| 中国美术中的审美特色 |
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| 引用本文： | 龚吉雯.中国美术中的审美特色[J].昭通师范高等专科学校学报,2004,26(3):45-49. |
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| 作者姓名： | 龚吉雯 |
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| 作者单位： | 昭通师范高等专科学校,艺术系,云南,昭通,657000 |
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| 摘 要： | 中国美术的审美特色是在漫长的岁月中形成的,它是和中国人的哲学观紧密相连的.这个审美特色缘起于诸子百家时期,在以后的发展和形成过程中又吸收了大量的外来思想,在各种思想的共同作用下逐渐定型,并在我国封建时代中到达了高峰.近代西学的进入给传统的审美思想带来了强劲的冲击,但百年的中西文化碰撞还没能让中国的审美特色发生质的变化,中国画的审美精神仍然是立足于中国人的哲学思想,发生变化的只是具体的技法.
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| 关 键 词： | 中国美术 审美特色 言(象)意论 美育 废纸论 |
| 文章编号： | 1008-9322(2004)03-0045-05 |
| 修稿时间： | 2003年12月9日 |
Aesthetic Characteristics in Chinese Fine Arts |
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| GONG Ji-wen.Aesthetic Characteristics in Chinese Fine Arts[J].Journal of Zhaotong Teacher's College,2004,26(3):45-49. |
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| Authors: | GONG Ji-wen |
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| Abstract: | The aesthetic characteristics of Chinese fine arts are formed in prolonged period of time. It is closely linked with Chinese philosophical outlook. The aesthetic characteristics originated from the hundred schools of thought in time of the Warring States, and it also absorbed plenty of foreign thoughts in the process of later development and formation, then it became fixed gradually under the influence of all thoughts' joint action and it came up to the heights in Chinese feudal age. When modern Western learning entered, it brought forceful challenges to the traditional aesthetic thought. But the collision between Chinese and Western cultures in the last hundred years did not yet cause Chinese aesthetic characteristics to change in quality. The aesthetic spirit of traditional Chinese painting is still based on Chinese philosophical thinking. The occurrent change is only the concrete technique. |
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| Keywords: | Chinese fine arts aesthetic characteristics theory of speech (image) and idea art education theory of waste paper |
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