| 中西诗画论之文化基因比较 |
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| 引用本文： | 宋雄华.中西诗画论之文化基因比较[J].华中师范大学学报(人文社会科学版),2002,41(3):132-138. |
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| 作者姓名： | 宋雄华 |
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| 作者单位： | 南京大学,中文系,江苏,南京,210093 |
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| 摘 要： | 本比较了中西诗画论的异同，认为中国诗画论的主导倾向是诗画同源论，西方诗画论的主导倾向是诗画异质论；本从中西哲学观念和思维方法、中西各自的诗画传统、中西诗画论产生的化背景等三个方面，说明了其成因；总结了中西诗画论各自的意义与局限。
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| 关 键 词： | 诗画论 文化基因 诗画同源 诗画异质 中国 西方 |
| 文章编号： | 1000-2456(2002)03-0132-07 |
| 修稿时间： | 2001年9月26日 |
The Comparison of Cultural Gene On China-West Poetry-Painting Theory |
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| SONG Xiong-hua.The Comparison of Cultural Gene On China-West Poetry-Painting Theory[J].Journal of Central China Normal University(Humanities and Social Sciences),2002,41(3):132-138. |
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| Authors: | SONG Xiong-hua |
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| Abstract: | The article thinks the major trend of China poetry-painting theory is cognate and that of west's is heterogeneous, on the basis of comparing China-west poetry-painting theory. It interprets their causes from the three aspects: their diferent philosophy ideas and ways of thinking,their different poetry-painting tradition, and different cultural backgrounds. It at last sums up the significance and limitation of China-west poetry-painting theory. |
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| Keywords: | poetry-painting theory cultural gene poetry-painting cognation poetry-painting heterogeneousneity |
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