东 《搏击·武术科学》2014,(5):16-18

1928年由张之江创办、南京国民政府批准成立的“中央国术馆”,是近代中国武术历史上浓墨重彩的一笔,对近代武术的发展做出了极大的贡献。“中央国术馆”的成立打破了中国传统武术封闭、狭隘的教育传承模式,是中国武术历史上划时代的分水岭。在它的成立过程中,社会形势的转变、社会尚武思潮、爱国人士的积极倡导等都对其产生了不可低估的推动力量。  相似文献   

The social stratification of theatre,dance and cinema attendance     

Tak Wing Chan  John H. Goldthorpe 《Cultural Trends》2005,14(3):193-212

In current sociological literature the relationship between social inequality and patterns of cultural taste and consumption is the subject of a large and complex debate. In this paper the primary aim is to examine, in the light of empirical results from a research project in which the authors are presently engaged, three main, and rival, positions that have been taken up in this debate, here labelled as the ‘homology’, the ‘individualization’ and the ‘omnivore–univore’ arguments. Elsewhere, we have concentrated on musical consumption in England, and find evidence that is broadly supportive of the omnivore–univore argument. Here we ask whether such findings are confirmed in the case of theatre, dance and cinema attendance. A secondary aim of the paper is to bring to the attention of practitioners in the field of cultural policy and administration the need to address the issues that arise through the use of more powerful methods of data analysis than those often applied in the past. We explain how indicators of theatre, dance and cinema attendance derived from the Arts in England survey of 2001 can be subject to analysis so as to reveal two distinctive patterns of attendance and, in turn, two distinctive types of consumer—who can, it turns out, be regarded as omnivores and univores, even if with some qualification. The former have relatively high rates of attendance at all kinds of the events covered, including musicals and pantomimes as well as plays and ballet, while the latter tend to be cinema-goers only, that is, non-consumers of theatre and dance. A range of measures of social inequality are then introduced into the authors' analyses, including separate measures of social class and social status and also of educational level and income, and it is further shown that, again in conformity with the omnivore–univore argument, these two types of consumer are socially stratified. Omnivores are of generally higher social status than univores and also have usually higher levels of education and higher income than do univores (the latter finding marking the main difference with musical consumption, which was unaffected by income once other stratification variables were controlled). In sum, our results for theatre, dance and cinema attendance lend, overall, further support to the omnivore–univore argument as against its rivals, but also indicate that different aspects of social inequality impact on different forms of cultural consumption in varying degrees and probably through largely separate processes.  相似文献   

Mask-making as identity project in a high school English class: a case study     

Peter Smagorinsky  Michelle Zoss  Cindy O'Donnell-Allen 《English in Education》2005,39(2):60-75

This study reports on the composing process of one student, Peta (a pseudonym), as he reflects on a significant composition he produced during a unit on identity in a 12th‐grade English class in a U. S. high school. The unit was the first thematic exploration of the year for the students and was designed to help them think about themselves as readers, writers, and individuals. The teacher's goal was to have students' engagements with literary and artistic texts serve as vehicles for developing better understandings of themselves. The study demonstrates how students' engagement with more ‘traditional’ artefacts is essentially an example of multimodality and evidences why teachers and researchers should see such work as part of the long tradition of creativity within English. It also demonstrates how such an apparently ‘traditional’ artistic approach in fact covers the same territory as that of the digital revolution, that is that multimodal ‘tools’ engage all the cultural resources of students from their domestic, community and school settings, in contrast with much typical school activity that is perceived as pointless and tedious.  相似文献   

文科专款体制实效考察     

武桂云 《大学图书馆学报》2001,19(4):46-49

文科图书引进专款是国家重点支持高等院校人文社会科学发展的专项财政拨款。组织体制建设，订购、流通和管理流程规范对实施文科专款工作具有十分重要的意义。文章结合复旦大学图书馆的工作实践，介绍并探讨了完善体制建设和专款使用实效问题。  相似文献   

不容忽视的透视规律---论关于立方体的焦点透视关系     

裴静海 《天水师范学院学报》2001,21(4):83-84

焦点透视是研究物体近大远小规律的科学.立方体在绝对平行的情况下,无法构成有深度的可视面,所以它在空间维度中仍处于二维平面状态,构不成三维空间的立体关系.当视点位置不变,将立方体作任何方向的移动,所产生的空间透视关系微妙而复杂.1995年高等教育出版社出版的<美术技法理论>第39页有关立方体平行透视的概念和图示有待进一步商榷.  相似文献