游泳运动员专项始训年龄段运动素质的生理特点分析   总被引：3，自引：0，他引：3  

谭政典  刘苹 《福建体育科技》2003,22(2):14-17

本文通过文献资料法、常规数理统计法及调查访问法 ,对我国部分优秀游泳运动员各训练阶段的年龄参数进行调查研究 ,并从运动生理学角度对专项始训年龄段的运动员运动素质的生理特点进行分析 ,发现 12 - 14岁是年龄组运动员开始专项训练的适宜年龄段 ,运动员的运动素质在此年龄段已有一定的发展 ,有的还处在发展敏感期 ,能达到专项训练的要求。  相似文献   

试论体育专业教学评价的时代特征   总被引：2，自引：0，他引：2  

袭长城  柴全义 《福建体育科技》2003,22(1):42-44

教学评价是教学活动中的重要环节。随着教育教学思想、观念的更新 ,体育教学的指导思想、目标的发展与变化 ,体育教学评价的时代性特征表现为 :评价内容的全面性、评价指标的层次性、评价对象的整体性、评价目的的发展性、评价方式的综合性和评价结果的导航性。  相似文献   

    

Florence Chang  Marco A. Mu?oz 《Journal of Personnel Evaluation in Education》2006,19(1-2):35-49

There is an increasing interest in linking character education programs with social and academic outcomes. The Child Development Project (CDP) is a character education program that promotes academic and social growth in teachers and students. This theory-driven evaluation employed a quasi-experimental design with matched control schools. School personnel participated in an intensive professional development process to learn the CDP model. Performance measures included state-mandated achievement measures, teacher self-assessment reports, and student attitudes and outcomes. Results yielded support for the CDP model as a strategy to improve social and, if properly implemented, cognitive outcomes in students; the model also improved teacher self-assessment and provided information that may facilitate professional growth about school collegiality. Implications for policy and practice will be discussed.  相似文献   

武术与传统美学   总被引：4，自引：0，他引：4  

郑爱民  周新春 《南京体育学院学报(社会科学版)》2003,17(6):35-36

武术作为中国古代流传下来的一项宝贵的文化遗产,它不仅具有运动特征,而且还具有美学特征。其在演练过程中所表现出的"韵"味以及"神和意",使人们不仅能品味醇厚的武术文化,而且能在刀光剑影中获得美的享受。  相似文献   

《<说文解字>校订本》指瑕     

陈锦春 《图书馆杂志》2006,25(5):70-73,69

《<说文解字>校订本》校勘精良,极便使用。本文试对其中一些衍文、夺文、讹误和标点问题提出不同的意见,以剔刘其微瑕,以期能提高该书质量。  相似文献   

Essentialism, adaptation and justice: Towards a new epistemology of museums     

Mark O'Neill ^{Author Vitae} 《Museum Management and Curatorship》2006,21(2):95-116

This article treats the prevalent confused mixture of utilitarian, art-and-knowledge-for-their-own-sake and ideological interpretations of the purpose of museums as a problem of epistemology, arguing that that key dimensions of museum knowledge (of objects, visitors, museums themselves, and of society) need to be integrated to achieve coherence. A new object-based, visitor-centred, storytelling epistemology is proposed. This would take an interdisciplinary approach and aim to unleash, rather than mute the real power of objects. It would address human destructiveness, as well as celebrating human creativity and the wonders of nature. It would respect the meaning-making practices of real, as opposed to idealized, imaginary visitors, and promote staff self-awareness in managing bureaucratic drift into introversion and avoidance of difficult issues. Incorporating a theory of justice, it would erode boundaries created by presentation traditions which, though marginal to object experiences, discriminate in favour of specific social groups—often groups with whom staff identify. Providing a museum service on a visibly fair basis is essential for museums to achieve intellectual coherence as well as societal support.  相似文献   

Are you now or have you ever been? Opening the records of the McCarthy investigations     

Donald A. Ritchie Author Vitae 《Journal of Government Information》2004,30(4):463-469

  相似文献   

Manufacture and Date of a Goryeo dynasty Sutra Box with Mother-of-pearl Inlaid Decoration at the Rijksmuseum,Amsterdam     

Nanhee Lee 《文物保护研究》2018,63(3):163-170

Currently, about ten Goryeo dynasty (918–1392 CE) sutra boxes are preserved in museums in Korea, Japan, the United States, the Netherlands, and the United Kingdom. This article is the result of an examination of a sutra box in the collection of the Rijksmuseum, Amsterdam (hereafter ‘Rijksmuseum sutra box’), which was first introduced to a European audience in the Transactions and Proceedings of the Japanese Society, in 1913–1914. The Rijksmuseum sutra box differs from other Goryeo sutra boxes. With its altered structure and modified motifs, this box bears significant value, not only for the research of thirteenth-century Goryeo mother-of-pearl art, but also for the study of cross-cultural adaptations in East Asian lacquer art. This article investigates the date of manufacture of the sutra box by analysing the manufacturing techniques and its various original and modified parts. For this, an X-ray radiograph was carried out for the first time. As a result, discoveries have been made regarding the structure and decoration of the lower part, which has been modified and is different from Goryeo mother-of-pearl sutra boxes. Finally, this paper reconsiders conservation and repair of Goryeo sutra boxes, as illuminated by an understanding of the original and repaired parts of this box.  相似文献   

自我拯救与自我毁灭——浅论《红字》中的罪与罚意识     

邵杰 《湖北广播电视大学学报》2011,31(9):59-60

本文通过对文中海丝特·白兰与丁姆斯代尔各自罪与罚的探讨，进一步阐释作品主题，同时从另一个侧面去理解作者的思想体系与创作心理动机。  相似文献   

沧桑往事的文化省察——论"老作家"写在"新时期"的反思散文     

徐阿兵 《温州大学学报(社会科学版)》2011,24(2)

一批"老作家"在"新时期"陆续发表的反思散文,不仅体现出明确的文化承担意识,而且在对文化的反思和比较中抒写了丰富的伤痛和欣喜之情.他们对沧桑往事的文化省察,彰显了散文诚与真的诗学品格,本身也应当成为可贵的文化遗产.  相似文献