| 浅谈《蕙风词话》“词有穆之一境” |
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| 引用本文： | 魏宏远.浅谈《蕙风词话》“词有穆之一境”[J].河西学院学报,2005,21(1):79-81. |
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| 作者姓名： | 魏宏远 |
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| 作者单位： | 上海大学文学院,上海,200436 |
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| 摘 要： | 况周颐在《蕙风词话》中提出“词有穆之一境”,这是一种富有生命意识的词境理论,它以“静”为外貌,以“厚、重、大”为血肉,以“真”为“词骨”,是理想化的艺术境地,涌动着生命的意识,颇具传统士大夫之审美倾向和理想色彩,使词境理论达到成熟和完善。
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| 关 键 词： | 词境 静 “厚、重、大” 真 |
The Calmness Artistic Conception of Ci among the HUIFENG Talks of Poetry |
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| WEI Hong-yuan.The Calmness Artistic Conception of Ci among the HUIFENG Talks of Poetry[J].Journal of Hexi University,2005,21(1):79-81. |
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| Authors: | WEI Hong-yuan |
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| Abstract: | KUANG Zhouyi puts forward that there is a sort of calmness artistic conception of CI - poem in HUIFENG Talks of Poetry. It is a theory of vitality, which has calmness in its appearance, while its body is very great and serious. The skeleton of the calmness artistic conception Of Ci is based on“sincerity”. so, it is an ideal state full of meaning of life and idelogical aesthetic color of ancient intellect, which made the theory of artistic concenption of Ci compelete and perfect. |
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| Keywords: | artistic conception of Ci calmness “deep thick big” sincerity |
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