| 赵树理:在正典化与狂欢化之间 |
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| 引用本文： | 杨矗.赵树理:在正典化与狂欢化之间[J].山西师大学报,2007,34(3):89-94. |
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| 作者姓名： | 杨矗 |
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| 作者单位： | 上海师范大学人文与传播学院 上海 |
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| 摘 要： | 本文借鉴韦勒克、沃伦的文学类型,福柯的谱系,布鲁姆的正典化,巴赫金的狂欢化,以及海德格尔的去蔽一敞亮之说,重新发掘赵树理文学的独特意义,认为赵树理文学在类型上是一种内雅外俗的“曲艺化”的新型的“俗文学”。在谱系承传和转型的意义上看,它处在正典化和狂欢化之间。其重大的谱系意义被主流文学给严重地遮蔽了,因此,研究中应对其进行去蔽、还原,以使之敞亮、澄明,意义现身。
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| 关 键 词： | 赵树理 正典 狂欢 谱系 |
| 文章编号： | 1001-5957(2007)03-0089-06 |
| 修稿时间： | 2007-01-04 |
ZHAO Shu-li, Between Classicalization and Carnivalization |
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| YANG Chu.ZHAO Shu-li, Between Classicalization and Carnivalization[J].Journal of Shanxi Teachers University,2007,34(3):89-94. |
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| Authors: | YANG Chu |
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| Institution: | School of Humanism and Mass Communications, Shanghai Normal University, Shanghai 200234, China |
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| Abstract: | Drawing lessons from Wallet's and Warren's literary type, Foucault's pedigree, Bloom's classicaliza-tion,Bakhtin's carnivalization and Heidegger's theory of light and space, reexploring unique meaning of Zhao Shu -li's literature, the writer considers that both the formalization of folk vocal art forms and internal refinement and foreign popularization are the new popular type of Zhao Shu - li's literature. As a result of inheriting pedigree and transferring from one type to another, it comes between classicalization and carnivalization . The official literature has covered seriously Zhao Shu -li's pedigree meaning. Therefore, in the research, effort should be made to eliminate cover and return to its original shape so as to make it spacious, clear and meaningful. |
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| Keywords: | ZHAO Shu-li classicalization carnivalization pedigree |
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