21世纪甘肃省绿色产业发展构想     

张小平  贾文雄 《天水师范学院学报》2005,25(4):38-41

甘肃省发展绿色产业是适应世界产业发展潮流、国家宏观产业政策调整、西部大开发战略实施以及甘肃生态环境建设需要的必然选择。甘肃省发展绿色产业必须以市场需求为导向,以特色产业为基础,以龙头企业为核心,以科技进步为动力,以可持续发展为目标。通过树立正确的绿色产业发展观,完善绿色产业的组织管理体系,增强绿色产业的市场竞争能力,强化绿色产业的人才队伍建设,构建绿色产业的市场网络体系以及扩大绿色产业的对外合作与交流来促进甘肃绿色产业的全面发展。  相似文献   

Selection models in the music industry: How a prior independent experience may affect chart success     

Andrea Ordanini 《Journal of Cultural Economics》2006,30(3):183-200

The is article analyses the two main approaches for artists’ selection in the recording industry: the direct model in which large major companies directly choose new artists from the supply market, and the agency model in which small independent labels realise the first choice and, subsequently, large organisations pick their new artists among those pre-selected by independents.An empirical analysis of chart sales reveals that artists selected through the agency model exhibit a longer presence on the chart due to repeated successes, while they are slower to reach heavy success once they have entered the chart. Conversely, the direct model leads to artists with a faster path to a strong success, but the same artists have a shorter presence on the chart due to the sporadic nature of their success. The profile of artists selected through these two models is also found to be different: big international soloist stars are more frequently selected through the direct model, while national bands are more frequently selected through the agency model.The insights suggest important implications for management in the cultural industries and especially in the recording industry. Jel Codes: L82; O32  相似文献   

职业教育发展的行业化趋势   总被引：1，自引：0，他引：1  

吕红  吴念 《安徽职业技术学院学报》2005,4(2):47-50

文章立足职业教育的培养目标及其在社会经济中的地位,结合部分发达国家产学结合的做法,从我国职业教育体制结构和发展方向的角度,论述了行业、企业参与职业教育的必要性;倡导建立政府保障、行业主导、全社会参与的职业教育发展局面。  相似文献   

Culturalisation and devices: what is culture in cultural economy?     

Lizzie Richardson 《Journal of Cultural Economy》2019,12(3):228-241

Theorisation of culture is often absent from research on production in the creative and cultural sector. Further, cultural production has been largely untouched by the insights of the cultural economy approach. Culturalisation is a means of addressing the question of what constitutes culture and thus a cultural (economy) approach. It is the process by which culture and cultural production combine in the ‘operationalisation of the real.’ Culturalisation underpins much scholarship in this journal by posing the (economic) real as a problem of definition in order to illustrate the operations involved in its temporary resolution. The implications of this position need further addressing. There is a feedback between culture as a problem of definition and a cultural approach. Devices can interrogate the relationship between processes of cultural definition and the conceptual parameters of a cultural economy approach. Workshopping, projects and events are put forward as cultural devices emerging from a 10-month ethnography of literary performance in Bristol, England. This illustration shows firstly, how culturalisation occurs in a designated cultural sector to contingently realise culture; and secondly, the implicit logic of cultural economy as culturalisation, typified by the device as method, so as to open a debate concerning its implications.  相似文献   

文化产业中的表达：自由与界限     

齐崇文 《出版科学》2016,24(2):10-14

文化产业是表达的产业,表达是文化产业的核心要素。自由的表达可以推动文化产业的发展,但过度的表达又会使文化产业的社会效益受损。文化产业的有序发展需要合理、恰当的表达,需要为表达自由划定一个界限,这个界限就是表达义务。表达义务对文化产品的生产者和传播者提出应当不侵犯他人权益、不损害社会公共利益和不侵害前代人和后代人权益的行为要求。表达义务既是表达自由的限制和界限,也是文化产业的社会效益在法律上的体现。  相似文献   

大众文化的兴起     

宋巍 《黑龙江教育学院学报》2008,27(3):100-102

“大众文化”作为一个20世纪新兴的文化现象,有着独特的内涵和特征,对于这一文化现象兴起的原因历来众说纷纭,大众文化兴起的原因主要表现为：（1）科技时代机械复制技术的成果;（2）大众精神层面需求的滋生推进了这一文化现象的产生与发展;（3）产业利润的驱使也推动了这一现象的产生。  相似文献   

广州与佛山两市三次产业互补性研究     

李永成 《许昌学院学报》2005,24(2):141-144

基于区域整合发展的需要，广州与佛山两市以泛珠江三角洲建设为契机加快整合的步伐．通过对广州与佛山两市的三次产业实证分析，剖析广佛两市三次产业存在着互补、互动性．进而提出了广佛两市在建设成泛珠三角强力中心的区域经济整合与开发的过程中，应该合理定位城市职能，协调都市圈经济中的产业分工。  相似文献   

论文化产业的属性及政策导向     

杨吉华 《许昌学院学报》2007,26(1):5-8

文化产业是我国最具潜力的新兴产业之一。就产业属性而言,文化产业是国民经济产业系列中的一种产业,具有产业发展的共性;同时文化产业又属于精神生产范畴,遵循不同于物质生产的特殊的生产规律;文化产业还具有意识形态属性。三种属性使得文化产业成为国民经济中的一个特殊产业。只有既考虑其一般性,又尊重其特殊性,才能制定出促进文化产业健康发展的产业政策。  相似文献   

齐鲁文化创意产业发展和品牌打造刍论     

何志钧  翟芳平 《廊坊师范学院学报》2011,27(5):77-80

当代齐鲁地域文化资源保护开发和文化品牌建设应积极顺应文化创意产业发展的大潮流,实现从单纯依赖物质、地理、名胜、生物资源的传统文化产业模式向偏重精神资源开发、文化创意、高科技的数字化文化创意产业模式转变。目前,不合理的人才结构、根深蒂固的传统文化观念、政府主导型的文化产业发展模式等因素正制约着山东文化创意产业的发展。所以,山东文化创意产业的发展必须首先解决文化自身的瓶颈问题,而充分利用网络传媒技术加大地域文化资源创意产业开发不仅是必要的,也是可行的。  相似文献   

Convergent designs in fine fashion: An evolutionary model for stylistic innovation     

Rossella Cappetta Author Vitae  Paola Cillo Author Vitae  Anna Ponti Author Vitae 《Research Policy》2006,35(9):1273-1290

In this paper we propose and test an evolutionary model of stylistic innovation, that is the change in the aesthetic and symbolic elements of products and services. Style is an increasingly relevant phenomenon in many industries and our goal is to develop a model of how styles get introduced and adopted. We build on existent literature on technological change to frame the dynamics of how style changes across time. In the model we propose, companies face periods of ferment with relevant stylistic variations and periods of convergence on a single trend—that is the stylistic convergent design versus the technologic dominant design. We identify the drivers of convergence in stylistic innovation. We test the model with a longitudinal empirical study (1984-2002) in the fine fashion industry, explaining the main differences between a stylistic and a technological evolutionary model.  相似文献