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Christina Gowlett 《Educational Philosophy and Theory》2015,47(2):159-172
AbstractThis article takes the role of provocateur to ‘queer(y)’ the rules of intelligibility surrounding new schooling accountabilities. Butler’s work is seldom used outside the arena of gender and sexualities research. A ‘queer(y)ing’ methodology is subsequently applied in a context very different to where it is frequently associated. Empirical data from a case study secondary school in Australia are used to contextualise the use of queer theory in thinking differently about new schooling accountabilities and how they can unfold in ways that are unforeseen and unexpected. By applying Butlerian theory in a manner very different to what is commonly expected, the author also destabilises the use of queer theory as well. 相似文献
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布迪厄为后现代女性主义研究者提供了反思社会学和惯习等学术理念和社会学方法,试图通过对朱迪斯．邑特勒的性别表演理论的解读和释疑来发掘布迪厄对女性主义社会学的贡献。 相似文献
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Young children,gender and the heterosexual matrix 总被引：1，自引：0，他引：1
Carrie Paechter 《Discourse: Studies in the Cultural Politics of Education》2017,38(2):277-291
In this paper I consider the adult focus of current mainstream gender theory. I relate this to how the concept of the heterosexual matrix originates in a social contract which excludes children from civil society. I argue that this exclusion is problematic both for theoretical reasons and from the perspective of children themselves. I start by discussing the nature of the heterosexual matrix and its foundations. I consider the implications for participation which arise from being named as a child, how that affects children's attempts to claim participation in civil society, and how this is related to children's naming of themselves as gendered. I then briefly consider the possibility that, because of their exclusion, children might also be considered to be exempt from the heterosexual matrix. However, I argue, there is considerable evidence that children are actively sexual beings who also work hard to claim inclusion in local practices of heterosexuality. I end by suggesting that there are three key reasons for this: that the discourses of normative sexuality provide children with a language to express sexual feelings; that self-insertion in the heterosexual matrix is a way for children to claim rights to participation; and that taking up heterosexual formations is a means whereby children can experience the power of naming themselves as part of the social world. 相似文献
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小说《飘》中的主人公瑞特.巴特勒在现实生活中经常自觉地运用反讽思维,其反讽的多样性、深刻性使之成为反讽艺术的经典人物。它的经典性体现在——传奇式条件中孕育出的主人公瑞特,以其从语言、行为到命运的反讽性显示了其反讽的严整性与深刻性。 相似文献
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Simon Warren Carol Vincent 《International journal of qualitative studies in education》2013,26(1):39-53
In this paper, the focus is on one particular research project, conducted in the UK, which studied the role of parent groups and organizations in relation to the mainstream education system. The authors seek to analyze and evaluate access to the different "structures of feeling" inhabited by the various respondents involved in the project. Using the project as a lens, a critical case, the relationships between respondents and researchers are problematized, highlighting a number of issues with broad applicability. These include negotiating access, securing informed consent, the debates around symmetry and asymmetry between researcher and respondent, the processes of interviewing, data analysis and dissemination. The authors also comment on the formation and development of relationships with respondents, trying to tease out the differences and similarities of age, race, social class, language, and gender, and to suggest how these disjunctions and connections affected the process of datacollection and analysis. Finally, the article concludes with a brief consideration of the implications for future research design and conduct of the arguments put forward. 相似文献
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《Journalism Practice》2013,7(4):399-413
The concept of “ritual” has played an important role in research within mass media and journalism studies in the last decades. Both ethnographic and anthropological research in media studies has devoted attention to an elaboration of its theoretical scope. However, as this paper argues, reading the concept in the perspective of Butler's theory of performativity can considerably deepen our understanding of the relation between rituals and journalistic identity. As such, the paper wishes to re-evaluate important work in the field of newsroom ethnography and aims to show to what extent rituals at the same time constitute the occupational values of journalists and may offer them a way of subverting the dominant journalistic paradigm. 相似文献
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《Cultural and Social History》2013,10(2):235-259
ABSTRACTIn a recent article, Alistair Mutch suggests that twin concepts – ‘control’ and ‘interpretation’ – explain the evolution of the public house over a century of dramatic changes between 1850 and 1950. This article argues that these concepts are confusing, ambiguous and misleading. It was not regulatory pressures, the temperance movement, local politicians, pressure groups or magistrates that most shaped the history of drinking premises, but developments outside the brewing industry, most notably Progressivism. Emerging in the late nineteenth century, Progressives set out to reform drinkers and drink premises, first in the trust house movement, and then in the Liquor Traffic Central Control Board during the First World War. Appropriating their ideas and philosophy immediately following the war, England's foremost brewers launched the public house improvement movement, the most far-reaching attempt to transform the nature of public drinking in the twentieth century. 相似文献
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Alasdair King 《Journal of Cultural Economy》2016,9(6):555-569
Marc Bauder’s finance film, Master of the Universe (2013) won the European Documentary Film Prize in December 2014. Bauder’s film focuses on a series on interviews with a former leading investment banker, Rainer Voss, high up in one of Frankfurt’s deserted bank skyscrapers. Voss’s statements, set against the skyline of Frankfurt’s ‘Mainhattan’ financial sector, allow Bauder to constitute an aesthetic that, I argue, successfully addresses a key problem in moving image studies, namely how to find an appropriate film form to register the workings of contemporary finance. Bauder’s film offers an unusual depiction of the self-constitution and self-understanding of a banker-turned-whistleblower, focusing on Voss’s speech acts of explication and justification. Drawing on Judith Butler’s analysis of performative agency and of the separation of economics and politics through iterative perlocutionary acts, I argue that Bauder’s investigation into the performativity that establishes the autonomy of the financial sector and grants it extensive social power offers a significant aesthetic engagement with financial performativity and contributes to debates about documentary and performativity and about routes to a reconnection of economics and politics. 相似文献
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何燕李 《四川三峡学院学报》2014,(5):97-101
《白宫管家》以交叉叙事的方式书写了西塞尔·盖恩斯在种族主义语境中的摇摆人生,以及与之相随的柔软黑人性和坚硬主体性,具体表现在三个方面：第一,棉花田里的舞勺之年,未谙世事的西塞尔以反抗彰显着其黑人性;第二,私刑下的而立与不惑,失去父亲的西塞尔用忍耐守望着自己的主体性,尽量不谈政治;第三,后政治秀的耄耋期颐,失去儿子的西塞尔凭反抗坚守着长期以来其族裔所需的黑人性。实际上,这三段从反抗→忍耐→反抗的人生,是当时黑人在“主人”宰制下的策略生存,旨在以迎合语境所允许个体“奴仆”承载的主体性的前提下守护集体的黑人性。 相似文献