| 中国当代诗歌潮流30年概观 |
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| 引用本文： | 徐向昱.中国当代诗歌潮流30年概观[J].青岛职业技术学院学报,2004,17(2):42-46. |
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| 作者姓名： | 徐向昱 |
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| 作者单位： | 中国海洋大学,文学院,山东,青岛,266071 |
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| 摘 要： | 建国后十七年和“文革”十年，当代诗歌被有效地整合进了政治一体化的文学体制，使之成为政治宣传的工具。颂歌和战歌是这一时期诗歌创作的两种主要形态。进入新时期后，一方面是承担了启蒙主义历史使命的现实主义诗潮再度复兴，另一方面是“文革”时期处于地下状态的朦胧诗开始浮出历史地表。朦胧诗在思想方面与现实主义诗潮同调，在艺术技巧层面借鉴了现代主义的艺术手法，成为现代主义的先声。
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| 关 键 词： | 政治 颂歌 战歌 启蒙 现实主义 朦胧诗 |
| 文章编号： | 1672-2698(2004)02-0042-05 |
| 修稿时间： | 2003年3月16日 |
On Chinese Contemporary Poem Trend for 30 Years |
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| XU Xiang-yu.On Chinese Contemporary Poem Trend for 30 Years[J].Journal of Qingdao Vocational and Technical College,2004,17(2):42-46. |
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| Authors: | XU Xiang-yu |
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| Abstract: | The contemporary poems were integrated into the politics-oriented literature system, and had to be the political instrument of propaganda after 17 years of the founding of the People's Republic of China and during the 10-year of "Cultural Revolution". Ode and battle songs were two main poetic forms at that time. In the new period, on the one hand, realistic poem trend taking the enlightening mission revived again; on the other hand, the obscure poems that were underground in the period of "Cultural Revolution" appeared. The obscure poems that heralded the modernism were the same as the realistic poems trend in the aspect of content, and they used the realistic technique as well. |
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| Keywords: | politics ode battle songs enlighten realism obscure poems |
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