| 朦胧诗以后:词与物 |
| |
| 引用本文： | 刘春.朦胧诗以后:词与物[J].海南师范大学学报(社会科学版),2005,18(2):60-64. |
| |
| 作者姓名： | 刘春 |
| |
| 作者单位： | 桂林晚报,广西,桂林,541001 |
| |
| 摘 要： | 1985年以后，“朦胧诗人”逐渐引退，“朦胧诗”的单向度写作已经不再为更年轻诗人所满足。随着国人艺术观念的解放，诗歌写作风格也日趋多样。以时间为标志的“第三代”、“70后”、“中间代”、“80后”和以作品价值取向为标志的“知识分子写作”、“民间立场”、“下半身”等命名相继出现；各种写作潮流之间分野日益明显，并引发多次论争；民刊的日益兴盛与互联网的出现，使诗歌写作和发表打破了以前官办刊物的垄断地位。这一切，使近20年来的中国诗坛充满活力。
|
| 关 键 词： | 朦胧诗 第三代 民刊 网络诗歌 民间立场 知识分子写作 中间代 70后 |
| 文章编号： | 1672-223X(2005)02-0060-05 |
After Hazy Verse: Lexemes and Objects |
| |
| Authors: | LIU Chun |
| |
| Abstract: | Since 1985, "poets of hazy poems" have gradually resigned and "the hazy poems" in their writing style of one dimension have no longer appealed to younger poets. With the freedom of people in their artistic notions, the style of poetic creation has become increasingly varied, as is evident in the successive emergence of such nomenclatures as "the third-generation", the post-1970s", "the mid-generation" and "the post-1980s" characterized by time and "the writing of intellectuals", "the folk stance", etc marked by the value orientation of verse. Consequently, various writing trends have become more distinct from one another, thereby having led to many debates. Besides, with the increasing flourish of folk journals and the advent of Internet, the monopoly of the officially-run journals has been demolished in terms of verse writing and publication. All this has injected much vigor into the Chinese verse arena over the recent 20 years. |
| |
| Keywords: | hazy poems the third generation folk journals online poems folk stance writing of intellectuals the mid-generation the post-1970s |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
