| 两种美学乌托邦：酒神精神与狂欢精神——论尼采美学与巴赫金美学的对话关系 |
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| 引用本文： | 黄世权.两种美学乌托邦：酒神精神与狂欢精神——论尼采美学与巴赫金美学的对话关系[J].辽宁师范大学学报(社会科学版),2007,30(4):82-86. |
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| 作者姓名： | 黄世权 |
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| 作者单位： | 北京师范大学,文艺学中心,北京,100875 |
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| 摘 要： | 尼采美学以酒神精神为出发点,体现出对生命的肯定和辩护。巴赫金美学则是一种狂欢美学,试图激活欧洲民间节日的狂欢精神以达到对官方意识形态的片面严肃性的消解而赢获个体自由。两种美学都非常强调生命和物质——肉体因素,企图用具体感性来克服抽象理性,恢复生命的丰富意义,在陶醉和狂欢中建构一种人人平等、泯灭等级的世界大同的乌托邦图景,在此基础上,两者构成丰富的对话关系。
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| 关 键 词： | 尼采 巴赫金 酒神精神 狂欢精神 美学乌托邦 |
| 文章编号： | 1000-1751（2007）04-0082-05 |
| 收稿时间： | 2006-12-08 |
| 修稿时间： | 12 8 2006 12:00AM |
On Two Kinds of Aesthetic Utopia: Dionysian Spirit and Carnival Spirit——An Aesthetic Dialogue between Nietzsche and Bakhtin |
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| HUANG Shi-quan.On Two Kinds of Aesthetic Utopia: Dionysian Spirit and Carnival Spirit——An Aesthetic Dialogue between Nietzsche and Bakhtin[J].Journal of Liaoning Normal University(Social Science Edition),2007,30(4):82-86. |
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| Authors: | HUANG Shi-quan |
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| Institution: | Centre of literature and Art, Beijing Normal University, Beijing 100875, China |
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| Abstract: | The aesthetics of Nietzsche which focuses on the Dionysian spirit embodies the affirmation and justification of life, whereas the Carnival aesthetics of Bakhtin try to activate the carnival spirit from the European folk festival to clear up the partial seriousness of the official ideology, and win individual freedom. This two kinds of aesthetics highly stressed the life factors-material and body factors, attempted to overcome the abstract reason with the concrete sensibility, and resume the richness of the life. Through intoxication and revelry a utopian prospect has been constructed in which there are no inequality and no hierarchic rank and the world as a whole is in great harmony. Both aesthetics expressed the utopian impulse wherein constitute the full dialogue between Nietzsche and Bakhtin. |
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| Keywords: | Nietzsche Bakhtin Dionysian spirit Carnival spirit aesthetic utopia |
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